SCRIPT PIMP JANUARY NEWSLETTER (http://www.scriptpimp.com)
Contents: (1) CALL FOR ENTRIES: Script Pimp 2010 Competitions (2) “The Living Wake” Named “7 Masterpieces of the 00’s” by Movieline (3) Recent Script Sales – December / Early January (4) Box Office Report: January 1-3 (5) Ask a Script Pimp Expert: What are Some Simple Tips When Submitting to Competitions? (6) Script Pimp Partner Article: Marvin Acuna, “Meet Buster” Part 2 (7) Script Pimp Success Stories (8) Script Pimp Feedback: Writers Workshop and Competitions (9) Script Pimp Partner: InkTip.com (10) Script Pimp in the News (11) Miscellaneous - Top Websites for Screenwriters
================================================= (1) CALL FOR ENTRIES: Script Pimp 2010 Competitions =================================================
$17,000 overall CASH to winners & $80,000 in prizes
For registration, visit: http://www.scriptpimp.com/writing_competition/home.cfm
**Writers may also request general script notes for an additional $40**
The 2010 Script Pimp Screenwriting and TV Competitions are accepting entries for feature film and TV scripts—all genres, styles, and lengths accepted. This is an international competition and non-U.S. writers are welcome.
$20,000 in cash to the finalists/winners, and $80,000 in prizes given away to ANYONE who enters. Finalist loglines/scripts are sent to over 200 companies.
Four (4) Grand-Prize winners receive:
--$14,000 total cash ($3,500 each) --$1,000 toward the "Think Tank" program at Writers Boot Camp ($4,000) --Plus ALL the finalist prizes listed below. . . .
Top 20 Finalists receive:
--$3,200 total cash (16 finalists receive $200 each) --Guaranteed circulation to over 200 Companies --Mentor teleconference meetings with a producer, manager, or agent to discuss the finalist's script --5-year memberships to Script Pimp's Writers Database ($10,000) --Featured 'Script Pimp Recommend' listing on Ink Tip™ --$100 "Creative Currency" for Writers Boot Camp ($2,000) --A seat to Chris Soth's Million Dollar Screenwriting Teleseminar (appx. $250/seat) --A seat to Philippa Burgess' Million Dollar Screenwriting & Content Career Teleseminar (appx. $300/seat) -- A seat to Steve Kaplan's Comedy Intensive Course (appx. $250/seat) --$250 travel voucher and invitation as recognized finalist to attend the Script Pimp Awards Ceremony at Writers Boot Camp in Santa Monica, CA in July 2010 where the winners will be announced
3rd Annual 2010 Script Pimp TV Writing Competition
$1,500 Cash to Best Overall TV Script; Top 10 Finalists chosen
The 3rd Annual Script Pimp TV Writing Competition: http://www.scriptpimp.com/tv/home.cfm
Acceptable entries: Specs (current or former TV shows); Original Pilots; Reality/Game Show Proposals. Any length or genre.
Grand prize is $1,500 to the best spec, pilot, or reality series proposal. Nine (9) other finalists receive $150 each, as well as guaranteed circulation to 200 companies and other prizes.
Contact entry@scriptpimp.com with questions or to request more information.
To submit: http://www.scriptpimp.com/writing_competition/home.cfm.
Script Pimp Home Page: http://www.scriptpimp.com
***All new Writers Database members get one FREE entry into either competition!*** Sign up here: http://www.scriptpimp.com/writers_database/index_wdb.cfm
*miscellaneous prizes are given away at random
================================================= (2) “The Living Wake” Named “7 Masterpieces of the 00’s” by Movieline =================================================
Script Pimp’s first feature film credit, “The Living Wake,” produced by Chadwick Clough, was named one the “7 Masterpieces of the 00’s You’ve Probably Never Seen” by Movieline.com in December 2009.
The film saw a limited theatrical run and will soon be released on DVD. Pic stars Mike O’Connell and Jesse Eisenberg (“Zombieland”). The gorgeously-shot and rather heartbreakingly poignant dark comedy centers on a man who attempts to resolve his life and reconcile with loved ones before his self-proclaimed, fast-approaching death.
Link to article: http://www.movieline.com/2009/12/7-masterpieces-of-the-00s-youve-likely-never-seen.php?page=3
================================================= (3) Recent Script Sales – December / Early January =================================================
A relatively quiet December and early January for script sales, in comparison to previous months—as expected. Script Pimp partner Sean McKittrick and Darko entertainment will co-produce the horror/romance “Pride and Prejudice and Zombies” with Lionsgate and Natalie Portman’s company. The comic adaptation bug bites again, as the franchise “Deadpool” will see a film version, and other comedies and action/thriller scripts found their way in the winter sales. Few dramas marked the landscape of genres, at least for this period ending 2009.
Selected scripts include:
--An as-of-yet untitled Ron Howard / Vince Vaughn romantic comedy project.
--The comedy “Mail Order Groom,” which may star Tiny Fey and Steve Carell, who are producing.
--A new Mel Gibson-helmed film starring Leonardo DiCaprio and centering on the Vikings. Scripted by William Monahan.
--“The Girl with the Dragon Tattoo,” a remake of the popular Swedish film of a different name.
========================================== (5) Box Office – January 1-3 ==========================================
“Avatar” is insane. . . need we say more? (And “The Blind Side” isn’t doing so bad either.) Top 10 is as follows (updated as of Jan. 4th, with TOTAL domestic rake in parentheses):
1. Avatar ($352,114,898)
2. Sherlock Holmes ($138,715,437)
3. Alvin and the Chipmunks: The Squeakquel ($155,916,935)
4. It’s Complicated ($59,178,840)
5. The Blind Side ($208,476,067)
6. Up in the Air ($44,374,918)
7. The Princess and the Frog ($85,859,339)
8. Did You Hear About the Morgans? ($25,312,384)
9. Invictus ($30,586,445)
10. Nine ($13,745,956)
================================================= (6) Ask a Script Pimp Expert: What are Some Simple Tips When Submitting to Competitions =================================================
Here are a handful of tips to get you started on the right track. More to come soon as a full article on the Script Pimp site.
1) Proofred Everything – It may not seem like much, but it shows your professionalism and that you’ve shown you’re dedicated to polishing your craft. It’s a writing contest after all, and even presentation could help give you a certain edge (even misspelling “proofread” here makes this suggestion sound less legitimate, right?)
2) The First Scene is Everything (Almost) – With contests, as with any outlet you’re submitting to, really focus in on that first handful of scenes or sequence. See if you can lure the reader in at once, get them hooked into the story.
3) Title is King – So is concept, but you’d be surprised by how many managers, agents, and production companies have a bad feeling before even reading the first page due to a weird (not off-beat, but weird) title. A boring title doesn’t necessarily mean a boring script, but a ridiculous, unmarketable title will almost surely hurt (e.g. something the reader can’t even pronounce). That said, Script Pimp has had a couple finalists in the past with wholly unmarketable titles. . . so it doesn’t always mean you’re dead in the water, as long as the story and writing is good enough.
These are just a few of many, but stand as some of the easiest fixes that just might give you the slim advantage you need.
You know it's hard out here for a pimp (you ain't knowin) When he tryin to get this money for the rent (you ain't knowin) For the Cadillacs and gas money spent (you ain't knowin) Because a whole lot of bitches talkin shit (you ain't knowin)
It’s the industry theme song playing in the background as Buster’s agent continues the marathon dialing and sales pitch.
The tastemakers on the target list have all been contacted. Buster has officially left the building.
And we’re moving.
Buster’s fate will now be met and determined by two remarkable forces. Here I’ll focus your attention on one.
As we shadow Buster on this guided tour please watch your step and as a reminder no photography or recording device of any kind is allowed.
Folks, please keep in mind that YOU are about to enter a world open only to the most elite power players in the industry, a world of mighty creatures.
Sound the Trumpets please: http://tinyurl.com/njxz4h
Ladies and gentlemen, Welcome to the Tracking Board.
A tracking board is a network of semisecret cyber-hallways, sophisticated chat rooms and BBSes.
While there are many homegrown tracking boards and rudimentary message boards with streaming text, the power players in Hollywood use www.filmtracker.com.
Formed back in the late 90’s by a dozen or so studios executives, film tracker is the industry leader. They are the epicenter of privileged information.
While film tracker manages several hundred boards and has an active membership in the several thousands, the high-end boards are by invitation-only and membership is strictly controlled.
I see you nodding your head. Go ahead we have a moment. Please ask your question.
“Why do these folks share information with each other - aren't they in competition?”
Yes, yes they are in competition, but truth is that these folks need to stay in touch and network with each other. Keep in mind that these folks move from one company to the next at an alarming speed and they never know who they might be working alongside. They like you need to cultivate close relationships with their peers.
Tracking boards are simply a networking tool in Hollywood and it pays to know how to play the game and what you're up against.
And we’re moving.
Buster’s first coverage reports will begin to surface on the boards within hours of his appearance in the marketplace.
Opinions and comments begin forming immediately.
On their own, the comments and opinions formed may seem inconsequential. But it's the collective wisdom of the board members that begins to shape Buster’s destiny.
Hear me: Anonymous people began tracking Buster the minute his agent informed someone else. Now if the coverage reports on Buster are negative, then word soon spreads over the tracking boards that this script isn't very good.
But, if the coverage reports on Buster are good, then buzz begins to build and his agent could find himself with multiple offers and dare I say it… even a bidding war. Almost instantly Buster could become the hot property.
WTF?
I know it can be a scary thought to consider that Buster’s fate rests with an anonymous group of people exchanging messages over a tracking board. But, oh well… c'est la vie.
And we’re moving.
Next up… the other remarkable force. Allow me to introduce…
To be continued.
About Producer Marvin V. Acuna: Recently executive produced The Great Buck Howard (John Malkovich, Tom Hanks, and Colin Hanks), Two Days (Paul Rudd, Donal Logue), and produced Touched (Jenna Elfman) and How Did It Feel (Blair Underwood).
To receive a copy of Hollywood’s Most Valuable E- Newsletter “The Screenwriter's Success Newsletter” for FREE sign-up at http://www.TheBusinessofShowInstitute.com. The #1 Online Information Hub for Screenwriters on the Business... of Show Business.
Former Workshop Recommends and Script Pimp writers are finding success with their screenplays and films.
Most recent updates:
2009 Screenwriting Competition Winner Matt Allen garners representation with Script Pimp industry contact Abstract Entertainment.
Brian Watanabe, writer of “Rogues Gallery,” has signed with The Gersh Agency.
2009 Screenwriting Competition winner Troy Taylor’s script, “The Eleven,” optioned by Etch Media.
Former Script Pimp Recommend writer Sam Benavides’ short horror script MANSFIELD PATH recently completed production, and a sneak preview screened in Pasadena, CA on July 25th. Other screenings to be planned in the near future.
Recent Script Pimp Recommend writer Micah Barnett has been signed by Jake Wagner (Energy Entertainment). His screenplay, THE MERC LIST, an action/thriller set in the future, was Recommended by Script Pimp in May 2009 and is now primed to make its rounds in circulation.
Former Script Pimp Recommend screenplay STRENGTH AND HONOR (dir. Mark Mahon), now a multi-award-winning film with plans for a sequel, was featured on NBC’s Today show. The film’s star, Michael Madsen, was interviewed by Meredith Viera on his role and the film’s success, along with an appearance by writer/director Mark Mahon. For the entire interview: http://today.msnbc.msn.com/id/26184891/vp/31426232#31426232.
To join the film’s Facebook fan page: http://www.facebook.com/pages/STRENGTH-AND-HONOUR/52594506857?ref=ts
Former Script Pimp Competition finalist Mandie Green recently began a writing assignment through Larry Levinson Productions to write a TV movie, “Sisterly Advice,” for the Hallmark Channel, an opportunity credited in part to contest placements for her script THE MICHAELS.
With the assistance of Kersey Management, Matt Savelloni, a former Script Pimp writer, has been placed with the agency Hohman, Maybank, and Lieb, one of the top boutique agencies in Los Angeles. Matt is currently teamed with another writer developing two projects with high-profile producers.
More success stories: http://www.scriptpimp.com/success_stories/success_stories.cfm
========================================== (9) Script Pimp Feedback: Writers Workshop and Competitions ==========================================
As always, thanks to all the writers worldwide who took the time to send in their comments. Some recent quotes, including writers who requested additional competition feedback in 2009:
“Thank you so much. The reader did an EXCELLENT job. Not only is it clear that the script was read with extreme attention, the critical notes are thoughtful and VERY helpful as opposed to destructive. And also, thanks for the praise, that's always nice, though the suggestions for improvement were even nicer! I would say the best aspect of the coverage was the acute understanding by the reader of the script I am trying to achieve. The notes address the script I would like to write, not some fictional notion of the script I might have written.” – Zeke F. (10/13)
“I've used your service before, and actually won third prize in a screenplay competition thanks to some of your suggestions. Thanks again!” – Steve M. (9/7)
“The notes [additional competition feedback] were articulate, insightful, and very much appreciated. Clearly, they came from someone who actually took the time to carefully read my script and compose a well thought out analysis (something which I am learning is not always the case with some "big name" screenplay competitions). I can honestly say that I couldn't be more satisfied with my Script PIMP experience.” – Alex L. (9/2)
“Thank you for your thoughtful review of my script. It's nice to know that it was read so carefully. [contest additional feedback]” – Janet R. (9/1)
“Thank you so much for your precise and constructive notes! [contest additional feedback]” – Beth S. (9/1)
“Thank you for the valuable feedback. I plan on using much of it in my next re-write. [contest additional feedback]” – Dan R. (9/1)
“I want to thank you wholeheartedly for the great job you did on the requested additional notes on my screenplay. I appreciate your honesty, and I will follow up on your suggestions. I wasn't expecting to win since I was more interested and did want your feedback. Once again, thank you, and I will keep my eye out for your future competitions.” – Helen B. (8/27)
“Wonderful feedback, very impressive and welcome. Exceptionally well-run contest. Thanks very much for the insights.” [regarding competition feedback] – (8/22)
“As for your evaluator, I would give him/her a 10 across the board. Although I didn't agree with everything, the comments and suggests were all valid and smart. In my revised script, I incorporated many of the suggestions. Money well spent. Thanks again.” – Mark A. (8/20)
“I have to say Script P.I.M.P. has been a great experience. The staff is always courteous and professional. Any questions are immediately answered, 24/7. The writer's database has been a fantastic resource and I look forward to continuing my relationship with the P.I.M.P.” – Sean Fallon (8/4)
“I've found SP to be very professional and proactive, even going so far as calling me the day before the contest posted, to let me know that I was a finalist. Matt, over at Script P.I.M.P, has been very communicative throughout the entire process, and answered all my questions in a timely manner. The best thing about the contest though, is that I've already received several read requests from managers and production companies.” – Jason Carreiro (8/2)
“Script P.I.M.P.'s contest is very professionally run, and so far it has been an excellent experience. I feel that the contest definitely has potential to open doors, and potentially offer significant exposure to winners and finalists. I highly recommend this contest and commend the very helpful people running it!” – Matthew Altman (8/1)
Script Pimp highly recommends partner InkTip to help with the promotion of your script to numerous industry pros, with over 50 credits as a Screenplay Facilitator in the past five years.
***InkTip: Find good scripts fast and easy.***
InkTip, a screenplay facilitation company, has been helping producers, filmmakers, agents, managers and name talent find good scripts and writers since 2000.
Over 80 produced films have been facilitated by InkTip with a current average of 19 films produced per year.
To see our IMDb profile, go to IMDb.com and search for ‘InkTip’, or visit: http://www.inktip.com/welcome.php?cid=SSsolo&pg=main_inktip_on_imdb.php
In less than 2 minutes, see how InkTip works for you by watching the InkTip Explained video: http://www.inktip.com/welcome.php?cid=SSsolo&pg=itexplained.php
========================================== (11) Script Pimp in the News ==========================================
To view all Script Pimp company credits, visit: http://www.imdb.com/company/co0173374
For the Rogues Gallery Facebook page: http://www.facebook.com/group.php?gid=64778963348&ref=mf
View all Script Pimp Press: http://www.scriptpimp.com/ (scroll down to In the News section)
Script Pimp Named Top 50 Websites by Moviemaker: http://www.moviemaker.com/producing/article/50_best_websites_for_moviemakers_2009_20090610/%23When:20:11:00Z
Script Pimp Reviewed by Associated Content: http://www.associatedcontent.com/article/369671/review_of_script_pimp_pipeline_into.html?cat=31
Script Pimp's feature film "The Living Wake" reviewed by Variety: http://www.scriptpimp.com/newsletters/variety.cfm
Script Pimp on TV (Peter Bart's Sunday Morning Shootout): http://www.scriptpimp.com/ (click on link at top of home page)
========================================== (12) Miscellaneous - Top Websites for Screenwriters ==========================================
The following is a guide for the Script Pimp community of five-star websites for screenwriters and aspiring filmmakers. To post your site in this section for approval, please contact us at matt@scriptpimp.com.
NETWORKING SITES:
Screenwriters Federation of America http://www.screenwritersfederation.org/phpBB2/
Shooting People http://www.shootingpeople.org
International Screenwriters Association http://www.networkisa.org
$17,000 overall CASH to winners & $80,000 in prizes
For registration, visit: http://www.scriptpimp.com/writing_competition/home.cfm
**Writers may also request general script notes for an additional $40**
The 2010 Script Pimp Screenwriting and TV Competitions are accepting entries for feature film and TV scripts—all genres, styles, and lengths accepted. This is an international competition and non-U.S. writers are welcome.
$20,000 in cash to the finalists/winners, and $80,000 in prizes given away to ANYONE who enters. Finalist loglines/scripts are sent to over 200 companies.
Four (4) Grand-Prize winners receive:
--$14,000 total cash ($3,500 each) --$1,000 toward the "Think Tank" program at Writers Boot Camp ($4,000) --Plus ALL the finalist prizes listed below. . . .
Top 20 Finalists receive:
--$3,200 total cash (16 finalists receive $200 each) --Guaranteed circulation to over 200 Companies --Mentor teleconference meetings with a producer, manager, or agent to discuss the finalist's script --5-year memberships to Script Pimp's Writers Database ($10,000) --Featured 'Script Pimp Recommend' listing on Ink Tip™ --$100 "Creative Currency" for Writers Boot Camp ($2,000) --A seat to Chris Soth's Million Dollar Screenwriting Teleseminar (appx. $250/seat) --A seat to Philippa Burgess' Million Dollar Screenwriting & Content Career Teleseminar (appx. $300/seat) -- A seat to Steve Kaplan's Comedy Intensive Course (appx. $250/seat) --$250 travel voucher and invitation as recognized finalist to attend the Script Pimp Awards Ceremony at Writers Boot Camp in Santa Monica, CA in July 2010 where the winners will be announced
3rd Annual 2010 Script Pimp TV Writing Competition
$1,500 Cash to Best Overall TV Script; Top 10 Finalists chosen
The 3rd Annual Script Pimp TV Writing Competition: http://www.scriptpimp.com/tv/home.cfm
Acceptable entries: Specs (current or former TV shows); Original Pilots; Reality/Game Show Proposals. Any length or genre.
Grand prize is $1,500 to the best spec, pilot, or reality series proposal. Nine (9) other finalists receive $150 each, as well as guaranteed circulation to 200 companies and other prizes.
Contact entry@scriptpimp.com with questions or to request more information.
To submit: http://www.scriptpimp.com/writing_competition/home.cfm.
Script Pimp Home Page: http://www.scriptpimp.com
***All new Writers Database members get one FREE entry into either competition!*** Sign up here: http://www.scriptpimp.com/writers_database/index_wdb.cfm
*miscellaneous prizes are given away at random
================================================= (2) Chadwick Clough Interview: Free Audio and Special Offer =================================================
For those of you missed the Hollywood by Phone teleconference with Chris Soth and Chadwick Clough on the 22nd, not to worry, because the complete interview is now available for FREE as an .mp3. Please follow the link below:
The call covers facets of the industry EVERY writer should know, so definitely take advantage of this free info.
Even better, our special Development Notes package offer is STILL AVAILABLE. Here’s what you receive for $250:
--Development Notes: Our most extensive written Workshop analysis. Development Notes focus on maximizing the creative potential and marketability of your screenplay. They also serve as a crucial tool in preparing your script for industry circulation. Receive a “Recommend,” and Script Pimp will help circulate your screenplay to production companies, managers, and agents. ($250 value)
--One FREE entry into the 2010 Screenwriting or Teleplay Competition ($50 value)
--One-year membership to the new Script Pimp Writers Database launching in January, 2010 ($97 value)
--A seat to Chris Soth’s Million Dollar Screenwriting Teleseminar ($247 value)
Almost $400 in EXTRAS for the price of regular Development Notes.
To sign up and take advantage of this once-a-year offer, click here: http://www.hollywoodbyphone.com/Home.aspx
This package will NOT be valid after next week or for the remainder of 2009.
You may also sign up by E-mailing matt@scriptpimp.com and mentioning the Script Pimp Development Notes package offer.
For more info on Script Pimp’s services, visit www.scriptpimp.com
================================================= (3) Ask a Script Pimp Expert: What Makes a Good Query Letter =================================================
This is a question that could spawn a book-length answer, but here are a few tips to keep in mind:
--Keep it simple, but informative. A sterile, “I’ve just finished a script, The Road Travelled, an action/comedy. Please let me know if you’d like to request the script” is probably not going to get you any requests. Abide by the basic structure: logline/pitch in the first paragraph, any awards/accolades the script has received, a brief bio on yourself as a writer, and the closing.
--Personalize the query as much as possible. If you have a horror and you know the company you’re submitting to just produced five horror films, mention that you think they’d be interested in your script because of their preferred genre. Anything you can do to show that you’ve done your homework and researched the individual or company increases your chances of getting a script request.
--Seems like a no-brainer, but CHECK FOR TYPOS. It’s a minor thing, but it’s a reflection on your attention to detail and presentation. If you didn’t take the time to run through your query letter, why would a producer want to read your most likely messy script?
For more tips on the film industry, screenwriting, and everything in-between, join the Script Pimp Writers Database. Members may send in queries, loglines, concepts, and outlines for review, or ask as many questions as they need answered until they’re an expert (or close enough).
To join and learn more: http://scriptpimp.com/two/index.cfm?do=writersdatabase
========================================== (4) Recent Script Sales – October ==========================================
Biopics and stories revolving around real-life stories and figures, as well as higher-profile comedies, are littered among dramas, horrors, and thrillers across October’s script sales. The hit Japanese manga comic “Ghost in the Shell” will see a big-screen adaptation, as will “Warcraft,” based on the popular game. The “Spider-man” sequel, “Venom,” is currently in the process of rewrites. “Vacation,” a sequel to the 1983 Chevy Chase comedy, sees a grown up Rusty Griswold take his own family on vacation—a writer is currently being sought.
Selected/notable sales include:
--A $150 million budgeted project centered on the Prophet Mohammed
--“Men in Black 3,” with Ethan Cohen penning the script and Barry Sonnenfeld directing
--An untitled George Gershwin biopic
--The romantic comedy “Jack and Jill.” Adam Sandler will star as both Jack and Jill (not a typo)
Lastly, TV comedy fans rejoice: “Arrested Development” is coming to theaters. And yes, everyone who’s awesome will be in the movie version
The 2010 CineStory Screenwriting Awards are now open! One of the rare screenplay contests with a writers' retreat attached, the CineStory Screenwriting Awards have helped to launch the careers of acclaimed writers such as Mark Fergus and Hawk Ostby (IRON MAN, CHILDREN OF MEN).
Be one of the top 16 writers of the CineStory Screenwriting Awards and you'll be invited to attend this four day exclusive event, receiving feedback and guidance from working agents, managers, producers and screenwriters.
Grand Prize - The CineStory Fellowship: over $7,000 in cash and prizes including two industry mentors for ONE YEAR
Script PIMP readers get $10 off any deadline. Just include the code SP10 in the submission email or on your entry form.
NOTE: This offer does not apply to submissions received through WithoutABox.
DEADLINES: Early: November 16th ($45) Regular: December 31st ($55) Late: January 31st ($65)
Entry forms and other information: http://cinestory.org/contest.php
Steve Kaplan's Comedy Intensive, The Industry's #1 Course on Comedy, is returning to LA on December 5-6, 2009.
"Steve Kaplan was a very important influence on me as a young performer and writer. Many of his techniques for analyzing a comedy scene I still use to this day. Although, I make sure I never give him credit."- Steve Skrovan, Writer/Producer for Everybody Loves Raymond
For more than 15 years, Steve Kaplan has been the industry's most respected and sought-after expert on comedy. In addition to being a regular consultant and script doctor to such companies as Disney, Dreamworks, HBO, Paramount and others, Steve has taught at UCLA, NYU, Yale and other top universities, and created the HBO Workspace and the HBO New Writers Program teaching and mentoring some of the biggest writers, producers and directors in comedy today.
The course is a two-day workshop geared mostly to writers but also regularly attended by directors, producers, actors and animators (many coming from top studios like Disney and DreamWorks). Starting with the theoretical, you'll move to the practical with the ultimate goal of providing you with the Hidden Tools of Comedy: techniques and principles you’ll need to understand, write, direct or perform comedy.
You’ll take a look at the nature of comedy: how it works, why it works, and more importantly, why it doesn’t work, and how to fix it when it doesn’t. The course will show you how to understand, examine analyze, construct and deconstruct comedy, and still be able to laugh your head off. And if you want to, you'll be making other people laugh their heads off as well.
Steve says, "The class retains a lot of the flavor and fun from the original days when I was experimenting with Method-trained actors discovering new approaches to comedy. In the Intensive, we still do a lot of exercises and activities, as well as show a healthy dollop of comedy clips to go along with the lecture part of the weekend. With the concepts in Intensve, we’ll give you the understanding to know just what’s gone wrong when it’s not working, and the tools to fix it so you can keep the comedy going."
Steve's former students' accomplishments are unmatched: They have been nominated for 43 Emmy Awards, 1 Academy Award, 3 Golden Globe Awards, 1 American Comedy Award, 6 Writers' Guild of America Awards and several others. They've WON 10 Emmys, 1 Oscar, 2 WGA Awards and the American Comedy Award.
David Fury, Emmy-Winning Writer/Producer for 24, Lost, Buffy the Vampire Slayer and more said of Steve: "I wrote...my best, funniest sketches thanks, in no small part, to the lessons I learned from Steve Kaplan's comedy classes. Steve breaks the fine art of comedy down...that helps the unfunny become funny, and the funny become funnier."
Venue:
Hollywood Renaissance Hotel 1755 N. Highland Avenue Los Angeles, CA 90028
Times:
9:30am to 6:00pm each day
Fees:
$295
To Register:
Online: www.KaplanComedy.com or email Steve Kaplan's Comedy Intensive at: skcomedy@aol.com or Phone: 818-718-7570
======================================== (7) Script Pimp Recommends: Movie Outline / Hollywood Script Express ========================================
MOVIE OUTLINE SOFTWARE INTRODUCES “HOLLYWOOD SCRIPT EXPRESS” The entertainment industry’s new online script printing & shipping service
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Your script is printed in US Letter format, bound with industry standard three-hole punch and shipped via FedEx or Same-Day-Courier from professional printers in Los Angeles. This is especially beneficial for out-of-state or overseas writers, directors, producers and agents.
HSX also hosts a suite of powerful services and tools for screenwriters and creatives who not only want to send their scripts but also want to protect their copyright, track submissions, log responses, manage contacts and collate feedback.
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Visit http://www.movieoutline.com/ to purchase or learn more.
INDUSTRY ENDORSEMENTS
“As a previous died in the wool lover of Final Draft, you need to know, I LOVE Movie Outline and will never go back! I have never written so fast, so intuitively or felt in such complete control of the dynamic flow of ideas.” -- Kieth Merrill Academy Award® Winning Filmmaker
“I use Movie Outline all the time. It has many powerful features, is easy to use and makes writing and formatting a screenplay a breeze. No screenwriter should be without it.” -- Kevin Williamson Screenwriter - Scream, The Faculty, Dawson's Creek
“I really like the way Movie Outline focuses on story and structuring and believe that my students will benefit greatly from using it.” -- Professor John Bernstein Director of the Acclaimed Boston University Screenwriting Program
“This is the most complete package I've seen for the screenwriter in one application from outline to final draft. I recommend this program to all scribes from novice to professional.” -- Karl Iglesias UCLA Instructor, Author "Writing for Emotional Impact"
================================================= (8) Script Pimp Recommends: “Table Read My Screenplay” =================================================
Script Pimp recommends the following contest—one of the more original competitions out there and one that is sure to help the winning writer with their work.
TABLE READ MY SCREENPLAY! Only $15 to enter til NOV. 10th! Save $5 with this code: SCRIPTPIMP
A NEW and ORIGINAL Screenplay Contest – JUST ADDED 2 AMAZING PRIZES!
1) A 'PRIVATE SESSION' with Gary Goldstein Producer of ‘PRETTY WOMAN’, ‘THE MOTHMAN PROPHECIES’ and ‘UNDER SEIGE’ 2) PRO SERIES 6 mth. long PROFESSIONAL Screenwriting Class - $1,100.00 value! 60 out of 125 ProSeries Alumni who have taken the class have either sold, optioned or had PAID writing assignments in the past YEAR! (http://www.scriptforsale.com/amember/go.php?r=10247&i=l6)
TABLE READ MY SCREENPLAY! A Screenplay Contest with UNIQUE PRIZES
1) - We FLY you to L.A. and we put you up in a hotel... 2) - Professional Actors will perform YOUR Screenplay! 3) - You NARRATE your 'Table Read' with the actors, 4) - We'll VIDEO record it! 5) - Have a ‘Private Session’ with Gary Goldstein (Producer of PRETTY WOMAN) 6) - PRO SERIES Professional Screenwriting Class - $1100 Value! (http://www.scriptforsale.com/amember/go.php?r=10247&i=l6)
Only $15 til NOV. 10th! Save $5 with this code: SCRIPTPIMP
*You MUST USE this link to get discount* http://www.tablereadmyscreenplay.com/#/submit-now/4534827623 ENTER HERE!
Why do I need a 'Table Read' of my screenplay?
Over 50,000 screenplays are written each year, and only a handful get produced, which means you need to make sure yours is at the top of it's game. A 'Table Read' or 'Read-through' is often a surprisingly powerful tool for identifying problem areas in the script. Wooden dialogue, unbelievable situations, or boring sections of the film which have not been addressed during the script development process are often discovered in the read-through.
Script Pimp highly recommends this rather original screenplay contest, where entrants will be submitting scripts specifically with a particular actress in mind, Dawn Olivieri (“Heroes”).
Scripped.com, in partnership with Girl2Watch, is running a unique screenplay contest for Heroes actress Dawn Olivieri (you might know her as Lydia). Dawn is asking for a script in which she "kicks ass" in 10-15 pages and is the leading lady. The winning script will be chosen by Ms. Olivieri herself and wins a $500 cash prize.
Go to http://Scripped.com/contests and click on the Dawn Olivieri contest for more info. It's that simple! Entry is only $15.
Former Workshop Recommends and Script Pimp writers are finding success with their screenplays and films.
Most recent updates:
Brian Watanabe, writer of “Rogues Gallery,” has signed with The Gersh Agency.
2009 Screenwriting Competition winner Troy Taylor’s script, “The Eleven,” optioned by Etch Media.
Former Script Pimp Recommend writer Sam Benavides’ short horror script MANSFIELD PATH recently completed production, and a sneak preview screened in Pasadena, CA on July 25th. Other screenings to be planned in the near future.
Recent Script Pimp Recommend writer Micah Barnett has been signed by Jake Wagner (Energy Entertainment). His screenplay, THE MERC LIST, an action/thriller set in the future, was Recommended by Script Pimp in May 2009 and is now primed to make its rounds in circulation.
Former Script Pimp Recommend screenplay STRENGTH AND HONOR (dir. Mark Mahon), now a multi-award-winning film with plans for a sequel, was featured on NBC’s Today show. The film’s star, Michael Madsen, was interviewed by Meredith Viera on his role and the film’s success, along with an appearance by writer/director Mark Mahon. For the entire interview: http://today.msnbc.msn.com/id/26184891/vp/31426232#31426232.
To join the film’s Facebook fan page: http://www.facebook.com/pages/STRENGTH-AND-HONOUR/52594506857?ref=ts
Former Script Pimp Competition finalist Mandie Green recently began a writing assignment through Larry Levinson Productions to write a TV movie, “Sisterly Advice,” for the Hallmark Channel, an opportunity credited in part to contest placements for her script THE MICHAELS.
With the assistance of Kersey Management, Matt Savelloni, a former Script Pimp writer, has been placed with the agency Hohman, Maybank, and Lieb, one of the top boutique agencies in Los Angeles. Matt is currently teamed with another writer developing two projects with high-profile producers.
More success stories: http://www.scriptpimp.com/success_stories/success_stories.cfm
========================================== (11) Script Pimp Feedback: Writers Workshop and Competitions ==========================================
As always, thanks to all the writers worldwide who took the time to send in their comments. Some recent quotes, including writers who requested additional competition feedback in 2009:
“Thank you so much. The reader did an EXCELLENT job. Not only is it clear that the script was read with extreme attention, the critical notes are thoughtful and VERY helpful as opposed to destructive. And also, thanks for the praise, that's always nice, though the suggestions for improvement were even nicer! I would say the best aspect of the coverage was the acute understanding by the reader of the script I am trying to achieve. The notes address the script I would like to write, not some fictional notion of the script I might have written.” – Zeke F. (10/13)
“I've used your service before, and actually won third prize in a screenplay competition thanks to some of your suggestions. Thanks again!” – Steve M. (9/7)
“The notes [additional competition feedback] were articulate, insightful, and very much appreciated. Clearly, they came from someone who actually took the time to carefully read my script and compose a well thought out analysis (something which I am learning is not always the case with some "big name" screenplay competitions). I can honestly say that I couldn't be more satisfied with my Script PIMP experience.” – Alex L. (9/2)
“Thank you for your thoughtful review of my script. It's nice to know that it was read so carefully. [contest additional feedback]” – Janet R. (9/1)
“Thank you so much for your precise and constructive notes! [contest additional feedback]” – Beth S. (9/1)
“Thank you for the valuable feedback. I plan on using much of it in my next re-write. [contest additional feedback]” – Dan R. (9/1)
“I want to thank you wholeheartedly for the great job you did on the requested additional notes on my screenplay. I appreciate your honesty, and I will follow up on your suggestions. I wasn't expecting to win since I was more interested and did want your feedback. Once again, thank you, and I will keep my eye out for your future competitions.” – Helen B. (8/27)
“Wonderful feedback, very impressive and welcome. Exceptionally well-run contest. Thanks very much for the insights.” [regarding competition feedback] – (8/22)
“As for your evaluator, I would give him/her a 10 across the board. Although I didn't agree with everything, the comments and suggests were all valid and smart. In my revised script, I incorporated many of the suggestions. Money well spent. Thanks again.” – Mark A. (8/20)
“I have to say Script P.I.M.P. has been a great experience. The staff is always courteous and professional. Any questions are immediately answered, 24/7. The writer's database has been a fantastic resource and I look forward to continuing my relationship with the P.I.M.P.” – Sean Fallon (8/4)
“I've found SP to be very professional and proactive, even going so far as calling me the day before the contest posted, to let me know that I was a finalist. Matt, over at Script P.I.M.P, has been very communicative throughout the entire process, and answered all my questions in a timely manner. The best thing about the contest though, is that I've already received several read requests from managers and production companies.” – Jason Carreiro (8/2)
“Script P.I.M.P.'s contest is very professionally run, and so far it has been an excellent experience. I feel that the contest definitely has potential to open doors, and potentially offer significant exposure to winners and finalists. I highly recommend this contest and commend the very helpful people running it!” – Matthew Altman (8/1)
Script Pimp highly recommends partner InkTip to help with the promotion of your script to numerous industry pros, with over 50 credits as a Screenplay Facilitator in the past five years.
***InkTip: Find good scripts fast and easy.***
InkTip, a screenplay facilitation company, has been helping producers, filmmakers, agents, managers and name talent find good scripts and writers since 2000.
Over 80 produced films have been facilitated by InkTip with a current average of 19 films produced per year.
To see our IMDb profile, go to IMDb.com and search for ‘InkTip’, or visit: http://www.inktip.com/welcome.php?cid=SSsolo&pg=main_inktip_on_imdb.php
In less than 2 minutes, see how InkTip works for you by watching the InkTip Explained video: http://www.inktip.com/welcome.php?cid=SSsolo&pg=itexplained.php
========================================== (13) Circus of Joy @ the Hollywood Improv: Free Tickets ==========================================
CIRCUS OF JOY – November 5th, Thursday, 10:00pm
RSVP: tickets@scriptpimp.com
You're invited! The guest list is limited and filling up fast for November 5th.
CIRCUS OF JOY - 10pm (Hollywood Improv)
LINE-UP
Clara Bijl (emcee) James Adomian Brian Keith Etheridge Natasha Leggero Patrick Keane Andy Kindler ("Everybody Loves Raymond") Mike O'Connell
Check out the LA WEEKLY review of Circus of Joy (p. 110, October 2nd-8th, 2009 issue)
BEST MONTHLY COMEDY SHOW – CIRCUS OF JOY
"Why put the kiddies through the trauma of those regular old Circuses of Terror? The clowns, the dwarf-eating hippos, the bearded-ladies with an all-too-familiar resemblance to Aunt Millie? Sure it's not exactly family friendly but for adults who remain comically young at heart there's an alternative to the peanut shells and the elephant poo, The Improv's long running CIRCUS OF JOY. The monthly big-top blowout features stand-up, music and the odd sketch or two, plus a revolving cast of out there entertainers including past performers Natasha Leggero, Nick Thune, Dr. Ken, Henry Phillips, Matt Braunger, Eddie Pepitone, Kevin Shea and Maria Bamford (if you can catch a show with wild man Mike O'Connell, you've struck gold.) Even better, ringleader Chadwick Clough tends to offer guest list spots via his ScriptPimp.com. So point the clown car for Melrose Avenue, not even UCB offers a more consistent opportunity to let your circus freak flag fly. The Improv 8162 Melrose Ave. L.A. - Julie Seabaugh"
Improv is @ 8162 Melrose Avenue, Los Angeles, CA 90046 (323) 651-2583. Corner of Crescent Heights and Melrose. Street parking up and down Melrose. Dinner is served in the front and chicken fingers in the main room.
For more info, go to www.Improv.com, then click Hollywood on the left.
Circus Shows on YouTube: www.youtube.com/scriptpimp
========================================== (14) Script Pimp in the News ==========================================
To view all Script Pimp company credits, visit: http://www.imdb.com/company/co0173374
View all Script Pimp Press: http://www.scriptpimp.com/ (scroll down to In the News section)
Script Pimp Named Top 50 Websites by Moviemaker: http://www.moviemaker.com/producing/article/50_best_websites_for_moviemakers_2009_20090610/%23When:20:11:00Z
Script Pimp's feature film "The Living Wake" reviewed by Variety: http://www.scriptpimp.com/newsletters/variety.cfm
Script Pimp on TV (Peter Bart's Sunday Morning Shootout): http://www.scriptpimp.com/ (click on link at top of home page)
========================================== (15) Miscellaneous - Top Websites for Screenwriters ==========================================
The following is a guide for the Script Pimp community of five-star websites for screenwriters and aspiring filmmakers. To post your site in this section for approval, please contact us at matt@scriptpimp.com.
NETWORKING SITES:
Screenwriters Federation of America http://www.screenwritersfederation.org/phpBB2/
Shooting People http://www.shootingpeople.org
International Screenwriters Association http://www.networkisa.org
$17,000 overall CASH to winners & $80,000 in prizes
For registration, visit: http://www.scriptpimp.com/writing_competition/home.cfm
**Writers may also request general script notes for an additional $40**
The 2010 Script Pimp Screenwriting and TV Competitions are accepting entries for feature film and TV scripts—all genres, styles, and lengths accepted. This is an international competition and non-U.S. writers are welcome.
$20,000 in cash to the finalists/winners, and $80,000 in prizes given away to ANYONE who enters. Finalist loglines/scripts are sent to over 200 companies.
Four (4) Grand-Prize winners receive:
--$14,000 total cash ($3,500 each) --Guaranteed circulation to over 200 Companies --Mentor teleconference meetings with a producer, manager, or agent --5-year memberships to Script Pimp's Writers Database --Featured Script Pimp Recommend listing on Ink Tip™ --$1,000 toward the "Think Tank" program at Writers Boot Camp ($4,000) --A seat to Chris Soth's Million Dollar Screenwriting Teleseminar (appx. $250/seat) --A seat to Philippa Burgess' Million Dollar Screenwriting & Content Career Teleseminar (appx. $300/seat) --$250 travel voucher and invitation as recognized finalist to attend the Script Pimp Awards Ceremony at Writers Boot Camp in Santa Monica, CA in July 2010 where the winners will be announced
Top 20 Finalists receive:
--$3,200 total cash (16 finalists receive $200 each) --Guaranteed circulation to over 200 Companies --Mentor teleconference meetings with a producer, manager, or agent to discuss the finalist's script --5-year memberships to Script Pimp's Writers Database ($10,000) --Featured 'Script Pimp Recommend' listing on Ink Tip™ --$100 "Creative Currency" for Writers Boot Camp ($2,000) --A seat to Chris Soth's Million Dollar Screenwriting Teleseminar (appx. $250/seat) --A seat to Philippa Burgess' Million Dollar Screenwriting & Content Career Teleseminar (appx. $300/seat) --$250 travel voucher and invitation as recognized finalist to attend the Script Pimp Awards Ceremony at Writers Boot Camp in Santa Monica, CA in July 2010 where the winners will be announced
The following is a selection of the 200 companies that have requested to review the finalists:
3 Arts, AEI-Atchity Editorial, The Alpern Group, Arpil Entertainment, Benderspink, Content Films, Creative Convergence, Crossroads Films, Darko Entertainment, Elements Entertainment, Film Roman, The Gersh Agency, Gold Circle Films, Guy Walks Into A Bar Productions, Icon Productions, Industry Entertainment, Jerry Weintraub Productions, Management 360, Morgan Creek Pictures, Myriad Pictures, Original Artists, National Lampoon, Paradigm Literary Agency, Polsky Films, The Radmin Company, Spyglass Entertainment, Stone Canyon Media, Underground Films, Vintage Independent Productions, Yari Film Group
3rd Annual 2010 Script Pimp TV Writing Competition
$1,500 Cash to Best Overall TV Script; Top 10 Finalists chosen
The 3rd Annual Script Pimp TV Writing Competition: http://www.scriptpimp.com/tv/home.cfm
Acceptable entries: Specs (current or former TV shows); Original Pilots; Reality/Game Show Proposals. Any length or genre.
Grand prize is $1,500 to the best spec, pilot, or reality series proposal. Nine (9) other finalists receive $150 each, as well as guaranteed circulation to 200 companies and other prizes.
Contact entry@scriptpimp.com with questions or to request more information.
To submit: http://www.scriptpimp.com/writing_competition/home.cfm.
Script Pimp Home Page: http://www.scriptpimp.com
***All new Writers Database members get one FREE entry into either competition!*** Sign up here: http://www.scriptpimp.com/writers_database/index_wdb.cfm
Want to learn how to get the most out of screenwriting contests to give you access into Hollywood's inner circle?
Don't miss Script P.I.M.P.'s own Chadwick Clough for a LIVE phone interview on Thursday, October 15th at 5:30PM Pacfic (Live Worldwide). Screenwriter Chris Soth of MillionDollarScreenwriting.com and YourScreenplayMentor.com interviews Chadwick who will be answering your questions. Register for this FREE call today at: http://www.hollywoodbyphone.com/NextFREELiveCall.aspx
**Script Pimp highly recommends the Kairos Prize for Spiritually Uplifting Screenplays, a unique and worthwhile contest dedicated to finding quality, inspirational scripts from writers worldwide. We encourage all our Script Pimp writers to check out the contest details—you may have precisely the type of script they’re looking for.
The 5TH Annual $50,000 Kairos Prize for Spiritually Uplifting Screenplays is currently accepting submissions!
Funded by a grant from The John Templeton Foundation, MOVIEGUDE® announces the 5th Annual Kairos Prize for Spiritually Uplifting Screenplays. The primary purpose of the prize is to further the influence of moral and spiritual values within the film and television industries. Set up to help inspire first-time and beginning screenwriters to produce compelling, entertaining and spiritually uplifting scripts, the winning scripts are read by top execs in addition to the monetary awards.
Winners will be announced at the 18th Annual MOVIEGUIDE® Faith & Values Awards Gala and Report to the Entertainment Industry on February, 23rd, 2010.
FINAL DEADLINE: Nov. 2nd, 2009
For complete information please visit www.kairosprize.com
========================================== (4) Recent Script Sales – September ==========================================
As always, sequels and remakes are scattered throughout September’s script sales, as well as a biopic on the post-presidential life of Teddy Roosevelt (“River of Doubt”), a mid-nineties Wall Street crime/drama, a fantasy basketball camp comedy featuring NBA star LeBron James, the comedy “Super” starring Ellen Page and Rainn Wilson, and an as-of-yet untitled Barry Manilow project focusing on his fans.
Other selected/notable sales include:
--Building upon the successful franchise, a new edition of “Spy Kids” in 3-D
--A fresh look at the classic “A Star is Born”
--Nicholas Cage will reprise his role in “Ghost Rider 2”
--A remake of “The Fly,” with David Cronenberg possibly writing and directing
--Live-action “Barbie” film—no writer attached as of yet
Former Workshop Recommends and Script Pimp writers are finding success with their screenplays and films.
Most recent updates:
Brian Watanabe, writer of “Rogues Gallery,” has signed with The Gersh Agency.
2009 Screenwriting Competition winner Troy Taylor’s script, “The Eleven,” optioned by Etch Media.
Former Script Pimp Recommend writer Sam Benavides’ short horror script MANSFIELD PATH recently completed production, and a sneak preview screened in Pasadena, CA on July 25th. Other screenings to be planned in the near future.
Recent Script Pimp Recommend writer Micah Barnett has been signed by Jake Wagner (Energy Entertainment). His screenplay, THE MERC LIST, an action/thriller set in the future, was Recommended by Script Pimp in May 2009 and is now primed to make its rounds in circulation.
Former Script Pimp Recommend screenplay STRENGTH AND HONOR (dir. Mark Mahon), now a multi-award-winning film with plans for a sequel, was featured on NBC’s Today show. The film’s star, Michael Madsen, was interviewed by Meredith Viera on his role and the film’s success, along with an appearance by writer/director Mark Mahon. For the entire interview: http://today.msnbc.msn.com/id/26184891/vp/31426232#31426232.
To join the film’s Facebook fan page: http://www.facebook.com/pages/STRENGTH-AND-HONOUR/52594506857?ref=ts
Former Script Pimp Competition finalist Mandie Green recently began a writing assignment through Larry Levinson Productions to write a TV movie, “Sisterly Advice,” for the Hallmark Channel, an opportunity credited in part to contest placements for her script THE MICHAELS.
With the assistance of Kersey Management, Matt Savelloni, a former Script Pimp writer, has been placed with the agency Hohman, Maybank, and Lieb, one of the top boutique agencies in Los Angeles. Matt is currently teamed with another writer developing two projects with high-profile producers.
More success stories: http://www.scriptpimp.com/success_stories/success_stories.cfm
========================================== (6) Script Pimp Feedback: Writers Workshop and Competitions ==========================================
Script Pimp's Writers Workshop and 2009 Competitions have had its biggest years as far as submissions, and feedback has been especially positive. Thanks to all the writers worldwide who took the time to send in their comments.
Some recent quotes, including writers who requested additional competition feedback in 2009:
“I've used your service before, and actually won third prize in a screenplay competition thanks to some of your suggestions. Thanks again!” – Steve M. (9/7)
“The notes [additional competition feedback] were articulate, insightful, and very much appreciated. Clearly, they came from someone who actually took the time to carefully read my script and compose a well thought out analysis (something which I am learning is not always the case with some "big name" screenplay competitions). I can honestly say that I couldn't be more satisfied with my Script PIMP experience.” – Alex L. (9/2)
“Thank you for your thoughtful review of my script. It's nice to know that it was read so carefully. [contest additional feedback]” – Janet R. (9/1)
“Thank you so much for your precise and constructive notes! [contest additional feedback]” – Beth S. (9/1)
“Thank you for the valuable feedback. I plan on using much of it in my next re-write. [contest additional feedback]” – Dan R. (9/1)
“I want to thank you wholeheartedly for the great job you did on the requested additional notes on my screenplay. I appreciate your honesty, and I will follow up on your suggestions. I wasn't expecting to win since I was more interested and did want your feedback. Once again, thank you, and I will keep my eye out for your future competitions.” – Helen B. (8/27)
“Wonderful feedback, very impressive and welcome. Exceptionally well-run contest. Thanks very much for the insights.” [regarding competition feedback] – (8/22)
“As for your evaluator, I would give him/her a 10 across the board. Although I didn't agree with everything, the comments and suggests were all valid and smart. In my revised script, I incorporated many of the suggestions. Money well spent. Thanks again.” – Mark A. (8/20)
“I have to say Script P.I.M.P. has been a great experience. The staff is always courteous and professional. Any questions are immediately answered, 24/7. The writer's database has been a fantastic resource and I look forward to continuing my relationship with the P.I.M.P.” – Sean Fallon (8/4)
“I've found SP to be very professional and proactive, even going so far as calling me the day before the contest posted, to let me know that I was a finalist. Matt, over at Script P.I.M.P, has been very communicative throughout the entire process, and answered all my questions in a timely manner. The best thing about the contest though, is that I've already received several read requests from managers and production companies.” – Jason Carreiro (8/2)
“Script P.I.M.P.'s contest is very professionally run, and so far it has been an excellent experience. I feel that the contest definitely has potential to open doors, and potentially offer significant exposure to winners and finalists. I highly recommend this contest and commend the very helpful people running it!” – Matthew Altman (7/29)
You're an Ineffective Networker If... by Marvin V. Acuna
I attend numerous events in various parts of the country and abroad, sometimes as a student, but predominately as a speaker. Beyond the workshops, panels, and vendors peddling their wares, these events always host some type of planned social event. Be it the “welcome to,” the “gala opening,” the “gala closing,” the “meet and greet,” etc. Different names, but the same specific purpose: to network.
On the flight home from my most recent speaking engagement I considered the following: Do screenwriters know how to effectively network at these events? Do they truly understand what effective networking actually is? Do they understand how it actually works? Because as I recalled my encounters with many of the screenwriters I had met at the event it certainly didn’t feel like they did.
According to Dictionary.com (http://tinyurl.com/loxgbq) the definition of “Networking” is: to cultivate people who can be helpful to one professionally, esp. in finding employment or moving to a higher position.
After reviewing the above definition, it made sense to me why most screenwriters I encounter at events are ineffective at networking. They misinterpret and misunderstand the definition thus becoming ineffective networkers. I know what you’re thinking. Click here: http://tinyurl.com/382x8a
Being an ineffective networker can stifle, stall, and/or prevent you from developing mutually valuable relationships.
"But Marvin," I hear you asking, "how do I know if I am an ineffective networker?" Here’s how:
You’re an ineffective networker if. . .
You believe:
That networking is about one thing and one thing only: getting your script and/or pitching your idea to everyone in the room. That you’re not there to make friends or to have fun. That it's all about your own needs. There is certainly no interest in reciprocity. That casual conversation is a waste of your time therefore you simply jump into selling your script or an idea before the appetizer even arrives. That there is only one specific time and place for networking and it's called "An easel sitting at the entrance of some ballroom with a sign that says so." That it's best to attend with friends/co-workers, but then sit and talk with them the entire time.
"But Marvin," I hear you protesting, "the reason I'm networking in the first place is because I want to get something. I want to meet my ideal producer, agent, executive or manager and/or meet someone who can refer me to my ideal producer, agent, executive or manager. I want someone to buy my script!"
Yes I know. . . I really do. Believe me I get it.
But don’t forget, your belief system is the key to effective networking. In fact, it's the MOST important aspect to understand.
Why not GIVE first?
About Producer Marvin V. Acuna: Recently executive produced The Great Buck Howard (John Malkovich, Tom Hanks, and Colin Hanks), Two Days (Paul Rudd, Donal Logue), and produced Touched (Jenna Elfman) and How Did It Feel (Blair Underwood).
To receive a copy of Hollywood’s Most Valuable E- Newsletter “The Screenwriter's Success Newsletter” for FREE sign-up at http://www.TheBusinessofShowInstitute.com. The #1 Online Information Hub for Screenwriters on the Business. . . of Show Business.
Script Pimp highly recommends partner InkTip to help with the promotion of your script to numerous industry pros, with over 50 credits as a Screenplay Facilitator in the past five years.
***InkTip: Find good scripts fast and easy.***
InkTip, a screenplay facilitation company, has been helping producers, filmmakers, agents, managers and name talent find good scripts and writers since 2000.
Over 80 produced films have been facilitated by InkTip with a current average of 19 films produced per year.
To see our IMDb profile, go to IMDb.com and search for ‘InkTip’, or visit: http://www.inktip.com/welcome.php?cid=SSsolo&pg=main_inktip_on_imdb.php
In less than 2 minutes, see how InkTip works for you by watching the InkTip Explained video: http://www.inktip.com/welcome.php?cid=SSsolo&pg=itexplained.php
========================================== (9) Script Pimp in the News ==========================================
To view all Script Pimp company credits, visit: http://www.imdb.com/company/co0173374
View all Script Pimp Press: http://www.scriptpimp.com/ (scroll down to In the News section)
Script Pimp's feature film "The Living Wake" reviewed by Variety: http://www.scriptpimp.com/newsletters/variety.cfm
Script Pimp on TV (Peter Bart's Sunday Morning Shootout): http://www.scriptpimp.com/ (click on link at top of home page)
========================================== (10) Miscellaneous - Top Websites for Screenwriters ==========================================
The following is a guide for the Script Pimp community of five-star websites for screenwriters and aspiring filmmakers. To post your site in this section for approval, please contact us at matt@scriptpimp.com.
NETWORKING SITES:
Screenwriters Federation of America http://www.screenwritersfederation.org/phpBB2/
Shooting People http://www.shootingpeople.org
International Screenwriters Association http://www.networkisa.org
SCREENWRITING SCHOOLS AFI – http://www.afi.com Vancouver Film School – http://www.vfs.com
SCREENWRITING SUPPLIES Writers Store – http://www.writersstore.com
OSCAR SCRIBES Script Pimp – http://www.scriptpimp.com/show_me/oscars
SCREENWRITING HOW-TO Screenwriting Info – http://www.screenwriting.info/
Sincerely,
Chadwick Clough Script P.I.M.P., LLC 8033 W. Sunset Blvd. #3000 Hollywood, CA 90046 info@scriptpimp.com www.scriptpimp.com 310-401-1155
To unsubscribe to this great free monthly newsletter click here: http://www.scriptpimp.com/unsubscribe.
To visit Script Pimp's Home Page click here: http://www.scriptpimp.com.
Script Pimp September Newsletter 08/30/09
Free
SCRIPT PIMP SEPTEMBER NEWSLETTER (http://www.scriptpimp.com)
Contents: (1) Script Pimp Named to Top 50 Best Websites for Moviemakers (2) Chadwick Clough / Script Pimp Interview (3) Special Offer: 30% off Workshop Services++ – September ONLY (4) Recent Script Sales – August (5) Script Pimp Success Stories (6) Script Pimp Feedback: Writers Workshop and Competitions (7) World’s Greatest Dad – Darko Entertainment’s Latest Film (8) Script Pimp Partner Article: “The Right Hook” (Marvin Acuna) (9) Script Pimp Partner: InkTip.com (10) Circus of Joy: Hollywood Improv, September 3rd (11) Script Pimp in the News (12) Miscellaneous - Top Websites for Screenwriters
================================================= (1) Script Pimp Named to Top 50 Best Websites for Moviemakers =================================================
Moviemaker Magazine recently named Script Pimp one of the “Top 50 Websites for Moviemakers” in 2009. Thanks to all our writers and analysts who have helped distinguish Script Pimp as a noted outlet for filmmakers worldwide!
Other sites included IMDB, Filmmaking.net, and Indie Producer. For the full list: http://www.moviemaker.com/producing/article/50_best_websites_for_moviemakers_2009_20090610/%23When:20:11:00Z
Script Pimp owner Chadwick Clough was recently interviewed by Cindy Rinaldi on the company’s history, current projects, including the upcoming ensemble action/comedy Rogues Gallery, and recent success stories from the Script Pimp competitions and Writers Workshop.
Excerpt from the interview:
Q: What made you want to produce "Rogues Gallery"?
A: You know, I remember exactly where I was and how I felt after the first read. I couldn't put it down and ended up driving to Sean McKittrick's house right after I read it to say, "Stop whatever you're doing and read this." (I had met Sean, producer of "Donnie Darko," years earlier. Our mutual interest in unique independent spec scripts led to him coming on board as a consultant for Script Pimp.) I just remember thinking, "I'd go see this movie in a second and it could be really cool. The way it crosses genres was intriguing—it's a whodunit, comedy, and action packed together.
Full interview can be read on filmmaking.net: http://www.filmmaking.net/articles/show_article.asp?id=91
================================================= (3) SPECIAL OFFER: 30% off Workshop Services++ – September ONLY =================================================
For September only, newsletter subscribers receive 30% off any Script Pimp Writers Workshop service, including:
Consultation Development Notes Overall Review Editing Services
Also, anyone requesting a Consultation for September will receive Development Notes on the same or another script for FREE.
To take advantage of either or both discounts, please E-mail notes@scriptpimp.com and mention the September Newsletter offer.
**Sign up for the Writers Database to receive an additional TWO YEARS on your membership.
========================================== (4) Recent Script Sales – August ==========================================
Popular movie franchises will see further episodes, with “Hancock 2,” “Spider-man” (5 and 6), “Mission: Impossible,” “X-men: Origins,” and a new Jason Bourne film in the works. Beatles-related projects are also planned, including a biopic of manager Brian Epstein. Rounding out August were a number of urban/street stories, “Q School” (a golf comedy), a questionable sequel to “White Chicks,” and a remake/adaptation of “Brewster’s Millions.”
Other selected/notable sales include:
--Rob Zombie will continue his streak of gritty horror remakes with his rendition of “The Blob.”
--A adaptation of Charles Dickens’ “Great Expectations.”
--The (possibly) Steven Spielberg-directed project “Pirate Latitudes,” based on the Michael Crichton novel. David Koepp pens the Spielberg-produced script.
--The life of music biz icon Brian Epstein, who discovered and managed The Beatles, in “A Life in the Day.”
--Walt Disney’s almost sure-to-be poignant film, “The Diary of Anne Frank.”
--Bryan Singer may take the helms of the legendary story “Excalibur.” This will be a remake of the previous 1980s film.
--Robert Zemeckis will helm a 3-D remake of “Yellow Submarine,” the 1968 Beatles music-based film.
Former Workshop Recommends and Script Pimp writers are finding success with their screenplays and films.
Most recent updates:
Brian Watanabe, writer of “Rogues Gallery,” has signed with The Gersh Agency.
2009 Screenwriting Competition winner Troy Taylor’s script, “The Eleven,” optioned by Etch Media.
Former Script Pimp Recommend writer Sam Benavides’ short horror script MANSFIELD PATH recently completed production, and a sneak preview screened in Pasadena, CA on July 25th. Other screenings to be planned in the near future.
Recent Script Pimp Recommend writer Micah Barnett has been signed by Jake Wagner (Energy Entertainment). His screenplay, THE MERC LIST, an action/thriller set in the future, was Recommended by Script Pimp in May 2009 and is now primed to make its rounds in circulation.
Former Script Pimp Recommend screenplay STRENGTH AND HONOR (dir. Mark Mahon), now a multi-award-winning film with plans for a sequel, was featured on NBC’s Today show. The film’s star, Michael Madsen, was interviewed by Meredith Viera on his role and the film’s success, along with an appearance by writer/director Mark Mahon. For the entire interview: http://today.msnbc.msn.com/id/26184891/vp/31426232#31426232.
To join the film’s Facebook fan page: http://www.facebook.com/pages/STRENGTH-AND-HONOUR/52594506857?ref=ts
Evan Daugherty, finalist and Grand Prize winner in the 2008 Script Pimp Screenwriting Competition, has been hired by Warner Bros. to write an adaptation of the 1980s series MASTERS OF THE UNIVERSE. His script, SHRAPNEL, also made The Blacklist for one of the top 100 unproduced screenplays of 2008.
Former Script Pimp Competition finalist Mandie Green recently began a writing assignment through Larry Levinson Productions to write a TV movie, “Sisterly Advice,” for the Hallmark Channel, an opportunity credited in part to contest placements for her script THE MICHAELS.
With the assistance of Kersey Management, Matt Savelloni, a former Script Pimp writer, has been placed with the agency Hohman, Maybank, and Lieb, one of the top boutique agencies in Los Angeles. Matt is currently teamed with another writer developing two projects with high-profile producers.
More success stories: http://www.scriptpimp.com/success_stories/success_stories.cfm
========================================== (6) Script Pimp Feedback: Writers Workshop and Competitions ==========================================
Script Pimp's Writers Workshop and 2009 Competitions have had its biggest years as far as submissions, and feedback has been especially positive. Thanks to all the writers worldwide who took the time to send in their comments.
Some recent quotes:
“I want to thank you wholeheartedly for the great job you did on the requested additional notes on my screenplay. I appreciate your honesty, and I will follow up on your suggestions. I wasn't expecting to win since I was more interested and did want your feedback. Once again, thank you, and I will keep my eye out for your future competitions.” – Helen B. (8/27)
“Wonderful feedback, very impressive and welcome. Exceptionally well-run contest. Thanks very much for the insights.” [regarding competition feedback] – (8/22)
“As for your evaluator, I would give him/her a 10 across the board. Although I didn't agree with everything, the comments and suggests were all valid and smart. In my revised script, I incorporated many of the suggestions. Money well spent. Thanks again.” – Mark A. (8/20)
“I have to say Script P.I.M.P. has been a great experience. The staff is always courteous and professional. Any questions are immediately answered, 24/7. The writer's database has been a fantastic resource and I look forward to continuing my relationship with the P.I.M.P.” – Sean Fallon (8/4)
“I've found SP to be very professional and proactive, even going so far as calling me the day before the contest posted, to let me know that I was a finalist. Matt, over at Script P.I.M.P, has been very communicative throughout the entire process, and answered all my questions in a timely manner. The best thing about the contest though, is that I've already received several read requests from managers and production companies.” – Jason Carreiro (8/2)
“Script P.I.M.P.'s contest is very professionally run, and so far it has been an excellent experience. I feel that the contest definitely has potential to open doors, and potentially offer significant exposure to winners and finalists. I highly recommend this contest and commend the very helpful people running it!” – Matthew Altman (7/29)
========================================== (7) World’s Greatest Dad – Darko Entertainment’s Latest Film ==========================================
Congratulations to Sean McKittrick and the gang at Darko Entertainment for their new film "World's Greatest Dad,” starring Robin Williams and written/directed by Bobcat Goldthwait.
The film is currently in limited release and premiered on VOD July 24th. Reviews from audiences and critics have been enormously positive.
For more info:
Clip and Trailer (Apple): http://www.apple.com/trailers/magnolia/worldsgreatestdad/
IMDB page: http://www.imdb.com/title/tt1262981/
Movie Home Page: http://www.worldsgreatestdadfilm.com/
========================================== (8) Script Pimp Partner Article: “The Right Hook” (Marvin Acuna) ==========================================
I recently hosted a tele-seminar that afforded aspiring screenwriters from all over the world the opportunity to listen to an insightful and stimulating discussion about screenwriting as a profession. Participants had the opportunity to ask questions that pertained to their personal challenges, communicating directly with the various guests who participated on the call. It should be noted that all the guests were successful, established veterans with at least 20 years plus of professional expertise.
Among the copious questions presented and addressed in this forum, the following question prompted me to share my thoughts here.
“I've emailed a number of managers and agents seeking representation, but have not heard back from anyone. What's the trick to securing a good agent or manager to represent me and my screenplays?”
The trick?
There is no trick. The answer lies in your introduction, your very first writing sample, and most importantly (drum roll please), your logline.
There are a vast number of tools to aid you in the pursuit of representation. I will focus your attention here on just one --- the query letter.
Most representatives delegate the trifling task of reading incoming queries to an assistant or intern. But truth is, most representatives do read queries. Even more importantly, representatives actually respond to ones that HOOK their interest.
If you are not generating any interest from query letters, it simply means that you need to redraft your letter and specifically your logline.
Here are three basic guidelines to consider when crafting your next query letter:
1 - Know Your Market
Targeting CAA or any of the top-tier literary representatives is simply the wrong strategy. They are shaping careers, not inventing them. They are elevating a career, not commencing one.
Targeting boutique entities that develop new talent is a more appropriate and useful strategy. New blood is welcomed. But, be original.
Do some due diligence on the target. This affords you the opportunity to personalize the letter. Hear me: I’m not suggesting that you make this some rambling saga. Keep it simple.
2 - The Right Hook
The industry is changing and will continue to evolve but, what will not change is this… Representatives are seeking material they can sell in a competitive marketplace!
Your logline is the essential ingredient. I recommend that you always introduce your most commercial, big idea. Your logline should evoke the imagination to see the movie poster, the video box.
If it doesn’t, rework your one-to-two sentence logline until it does. The goal is to entice the reader to request the script, just as a trailer’s purpose is to sell tickets. This is the “coming attractions” moment.
By distilling your screenplay idea to its most memorable form you will make it easily transferable and saleable.
3 - The First Impression
Absolutely never neglect the basics of spelling, grammar, and clear, vivid writing. This is your first impression… it matters! Your query letter itself functions partly as a writing sample.
Write a professional, intelligent, concise, intriguing query that includes a compelling and commercially viable logline and not only will you entice representatives to ask for more, but you’ll be one step closer to a sale.
About Producer Marvin V. Acuna: Recently executive produced The Great Buck Howard (John Malkovich, Tom Hanks, and Colin Hanks), Two Days (Paul Rudd, Donal Logue), and produced Touched (Jenna Elfman) and How Did It Feel (Blair Underwood).
To receive a copy of Hollywood’s Most Valuable E- Newsletter “The Screenwriter's Success Newsletter” for FREE sign-up at http://www.TheBusinessofShowInstitute.com. The #1 Online Information Hub for Screenwriters on the Business... of Show Business.
Script Pimp highly recommends partner InkTip to help with the promotion of your script to numerous industry pros, with over 50 credits as a Screenplay Facilitator in the past five years.
***InkTip: Find good scripts fast and easy.***
InkTip, a screenplay facilitation company, has been helping producers, filmmakers, agents, managers and name talent find good scripts and writers since 2000.
Over 80 produced films have been facilitated by InkTip with a current average of 19 films produced per year.
To see our IMDb profile, go to IMDb.com and search for ‘InkTip’, or visit: http://www.inktip.com/welcome.php?cid=SSsolo&pg=main_inktip_on_imdb.php
In less than 2 minutes, see how InkTip works for you by watching the InkTip Explained video: http://www.inktip.com/welcome.php?cid=SSsolo&pg=itexplained.php
========================================== (10) Circus of Joy: Hollywood Improv, September 3rd ==========================================
E-mail tickets@scriptpimp.com to get on the free guest list for the best comedy show in LA.
CIRCUS OF JOY – September 3rd, Hollywood Improv
Lineup:
Host - Josh Fadem Holly Mills Graham Elwood Chris Fairbanks Patrick Keane Eddie Pepitone Mike O'Connell
Improv is @ 8162 Melrose Avenue, Los Angeles, CA 90046 (323) 651-2583.
Corner of Crescent Heights and Melrose. Street parking up and down Melrose.
Dinner is served in the front and chicken fingers in the main room.
RSVP: tickets@scriptpimp.com. For more info go to Improv.com, then click Hollywood on the left.
Circus Shows on YouTube: http://www.youtube.com/scriptpimp
========================================== (11) Script Pimp in the News ==========================================
To view all Script Pimp company credits, visit: http://www.imdb.com/company/co0173374
View all Script Pimp Press: http://www.scriptpimp.com/ (scroll down to In the News section)
Script Pimp's feature film "The Living Wake" reviewed by Variety: http://www.scriptpimp.com/newsletters/variety.cfm
Script Pimp on TV (Peter Bart's Sunday Morning Shootout): http://www.scriptpimp.com/ (click on link at top of home page)
========================================== (12) Miscellaneous - Top Websites for Screenwriters ==========================================
The following is a guide for the Script Pimp community of five-star websites for screenwriters and aspiring filmmakers. To post your site in this section for approval, please contact us at matt@scriptpimp.com.
NETWORKING SITES:
Screenwriters Federation of America http://www.screenwritersfederation.org/phpBB2/
Shooting People http://www.shootingpeople.org
International Screenwriters Association http://www.networkisa.org
SCREENWRITING SCHOOLS AFI – http://www.afi.com Vancouver Film School – http://www.vfs.com
SCREENWRITING SUPPLIES Writers Store – http://www.writersstore.com
OSCAR SCRIBES Script Pimp – http://www.scriptpimp.com/show_me/oscars
SCREENWRITING HOW-TO Screenwriting Info – http://www.screenwriting.info/
Sincerely,
Chadwick Clough Script P.I.M.P., LLC 8033 W. Sunset Blvd. #3000 Hollywood, CA 90046 info@scriptpimp.com www.scriptpimp.com 310-401-1155
To unsubscribe to this great free monthly newsletter click here: http://www.scriptpimp.com/unsubscribe.
To visit Script Pimp's Home Page click here: http://www.scriptpimp.com.
Script Pimp August Newsletter 08/30/09
Free
SCRIPT PIMP AUGUST NEWSLETTER (http://www.scriptpimp.com)
Contents: (1) 2009 Script Pimp Writing Competitions – Grand Prize Winners Announced (2) Recent Script Sales – July (3) Script Pimp Success Stories (4) Senior Sony Executive Reveals Huge Opportunities For Screenwriters (5) Script Pimp Recommends: NYC Midnight Contest (6) Script Pimp Partner: InkTip.com (7) Script Pimp Contest Recommendation: 2009 Horror Screenplay Contest (8) Script Pimp in the News (9) Miscellaneous - Top Websites for Screenwriters
======================================================= (1) Script Pimp 2009 Writing Competitions – Grand Prize Winners Announced =======================================================
After over 2,500 entries, Script Pimp announced the Grand Prize winners of the 2009 Screenwriting Competition on Sunday, July 26th during the awards party at Writers Boot Camp in Santa Monica.
In what turned out to be the most competitive year in Script Pimp’s seven-year contest history, it was no easy task to narrow down the field to just 20 finalists—and an even greater challenge to select four screenplays from such a diverse and talented group of writers.
And in only its 2nd year, the TV Writing Contest netted such a high number of specs, pilots, and reality proposals, the Script Pimp judges decided to announce a top 10 in addition to awarding a 1st place prize.
All Grand Prize selections were given $3,000 each, while the top script in the Teleplay Contest received $1,000. The writers will also gain exposure to over 150 production companies, managers, and agents, some of which have already requested scripts.
Winners listed below. For complete list, visit: http://www.scriptpimp.com/two/index.cfm?do=competition.
SCREENWRITING COMPETITION
Blind Spot Randall Greenland
Deserted Ziba Shadjaani
Lycan or Not Frank Reavey
The Eleven Troy Taylor
TELEPLAY COMPETITION
Dexter – Rites of Spring Todd Lepre
From everyone at Script Pimp, congratulations again to the finalists. It’s been a rewarding experience for our judges to see so many up-and-coming writers pursue excellence in their craft with obvious dedication, enthusiasm, and imagination.
**Check back in August when registration opens for the 2010 competition: http://www.scriptpimp.com/two/index.cfm?do=competition
FOR INDUSTRY: To request our list of finalist loglines, please E-mail info@scriptpimp.com with the name of your company and your title.
========================================== (2) Recent Script Sales – July ==========================================
Well-known classic and recent video game franchises will see film adaptations, in addition to a spattering of biopics, sci-fi/adventures, and other remakes and prequels. The “Saw” series will also see another sure-to-be gruesome installment.
Some selected/notable sales:
--“Castlevania,” based on the mega-popular video game franchise. James Wan tapped to direct.
--A prequel to “King Kong”: the adventure “Kong: King of Skull Island.”
--The David Cronenberg project “Cosmopolis,” adapted from the Don DeLillo novel. Story revolves around a 28-year-old multimillionaire who is chauffeured across Manhattan for a haircut but the journey takes 24 hours due to a presidential visit, anti-globalization demonstrations, and a celebrity funeral.
--Perhaps drawing inspiration from Disney’s “Pirates of the Caribbean” franchise, a Calico Ghost Town screenplay is in the works to be based on the old Knott’s Berry Farm attraction.
--Kids of the 1990s rejoice: World of Warcraft will finally get a film rendition. Sam Raimi set to direct for the Warner Bros. project.
--A biopic of legend Bruce Lee.
--“The Twilight Zone” adaptation, produced by Leonardo DiCaprio’s company Appian Way.
Former Workshop Recommends and Script Pimp writers are finding success with their screenplays and films.
Most recent updates:
Former Script Pimp Recommend writer Sam Benavides’ short horror script MANSFIELD PATH recently completed production, and a sneak preview screened in Pasadena, CA on July 25th.
Recent Script Pimp Recommend writer Micah Barnett has been signed by Jake Wagner (Energy Entertainment). His screenplay, THE MERC LIST, an actionthriller set in the future, was Recommended by Script Pimp in May 2009 and is now primed to make its rounds in circulation.
Former Script Pimp Recommend screenplay STRENGTH AND HONOR (dir. Mark Mahon), now a multi-award-winning film, was featured on NBC’s Today show. The film’s star, Michael Madsen, was interviewed by Meredith Viera on his role and the film’s success, along with an appearance by writer/director Mark Mahon. For the entire interview:
To join the film’s Facebook fan page: http://www.facebook.com/pages/STRENGTH-AND-HONOUR/52594506857?ref=ts.
Evan Daugherty, finalist and Grand Prize winner in the 2008 Script Pimp Screenwriting Competition, has been hired by Warner Bros. to write an adaptation of the 1980s series MASTERS OF THE UNIVERSE. His script, SHRAPNEL, also made The Blacklist for one of the top 100 unproduced screenplays of 2008.
Former Script Pimp Competition finalist Mandie Green recently began a writing assignment through Larry Levinson Productions to write a TV movie, “Sisterly Advice,” for the Hallmark Channel, an opportunity credited in part to contest placements for her script THE MICHAELS.
With the help of Kersey Management, Matt Savelloni, a former Script Pimp writer, has been placed with the agency Hohman, Maybank, and Lieb, one of the top boutique agencies in Los Angeles. Matt is currently teamed with another writer developing two projects with high-profile producers.
To view more success stories: http://www.scriptpimp.com/success_stories/success_stories.cfm
========================================== (4) Senior Sony Executive Reveals Huge Opportunities For Screenwriters ==========================================
*Script Pimp recommends the following presentation from The Business of Show.
Dear Screenwriter,
If you've ever wanted some real, insider information on the crucial changes taking place within the studio system, how these changes will affect YOU as a screenwriter, and how you can exploit these changes to your advantage - straight from the mouth of a Senior Vice President of Production at Sony Pictures Entertainment - then this will be a very important message for you to read.
Here's what this is all about: My name is Marvin V. Acuna and I'm a feature film producer. My last picture was "The Great Buck Howard" – starring John Malkovich, Colin Hanks, Emily Blunt, and Tom Hanks.
I'm also the founder of a company called The Business of Show Institute, the #1 online information hub for screenwriters on the business of show business.
And on Thursday, August 20th, at 11:30am Pacific Standard Time (2:30pm EST), The Business of Show Institute will be hosting a live, streaming video presentation with Senior Vice President of Production at Sony Pictures Entertainment, Samuel Dickerman.
Samuel and I will be having a "state of the union" type of discussion where we will outline all the major changes taking place within the studio system and in Hollywood. We'll also be talking specifically about how these changes will affect YOU, the screenwriter. But most importantly, we'll be discussing how you can exploit these changes to your advantage! And at the end of this discussion we'll be taking YOUR questions, live!
If you would like a distinct competitive advantage in this cutthroat business, you cannot miss this live streaming video event. (And you don't need any fancy equipment or any special technical knowledge to watch. If you can read this note, you'll be able to watch the live event from the comfort of your computer)
Here are 3 reasons why you need to attend:
1. The live, streaming video event is 100% FREE! It's our gift to you for making The Business of Show Institute the #1 online information hub for screenwriters on the business of show business. All you have to do is reserve your spot.
2. You get to ask Samuel Dickerman your questions live and in real time. Imagine, asking a senior vice president of Sony Pictures Entertainment your screenwriting question... and getting real answers!
3. Even if you cannot make the actual event, register anyway as we'll be providing a replay so you can review this valuable information as many times as you like.
So go ahead and click on the link below to get all the details, and to register for this groundbreaking live event:
**Early Entry Sign Ups Now Taking Place for the 2009 Screenwriting Championships**
A fantasy tale about a wedding cake in a baseball stadium? A suspense thriller about a lampshade on a cruise ship?
The 2009 Screenwriting Championships (http://www.nycmidnight.com/2009/ScCH/ScreenwritingChampionships.htm), an online writing competition from NYC Midnight (http://www.nycmidnight.com/), will be awarding over $13,000 in cash and prizes to entrants who compose unconventional scripts like these. The contest contains 3 rounds, 4 writing challenges, and runs from September to December, 2009.
In each challenge, entrants are assigned surprise genres, locations, and objects that have to be included in their screenplays (5 pages max) and have just 2 days to complete each challenge. Writers receive points based on their placement in each challenge and writers with the most points accumulated at the end of the competition will take home a share of the prizes, which include thousands in cash, software and scholarships for writing classes at Writers Boot Camp.
Writers of all locations and levels of experience are invited to take part in competition. Act fast because the early fee of $39 USD lasts until August 13, 2009. Registration will close on September 23, 2009.
Script Pimp highly recommends partner InkTip to help with the promotion of your script to numerous industry pros, with over 50 credits as a Screenplay Facilitator in the past five years.
***InkTip: Find good scripts fast and easy.***
InkTip, a screenplay facilitation company, has been helping producers, filmmakers, agents, managers and name talent find good scripts and writers since 2000.
Over 80 produced films have been facilitated by InkTip with a current average of 19 films produced per year.
To see our IMDb profile, click here, or go to IMDb.com and search for ‘InkTip’.
In less than 2 minutes, see how InkTip works for you by watching the InkTip Explained video.
Presented by www.ScreenplayContests.com – Since 1998 - The #1 choice for screenplay contests.
The 2009 HORROR SCREENPLAY CONTEST: Now accepting entries
*Over $5,000.00 in cash and prizes *Winner's Material Requested by over 50 producers, studios, agents and managers *Limited to the first 600 entries! *Online submissions accepted *Submission Deadline: July 20, 2009 or until filled.
For more information and to enter: www.HorrorScreenplayContest.com
========================================== (8) Script Pimp in the News ==========================================
To view all Script Pimp company credits, visit: http://www.imdb.com/company/co0173374
View all Script Pimp Press: http://www.scriptpimp.com/ (scroll down to In the News section)
Script Pimp's feature film "The Living Wake" reviewed by Variety: http://www.scriptpimp.com/newsletters/variety.cfm
Script Pimp on TV (Peter Bart's Sunday Morning Shootout): http://www.scriptpimp.com/ (click on link at top of home page)
========================================== (9) Miscellaneous - Top Websites for Screenwriters ==========================================
The following is a guide for the Script Pimp community of five-star websites for screenwriters and aspiring filmmakers. To post your site in this section for approval, please contact us at matt@scriptpimp.com.
NETWORKING SITES:
Screenwriters Federation of America http://www.screenwritersfederation.org/phpBB2/
With over 2,700 in this year’s screenplay and TV writing competitions, it was no easy task to narrow it down to just a handful of finalists, as we received many, many quality scripts. In fact, this may have been Script Pimp’s best year as far as the number of talented writers. Thanks again to everyone who entered!
And good news for TV writers: we received a larger-than-expected number of submissions, so instead of just awarding one grand prize winner, we’ve selected TEN finalists, one of which will be announced as the winner on July 26th at the Script Pimp awards party.
Full list of finalists are below (prize winners can be found on the site, www.scriptpimp.com):
After introduction to Jake Wagner (Energy Entertainment) by Script Pimp owner Chadwick Clough, Evan Daugherty recently secured a writing assignment with Warner Bros. to re-write an adaptation of the classic 1980s animated “He-Man” series, part of the popular Masters of the Universe franchise. The project will be entitled “Grayskull.”
Evan's script SHRAPNEL was selected as one of the Grand Prize winners of the 2008 Script Pimp Screenwriting Competition. The screenplay is making its rounds among A-list talent and landed on The Blacklist as one of the top 100 "most popular" unproduced scripts in the market. Info on The Blacklist can be found here: http://www.deadlinehollywooddaily.com/the-black-list-is-out/.
========================================== (3) Recent Script Sales – June ==========================================
Comedies, actions, and thrillers (and alien-based scripts) dominate this past month—expected, since some of the biggest box office money-makers of the year have thus far fallen into one of those categories.
Some selected/notable sales:
--“I Am Number Four,” a science-fiction story based on an as-of-yet unpublished novel. With Steven Spielberg on board to possibly executive produce. Michael Bay will produce.
--Tom Cruise returns for “Mission: Impossible IV.” J.J. Abrams will produce.
--A remake of the 1981 classic “An American Werewolf in London.” No writer attached as of yet. John Landis producing.
--“Go Mutants!”, where aliens assimilate with other high school kids. In development with Universal.
--A modern adaptation of the hit film “Meatballs.” No writer attached as of yet.
--The Warner Bros. project “Thieves of Baghdad,” set in the 10th century and will revolve around Ali Baba and other notable figures.
--A remake of the 1980s cult classic “Short Cicuit.”
And lastly, the next James Bond project is in the works, with Daniel Craig returning as 007.
========================================== (4) Box Office Totals – June 26-28 ==========================================
The second “Transformers” proved to be box office platinum. The action film starring now-certified movie star Shia LaBeouf had a beyond impressive 5-day showing, crushing all other releases. Meanwhile, “The Hangover” and others padded their already higher-than-expected numbers. Audiences have proven now that Denzel and Travolta may have lost their spark, as “The Taking of Pelham 123” continues its slide with “Land of the Lost,” neither coming close to reaching decent numbers for their budgets.
The Top Ten* (domestic totals in parentheses, with the number of weeks in theaters as of June 28th)
1. Transformers: Revenge of the Fallen ($200,077,255) – Week #1
2. The Proposal ($69,162,471) – Week #2
3. The Hangover ($183,054,267) – Week #4
4. Up ($250,234,554) – Week #5
5. My Sister’s Keeper ($12,442,212) – Week #1
6. Year One ($32,529,560) – Week #2
7. The Taking of Pelham 1 2 3 ($53,456,827) – Week #3
8. Star Trek ($246,331,182) – Week #8
9. Night at the Museum: Battle of the Smithsonian ($163,391,192) – Week #6
10. Away We Go ($4,088,390) – Week #4
*ranked by top weekend box office films from June 26th-June 28th
Former Workshop Recommends and Script Pimp writers are finding success with their screenplays and films.
Most recent updates:
Recent Script Pimp Recommend writer Micah Barnett has been signed by Jake Wagner (Energy Entertainment). His screenplay, THE MERC LIST, an actionthriller set in the future, was Recommended by Script Pimp in May 2009 and is now primed to make its rounds in circulation.
Former Script Pimp Recommend screenplay STRENGTH AND HONOR (dir. Mark Mahon), now a multi-award-winning film, was featured on NBC’s Today show. The film’s star, Michael Madsen, was interviewed by Meredith Viera on his role and the film’s success, along with an appearance by writer/director Mark Mahon. For the entire interview:
To join the film’s Facebook fan page: http://www.facebook.com/pages/STRENGTH-AND-HONOUR/52594506857?ref=ts.
Evan Daugherty, finalist and Grand Prize winner in the 2008 Script Pimp Screenwriting Competition, has been hired by Warner Bros. to write an adaptation of the 1980s series MASTERS OF THE UNIVERSE. His script, SHRAPNEL, also made The Blacklist for one of the top 100 unproduced screenplays of 2008.
Former Script Pimp Competition finalist Mandie Green recently began a writing assignment through Larry Levinson Productions to write a TV movie, “Sisterly Advice,” for the Hallmark Channel, an opportunity credited in part to contest placements for her script THE MICHAELS.
With the help of Kersey Management, Matt Savelloni, a former Script Pimp writer, has been placed with the agency Hohman, Maybank, and Lieb, one of the top boutique agencies in Los Angeles. Matt is currently teamed with another writer developing two projects with high-profile producers.
To view more success stories: http://www.scriptpimp.com/success_stories/success_stories.cfm
========================================== (6) The Business of Show: Script Pimp Partner Article ==========================================
Script Pimp is pleased to announce a new partnership with The Business of Show Institute (http://www.thebusinessofshowinstitute.com).
Co-founder of the institute, producer Marvin Acuna, offers clear, concise, and straightforward advice for screenwriters to help further illuminate the inner-workings (and reality) of the film industry.
With “The Business of Next,” the first in a series of informational articles, he gives some wise recommendations on the submission process: what comes after you query, what to consider once you send your script, what sort of attitude to have for maximum success—and more importantly, how not to ruin your chances altogether.
THE BUSINESS OF NEXT by Marvin V. Acuna
Out • come {out-kuhm} - noun 1. a final product or end result
The definition referenced above is confirmation that you have total control over one outcome. . . . Completing your screenplay!
Will it be represented? Will it be sold? Will it be made? Who knows, I don’t. But, what I do know for certain is this. . . if you decide to write a screenplay, YOU can determine the story, the characters, the world, and when it will be a final written product.
As a strong reminder all other outcomes are not in your control. If you can embrace this as truth, you will save yourself from years of heartache.
Just remember all other outcomes are out of your control.
For many aspiring writers the search for a representative to sign them and market their material or to align themselves with an established producer who will bring their words to life can be a daunting and frustrating task. It can make you SCREAM!
Submitting your material blindly and never hearing back a response is tough, but to submit material that has been requested and then NEVER hear back, ugh. Shoot me now.
That voice in your head turns on you. Doubt creeps in. Am I good? Am I wasting my time? Should I get a real job? Self-preservation of the ego kicks into overdrive. Then the big one: What have I done with my life?
Be assured you are not alone. You may feel alone, but you are most definitely not. First everyone in the business has their own challenge and while it may feel different from yours, it isn’t. The agent that didn’t make partner, the producer whose last movie tanked, the actor who no longer opens a film, the writer who wants to direct, the TV writer who wants to be in film, the list is endless. This is the business of Next.
Keep in mind that you may never hear from the recipient of your material ever again. The reasons vary so greatly that you will never know why.
Next time you feel this way remember the following: You are in control of only one outcome—completing a final written product. The rest is not in your hands. It’s just not. We trick ourselves into believing that if we worry enough and get angry enough we will somehow impact the outcome. It won’t.
Introduce your material and follow-up about a month later if you don’t hear a response. Follow-up a month after that and so on. . . .
When do you stop following up? Depends on you.
Keep in mind that you are not the only screenwriter that submitted material. Additionally, the professionals I personally know have so much material presented to them from varying sources that much gets lost in the shuffle.
Submit and move on to the next. In fact, your mantra should always be NEXT, moving on!
Submit, follow up, submit, and follow up. NOTE: If you submit via email it may be useful to attach your screenplay again to make it easily accessible to the third party.
Sometimes my office receives angry calls or emails because a writer is frustrated that we have not responded to their material. That immediately gets our response. My assistant scans our submissions and tosses their screenplay away.
Be original in your follow-ups. Maybe it’s not an email, but it’s a thank you card for the opportunity to submit. Maybe it’s an article you read about them, their movie or their client that you include in a note. Maybe you attend a conference where they are speaking. You get it. . . the possibilities are endless.
Be gracious, patient and most of all original when you follow up—you are a writer, after all.
Submit, follow up, submit, and follow up. Next, moving on! ABOUT PRODUCER MARVIN V. ACUNA: Recently executive produced The Great Buck Howard (John Malkovich, Tom Hanks, Emily Blunt and Colin Hanks), Two Days (Paul Rudd, Donal Logue), and produced Touched (Jenna Elfman) and How Did It Feel (Blair Underwood).
To get free video access from Marvin's famous workshop, "The 7 Habits of Hollywood's Most Successful Six (and Seven) Figure Screenwriters," go to http://www.ScreenwritersSuccess.com
Script Pimp highly recommends partner InkTip to help with the promotion of your script to numerous industry pros, with over 50 credits as a Screenplay Facilitator in the past five years.
***InkTip: Find good scripts fast and easy.***
InkTip, a screenplay facilitation company, has been helping producers, filmmakers, agents, managers and name talent find good scripts and writers since 2000.
Over 80 produced films have been facilitated by InkTip with a current average of 19 films produced per year.
To see our IMDb profile, click here, or go to IMDb.com and search for ‘InkTip’.
In less than 2 minutes, see how InkTip works for you by watching the InkTip Explained video.
======================================================= (8) Script Pimp Special Offer: The Movie Deal! Screenplay Contest =======================================================
THE MOVIE DEAL! Screenplay Contest
Looking for INDIE, INTERESTING & ORIGINAL SCREENPLAYS!
FINAL DEADLINE extended 2 Weeks til July 15th!
GRAND PRIZE: A PRODUCTION DEAL!
- Yes, your screenplay will be produced!
- Includes Flight and Hotel accommodations to the set of YOUR MOVIE PRODUCTION!
- PLUS, over $15,000 in other amazing prizes!
SPECIAL DISCOUNT for ScriptPimp.com friends!
Use PROMO code: SCP422 when you register at the link below and get $10 OFF on Feature Film submissions, and get $10 OFF on shorts. Submit by the deadline of JULY 15th, 2009!
ENTER HERE: http://www.themoviedeal.com/#/infolist/4531191811
Presented by www.ScreenplayContests.com – Since 1998 - The #1 choice for screenplay contests.
The 2009 HORROR SCREENPLAY CONTEST: Now accepting entries
*Over $5,000.00 in cash and prizes *Winner's Material Requested by over 50 producers, studios, agents and managers *Limited to the first 600 entries! *Online submissions accepted *Submission Deadline: July 20, 2009 or until filled.
For more information and to enter: www.HorrorScreenplayContest.com
============================================ (10) Script Pimp Recommends: Script Copier, Los Angeles ============================================
--Printing from digital files (black & white) – 2 cents per page --Scanning old scripts/manuscripts to editable MS Word, Final Draft, Movie Magic & PDF --Laser color copies --Full color printing – business cards, postcards, fliers, programs, brochures, magnets, posters, booklets, etc. . . . --Mailboxes with Wilshire address, suite number, 24/7 secure access, FedEx, UPS, courier deliveries acceptance --Complete FedEx services, Express, Ground, Domestic & International
Contact:
Maz
Digital Express ETC. – ScriptCopier.com 6404 Wilshire Blvd., Suite 105, Los Angeles, CA 90048 323.655.2639 411@ScriptCopier.com
See the TV promo here: http://www.youtube.com/watch?v=s0c85l45vyw
Script Pimp's feature film "The Living Wake" reviewed by Variety: http://www.scriptpimp.com/newsletters/variety.cfm
Script Pimp on TV (Peter Bart's Sunday Morning Shootout): http://www.scriptpimp.com/ (click on link at top of home page)
========================================== (12) Miscellaneous - Top Websites for Screenwriters ==========================================
The following is a guide for the Script Pimp community of five-star websites for screenwriters and aspiring filmmakers. To post your site in this section for approval, please contact us at matt@scriptpimp.com.
NETWORKING SITES:
Screenwriters Federation of America http://www.screenwritersfederation.org/phpBB2/
With well over 2,500 total entries, the 2009 Script Pimp Screenwriting Competition had its biggest year in its 7-year history. The TV contest, in its second season, also had another fantastic response. From the entire Script Pimp staff, thanks to all who entered. We received a number of quality projects, and our judges are looking forward to picking the 20 finalist screenplays and one Grand Prize TV script.
Finalists and prize winners will be posted on the website in early July. Grand Prize winners of the screenwriting competition are announced at the Script Pimp awards party later that month at Writers Boot Camp in Santa Monica.
For more info on the contest, our Writers Database, and Writers Workshop, visit www.scriptpimp.com.
After introduction to Jake Wagner (Energy Entertainment) by Script Pimp owner Chadwick Clough, Evan Daugherty recently secured a writing assignment with Warner Bros. to re-write an adaptation of the classic 1980s animated “He-Man” series, part of the popular Masters of the Universe franchise. The project will be entitled “Grayskull.”
Evan's script SHRAPNEL was selected as one of the Grand Prize winners of the 2008 Script Pimp Screenwriting Competition. The screenplay is making its rounds among A-list talent and landed on The Blacklist as one of the top 100 "most popular" unproduced scripts in the market. Info on The Blacklist can be found here: http://www.deadlinehollywooddaily.com/the-black-list-is-out/.
======================================================= (3) Script Pimp Recommends: The Movie Deal Screenwriting Contest ======================================================= THE MOVIE DEAL! Screenplay Competition
www.themoviedeal.com/#/infolist/4531191811
LATE DEADLINE! – MAY 31st, 2009
ONLY A FEW DAYS LEFT!
GRAND PRIZE: A PRODUCTION DEAL!
- Yes, your screenplay will be produced! - Includes Flight and Hotel accommodations to the set of YOUR MOVIE! - PLUS, over $15,000 in other amazing prizes!
In addition to the GRAND PRIZE winner, the TOP 100 WRITERS each season will also have a chance at landing production deals! We're working with other production companies looking for their next project. Currently, five screenplays have been optioned from the list of 2008 Finalists, so enter now, your script may be the one we're all looking for!
SPECIAL DISCOUNT FOR SCRIPTPIMP.COM FRIENDS!! Use PROMO code SCP433 when you register at the link below and get $10 OFF on Feature Film submissions, and get $10 OFF on shorts. Submit by the LATE deadline of MAY 31st, 2009!
ENTER HERE!
DEADLINES: DISCOUNTED - MAY 31st, 2009 Extended - JUNE 30th, 2009
To get your discount, use Promo Code SCP433 when you enter your information and upload your script. To get the SCRIPTPIMP.com discount, you must submit by the LATE Deadline of May 31st, 2009.
www.themoviedeal.com/#/infolist/4531191811
========================================== (4) Recent Script Sales – May ==========================================
As is the current norm, remakes of previously popular films and series comprise at least part of May’s script sales, including a screenplay based on the comic strip “Bazooka Joe.” An animated film, “Nick Ratchet,” based on an idea by Stan Lee and the latest Disney project in development, revolves around a police officer's online alter-ego, Nick Ratchet, who tries to usurp the life of his creator. “Looking for Norma Desmond,” presumably based on “Sunset Boulevard,” is also in the works, as is an adaptation of “Jekyll and Hyde” and the life of Frank Sinatra.
Other selected sales include:
--Remake of the 1980s classic (well, moderately classic) “Flight of the Navigator,” about a 12-year-old boy who discovers a spaceship that takes him to the future.
--A comedy script based on The Blue Man Group.
--“Buffy the Vampire Slayer”: a remake of the fan-favorite series.
--A project from Dreamworks detailing the life of Martin Luther King Jr. Steven Spielberg will produce.
And last, but certainly not least, former Script Pimp Competition winner Evan Daugherty will pen a new draft of the He-Man story entitled “Grayskull” for Warner Bros. Joel Silver will produce, John Stevenson will direct.
======================================================= (5) Ask the Script Pimp Expert: Why Understanding Genre is Critical =======================================================
Action, drama, thriller, horror, romantic comedy, and all the variations in-between: should a writer of any level, beginner or professional, pay extra attention to the actual genre they’re writing in? Not only should they pay attention, but it’s a must if you plan on either selling your spec script or landing writing assignments. A marketable premise is the first step, but a writer must always consider their audience. In other words, think like a producer or investor. Why would someone want to pay to see this film?
If you’re writing a horror, for example, the genre demands certain expectations—you need a strong protagonist/antagonist relationship, the story should usually have a number of twists, or at least one or two major surprises along the way, maintain a tone that provokes mystery and suspense. . . . Same idea for other genres. You can still infuse originality in your concept (in fact, that’s almost a requirement), but try not to mix your genres too much. A romantic comedy/horror/action (and they are out there) is nearly impossible for a writer or manager to pitch successfully because most audiences wish to a see a movie with a certain degree of predictability. That is, in terms of genre, not plot.
There are exceptions, of course, and cross-breeding in genres takes place all the time, but in the cases where a writer has “genre immunity,” so to speak, they are typically already established, and a studio or production company would be more willing to take a chance on their material. Take a film like “Magnolia,” for example, which tends to skew the dramatic genre, at least to an extent. A novice writer without credits would have a supremely uphill battle trying to get that script sold.
Start simple, and once you gain some steam as a professional writer and master the rules of the genre, then you can start breaking them.
Former Workshop Recommends, contest winners, and Script Pimp writers are finding success with their screenplays and films.
Most recent updates:
Former Script Pimp Competition finalist Mandie Green recently began a writing assignment through Larry Levinson Productions to write a TV movie, “Sisterly Advice,” for the Hallmark Channel, an opportunity credited in part to her contest placements for her script THE MICHAELS.
With the help of Kersey Management, Matt Savelloni, a former Script Pimp writer, has been placed with the agency Hohman, Maybank, and Lieb, one of the top boutique agencies in Los Angeles. Matt is currently teamed with another writer developing two projects with high-profile producers.
Former Script Pimp Recommend screenplay STRENGTH AND HONOR and writer/director Mark Mahon continue to rack up festival awards worldwide. Pic stars Michael Madsen, Vinnie Jones, and Richard Chamberlain. Mahon is currently working on a sequel to the film.
Evan Daugherty, finalist and Grand Prize winner in the 2008 Script Pimp Screenwriting Competition, has secured literary writer representation from Jake Wagner at Energy Entertainment with his script SHRAPNEL. His script also made The Blacklist, for one of the top 100 unproduced screenplays of 2008.
To view more success stories: http://www.scriptpimp.com/success_stories/success_stories.cfm
=============================================== (7) Feedback – Writers Workshop and Writers Database ===============================================
Script Pimp's Writers Workshop has served a number of writers to start 2009. As always, thanks to all the writers who took the time to send in their comments.
Some recent quotes:
“I am a writer who finds Script P.I.M.P is a very helpful website, and I will be glad to stay in touch via Facebook.” – Bonnie B. (4/30)
“I want to thank the reviewer. After all this time and all the revisions I've made to this play, they STILL found ways to make it better. And, finally, thank you for the detailed action plan you provide for making the most of the Recommend grade. What an incredible service you folks deliver.” – Cynthia P. (4/8)
“Not being a writer by training, I feel like I’ve gotten a college level education at a massive discount – not to mention at my own pace and in my own time frame. . . Script Pimp promotes a constructive and encouraging approach.” – Sarah R. (3/21)
“Thanks a lot for the coverage that your company did on my script. It has really helped me as a screenwriter. I'm utterly sure and confident that writing my subsequent scripts will not be a problem. I'm looking forward to doing more business will your company.” Sammie M. (3/17)
UPLOAD FILMS BEST LOW BUDGET FEATURE AWARD – Winner receives potential option deal with Upload Films!
SCRIPT ACCESSIBLE AWARD – For best screenplay involving characters with disabilities and/or written by a person with disabilities, sponsored by Lonely Seal Releasing – Winner receives $1,000!
TO SUBMIT: http://slamdance.com/writing/feature.html
The Slamdance Screenplay Competition is dedicated to discovering and supporting emerging writing talent. We welcome screenplays in every genre, any budget, on any topic, from every country around the world. Our mission is to support and bring attention to talented screenwriters and introduce them to the entertainment industry. We’ve established a strong track record through our competition successes and continue to discover outstanding new work.
"Some of the best material comes from Slamdance — I should know!" Lee Daniels - Producer of Slamdance Screenplay winner and Sundance hit, THE WOODSMAN
"Winning Slamdance was an incredible moral booster and the seal of approval that made the industry stop and take notice." Nicole Kassell - Slamdance Screenplay winner and director of THE WOODSMAN
"The Slamdance Screenplay Award received by Joshua Marston for MARIA FULL OF GRACE was the first public validation of the project...the publicity surrounding this award helped put the project in the public eye." Paul Mezey, - Producer, MARIA FULL OF GRACE
Final Draft, Inc. brings you Script magazine and scriptmag.com – the ultimate scriptwriters resource. Check-in daily for new articles, video interviews, reviews, news, and exclusive online articles on the craft and business for writing for film, television and new media. Plus, page through the latest online and interactive issue of Script magazine for free! Be sure to sign up for the free newsletter to receive content alerts as well as invitations to events and screenings. Get the resources you need to write and sell your script – Scriptmag.com – brought to you by Final Draft, Inc.
Script Pimp highly recommends partner InkTip to help with the promotion of your script to numerous industry pros, with over 50 credits as a Screenplay Facilitator in the past five years.
***InkTip: Find good scripts fast and easy.***
InkTip, the screenplay facilitation company, has been helping producers, filmmakers, agents, managers and name talent find good scripts and writers since 2000.
Over 80 produced films have been facilitated by InkTip with a current average of 19 films produced per year.
To see our IMDb profile, click here, or go to IMDb.com and search for ‘InkTip’.
In less than 2 minutes, see how InkTip works for you by watching the InkTip Explained video.
Presented by www.ScreenplayContests.com – The #1 choice for screenplay contests.
The 2009 HORROR SCREENPLAY CONTEST: Now accepting entries
*Over $5,000.00 in cash and prizes *Winner's Material Requested by over 50 producers, studios, agents and managers *Limited to the first 600 entries! *Online submissions accepted
For more information and to enter: www.HorrorScreenplayContest.com
========================================== (12) Script Pimp in the News ==========================================
To view all Script Pimp company credits, visit: http://www.imdb.com/company/co0173374
View all Script Pimp Press: http://www.scriptpimp.com/features/creative_screenwriting.cfm
Script Pimp's feature film "The Living Wake" reviewed by Variety: http://www.scriptpimp.com/newsletters/variety.cfm
Script Pimp on TV (Peter Bart's Sunday Morning Shootout) Script Pimp Newswire: http://www.scriptpimp.com/news/home.cfm
========================================== (13) Circus of Joy – June 4th, Hollywood Improv ==========================================
E-mail tickets@scriptpimp.com to get on the free guest list for the best comedy show in LA.
CIRCUS OF JOY – comedy show featuring Mike O'Connell
Lineup:
Bryan Erwin (emcee) Brian Keith Etheridge Mike O'Connell Patrick Keane Kyle Dunnigan Natasha Leggero Kevin Shea Henry Phillips
Improv is @ 8162 Melrose Avenue, Los Angeles, CA 90046 (323) 651-2583.
Corner of Crescent Heights and Melrose. Street parking up and down Melrose.
Dinner is served in the front and chicken fingers in the main room.
RSVP: tickets@scriptpimp.com. For more info go to Improv.com, then click Hollywood on the left.
========================================== (14) Miscellaneous - Top Websites for Screenwriters ==========================================
The following is a guide for the Script Pimp community of five-star websites for screenwriters and aspiring filmmakers. To post your site in this section for approval, please contact us at matt@scriptpimp.com.
NETWORKING SITES:
Screenwriters Federation of America http://www.screenwritersfederation.org/phpBB2/
SCREENWRITING SUPPLIES Writers Store – http://www.writersstore.com
OSCAR SCRIBES Script Pimp – http://www.scriptpimp.com/show_me/oscars
SCREENWRITING HOW-TO Screenwriting Info – http://www.screenwriting.info/
Sincerely,
Chadwick Clough Script P.I.M.P., LLC 8033 W. Sunset Blvd. #3000 Hollywood, CA 90046 info@scriptpimp.com www.scriptpimp.com 310-401-1155
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To visit Script Pimp's Home Page click here: http://www.scriptpimp.com.
Script Pimp Writer Interview: Brian Watanabe, ROGUES GALLERY 05/21/09
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===================================================== Script Pimp Writer Interview: Brian Watanabe, ROGUES GALLERY =====================================================
Brian Watanabe, writer of ROGUES GALLERY, a former Script Pimp "Recommend," recently discussed the script and its remarkable journey from rough concept, to blind submission, to eventual sale and production. The film, currently in post, was shot in Los Angeles and features an ensemble cast including Ving Rhames, Ellen Barkin, Emilie DeRavin, Rob Corddry, Joe Anderson, Maggie Q, Adam Scott, Jeffery Tambor, and more.
More on the film: http://www.imdb.com/title/tt1268987/
Q: What was the motivation behind ROGUES GALLERY?
BRIAN: Back in 2001, during the dot-com bust, the ad agency I was working at in San Francisco started some massive lay-offs. It was pretty brutal. Cubes emptied, factions developed, paranoia spread-it didn't feel like we were getting fired, it felt like we were getting whacked. When I was finally let go it was almost a relief.
I started to think: What if an office full of spies got downsized? What if instead of firing you they killed you? What if these trained assassins started killing each other to save their jobs? The idea had a lot of cinematic elements I loved: action, comedy, satire, a "Ten Little Indians," who-will-survive structure. That was the start of the ROGUES GALLERY.
Q. How did the project get off the ground, and how long did it take from concept to sale?
I started writing ROGUES at the end of 2003, finishing in spring of 2004. I entered the script into a bunch of contests. It was a finalist in Scriptapalooza, won 2nd place in Screenplay Shootout and tied for best comedy at Screenwriting Expo 3. As a result of the Expo win, I landed a literary manager, Andrew Kersey.
I also won a script analysis package from the Script Pimp competition, and after a few rounds of revisions, Chadwick Clough called to tell me he wanted to produce ROGUES with Sean McKittrick from Darko Entertainment. ROGUES was officially optioned in early 2007, and production started in July of 2008.
Q. What was the #1 motivating factor in becoming a screenwriter?
When I was a kid, going to the movies was like Christmas. I'm in that generation of film geeks whose first big movie experience was "Star Wars." Instead of pursuing film I went to school to become an advertising copywriter, which allowed me to tell stories in radio spots, TV commercials and web videos. But like most ad guys I knew I had a few scripts in me. I always wanted to pull a Lawrence Kasdan or John Hughes and move from advertising to film.
Q. What's your current attitude toward the entertainment industry?
I think the entertainment industry is changing. The emergence of online entertainment and the ease of shooting digitally are giving more young writers and filmmakers the opportunity to tell their stories and hone their skills. I wouldn't be surprised to see a whole generation of filmmakers emerge from the new media sea change of the last five years, with new visions and unique points of view. It should be exciting.
Q. Overall experience with selling your first script? Was it what you had anticipated?
Selling my first script has been a roller coaster ride. There have been surprises, celebrations and compromises but overall it's been an amazing experience. The cast the team put together for ROGUES was incredible. Getting to hang out on set and talk to Maggie Q, Rob Corddry, Bob Odenkirk, Adam Scott, Joe Anderson, and Odette Yustman was unforgettable. The crew and producers were all great to me and Chadwick Clough, who was there with me from the beginning, was especially supportive throughout the entire process. I consider myself very lucky.
Q. How has Rogues helped you navigate Hollywood for another sale?
The success of ROGUES has helped me land some meetings around town. As a result, I'm currently developing a script with a major studio-based company. It's been a fun ride so far but hopefully-if I just work hard enough-this is just the beginning.
Q. What are you working on now? Are you staying in the genre?
I'm currently working on another action-comedy. Similar to ROGUES, this script also tries to subvert genre and deals with the theme of identity. I think it's a lot of fun, and I'm excited about finishing it up.
Chadwick: Congratulations again, Brian! Keep it up, my man!
Script Pimp April Newsletter 03/30/09
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SCRIPT PIMP APRIL NEWSLETTER (http://www.scriptpimp.com)
Contents: (1) Script Pimp 2009 Writing Competitions – Deadline May 1st (2) Writers Database – Last Chance for 2-Year Bonus (3) Recent Script Sales – March (4) Script Pimp Partner: InkTip.com (5) Consultations with Senior Story Analyst (6) Technical Edits on Scripts and Novels (7) Script Pimp Success Stories (8) Feedback - Writers Workshop / 2008 Competition (9) Script Pimp Recommends: Hollywood Script Shop (10) Script Pimp Endorses: International Screenwriting Association (ISA) (11)Script Pimp Contest Recommendation: 2009 Horror Screenplay Contest (12) Script Pimp in the News (13) Circus of Joy – April 2nd, Hollywood Improv (14) Miscellaneous - Top Websites for Screenwriters
**** NEW LOOK AND FEEL FOR SCRIPT PIMP WEBSITE LAUNCHED: Ver. 5.0 Coming Soon**** Comments and feedback on the new site? E-mail info@scriptpimp.com.
The 2009 Script Pimp Screenwriting and TV Writing Competitions are open until May 1st: http://www.scriptpimp.com/writing_competition/home.cfm
Regular deadline: May 1st. 32 days left to submit. . . .
**NEW FOR 2009: WRITERS MAY REQUEST FEEDBACK ON THEIR SCRIPT FOR AN ADDITIONAL $40. General analysis includes comments on all major components of your screenplay, including dialogue, characterization, plot, structure, and in some cases, marketability of the material. Plus, ALL notes are given by Script Pimp’s veteran Workshop readers or senior analysts. Notes may only be added by submitting via the Script Pimp site.
All genres and lengths of feature film scripts accepted. International, non-U.S. writers are welcome to enter as well. Scripts are accepted through the Script Pimp site or through Withoutabox (www.withoutabox.com).
Script Pimp is pleased to announce that judges for the TV contest include:
Mike Kelley, creator of “Swingtown” Brian Keith Etheridge, writer “South Park” Michael Morris, producer “Brothers and Sisters”
The ‘08 contest has already netted option and representation agreements with many of the finalist writers. Even more production companies, agents, and managers will be reading the 2009 winning scripts, along with $50,000 in prizes possible for anyone who enters, and $16,000 cash for the finalists.
For details: http://www.scriptpimp.com/writing_competition/home.cfm
*All new Writers Database members get one FREE entry into the competition!
And thanks to long-time sponsor Final Draft for their continued support of the Script Pimp competition. For further info on Final Draft, visit www.finaldraft.com.
======================================================= (2) Writers Database – Last Chance for 2-Year Bonus =======================================================
Until May 1st, all Writers Database members receive two (2) additional years added on their membership when they subscribe or renew. Take advantage of this offer now (a $299 value) before it expires.
More info can be found here: http://www.scriptpimp.com/two/index.cfm?do=writersdatabase
ABOUT THE WRITERS DATABASE
With over 1,000 listings, the Writers Database puts the film industry at your fingertips. Find information about agencies, managers, producers, and production companies--what they are looking for and how to contact them. Updated regularly, the Database includes a powerful search engine that can be tailored to your specific needs. No matter where you live, Script Pimp's Database connects you to Hollywood and beyond.
Writers Database members also receive discounts on Workshop notes and the ability to E-mail film and writing-related questions to Script Pimp, including questions on screenplay formatting, style, technical concerns, how the industry works, from development to distribution, as well as any other inquiries in need of clarification. Think of it as an alternative to film classes, where writers can get a crash course on the ins-and-outs of the industry.
========================================== (3) Recent Script Sales – March ==========================================
A broad handful of biopics stand out in script sales through mid to late March, including films revolving around the lives of Houdini, Lou Rawls, Steve McQueen, and H.P. Lovecraft, as well as adaptations of popular novels and TV series.
Selected sales include:
--From the Image Comics graphics novel, “The Strange Adventures of H.P. Lovecraft” touches upon the struggles of the well-known horror fiction writer. Ron Howard will produce and is rumored to direct.
--“Through the Eyes of a Son,” based on the career of musician Lou Rawls.
--Arguably the world’s most popular magician, Harry Houdini will be featured in “The Secret Life of Houdini: The Making of America's First Superhero,” chronicling his experiences as a British spy and debunker of con artists.
--Andy Garcia, and Anthony Hopkins thus far, set to star in “Hemingway and Fuentes,” centering on the friendship between Ernest Hemingway and Gregorio Fuentes.
--The new Coen Brothers film, a remake of “True Grit.”
--“Steve McQueen: Portrait of an American Rebel,” based on, of course, actor Steve McQueen.
--Natalie Portman and Brad Pitt will star in “Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris,” a romantic comedy.
--Sean Penn to play the lead in “Cartel” as a man looking to protect his son after his wife’s murder.
--For Stephen King fans, the mediocre 1990s version of “It” will see a film rendition through Warner Bros.
Hard to see anyone not getting excited about this: “MacGyver” has been given the go-ahead through New Line Cinema. No writer attached yet.
Script Pimp highly recommends partner InkTip to help with the promotion of your script to numerous industry pros, with over 50 credits as a Screenplay Facilitator in the past five years.
***InkTip: Find good scripts fast and easy.***
InkTip, the screenplay facilitation company, has been helping producers, filmmakers, agents, managers and name talent find good scripts and writers since 2000.
Over 80 produced films have been facilitated by InkTip with a current average of 19 films produced per year.
To see our IMDb profile, click here, or go to IMDb.com and search for ‘InkTip’.
In less than 2 minutes, see how InkTip works for you by watching the InkTip Explained video.
==================================================== (5) Consultations with Senior Story Analyst ====================================================
*One-On-One Phone Consultation with Senior Story Analyst: http://www.scriptpimp.com/script_coverage/index_ww2.cfm
Direct advice and one-on-one interaction over the phone or in-person. Iron out the issues in your script in the most efficient way possible. Script Pimp story analysts are available for one-on-one meetings to go through your script line by line. As with our Development Notes service, if your script is at the point where it should be shopped around town, we will give you suggestions for the companies that would be most interested in your script.
If you would like to set up an appointment, please E-mail Matt at matt@scriptpimp.com.
========================================== (6) Technical Edits on Scripts and Novels ==========================================
Script Pimp offers copyediting for screenplays, teleplays, and novels. Editing includes a thorough check for grammar, formatting, and, if applicable, sentence structure and suggestions to improve narrative pacing and flow in the hopes of improving the readability (and thus the marketability) of your work.
Rates start at $3/page and vary depending on the individual writer's needs. We will also perform a FREE one-page "sample" edit for you to determine if the service will meet your needs.
For more info, or to request a free sample edit and price quote, please E-mail matt@scriptpimp.com and write "Editing Services" in the subject line, or visit: http://scriptpimp.com/two/index.cfm?do=writersworkshop
Former Workshop Recommends, contest winners, and Script Pimp writers are finding success with their screenplays and films.
Most recent updates:
With the help of Kersey Management, Matt Savelloni, a former Script Pimp writer, has been placed with the agency Hohman, Maybank, and Lieb, one of the top boutique agencies in Los Angeles. Matt is currently teamed with another writer developing two projects with high-profile producers.
Former Script Pimp Recommend screenplay STRENGTH AND HONOR and writer/director Mark Mahon continue to rack up festival awards worldwide. Pic stars Michael Madsen, Vinnie Jones, and Richard Chamberlain. Mahon is currently working on a sequel to the film.
James K. Watts’ script BECKWOURTH, a 2008 Script Pimp Screenwriting Competition finalist, is currently under option.
Former Script Pimp Recommend screenplay WORM by Marc Samson has been optioned by Sandcastle Studios.
Evan Daugherty, finalist and Grand Prize winner in the 2008 Script Pimp Screenwriting Competition, has secured literary writer representation from Jake Wagner at Energy Entertainment with his script SHRAPNEL. His script also made The Blacklist, for one of the top 100 unproduced screenplays of 2008.
To view more success stories: http://www.scriptpimp.com/success_stories/success_stories.cfm
Script Pimp's Writers Workshop has served a number of writers to start 2009. As always, thanks to all the writers who took the time to send in their comments.
Some recent quotes:
“Not being a writer by training, I feel like I’ve gotten a college level education at a massive discount – not to mention at my own pace and in my own time frame. . . Script Pimp promotes a constructive and encouraging approach.” – Sarah R. (3/21)
“Thanks a lot for the coverage that your company did on my script. It has really helped me as a screenwriter. I'm utterly sure and confident that writing my subsequent scripts will not be a problem. I'm looking forward to doing more business will your company.” Sammie M. (3/17)
“I owe you and Script Pimp a debt of gratitude [for your notes]. And, perhaps most important of all, I feel that all this work-shopping has actually made me a better writer overall. Needless to say, I'm now looking forward to the circulation phase.” – Gary M. (3/6)
“I just reviewed your notes and indeed, they make a lot of sense to me. I will get right on them and resubmit to you soon.” – Carlton W. (3/4)
“My feedback notes are amazing--really insightful and very inspiring.” – Louise G. (2/12)
“I couldn't be more pleased with the insights you provided. Thank you so much.” – Bettie S. (2/9)
And some responses from our 2008 Writing Competition. . . .
"Looking forward to future dealings with Script P.I.M.P. Thank you again for your support and help. Also had a very enlightening conversation with [the finalist mentor consultant]. He was most gracious, very insightful, and open to hearing about my future efforts as well." – Ed Cound
"Many thanks for hosting the awards event! It was a great opportunity to meet the other writers. Thanks as well for setting up the phone meeting with [a finalist consultant]." – Suzan Flamm
"Really enjoyed talking with you and sharing war stories with the other writers [at the awards party]. Always good to connect with more film folks." – David O'Donnell
========================================== (9) Script Pimp Recommends: Hollywood Script Shop ==========================================
It’s always advised that screenwriters read already-produced scripts—the good, the bad, and the mediocre—to help improve their own craft. Hollywood Script Shop (www.HollywoodScriptShop.com) should be able to fill most any request for scripts on films made in the past 70 years.
**The LARGEST script store in the world!**
Hollywood Script Shop has hundreds of thousands of movie and television scripts in their massive library. All genres included. Practically ANY screenplay available, ranging from vintage (1930s) to new releases.
Whether you're a screenwriter, collector, movie buff, or all three, Hollywood Script Shop has everything you need.
========================================== (10) Script Pimp Endorses: International Screenwriting Association (ISA) ==========================================
The International Screenwriting Association’s variety of resources can benefit writers of any level. Best of all, membership is FREE. More info can be found at http://networkisa.org/.
PRODUCERS SEEK SCREENPLAYS:
Join WRITING GIGS at the ISA! http://networkisa.org/#/producerwriterblog/4532967165
For membership: http://networkisa.org/#/jointheisa/4530475964.
Presented by www.ScreenplayContests.com – The #1 choice for screenplay contests.
The 2009 HORROR SCREENPLAY CONTEST: Now accepting entries
*Over $5,000.00 in cash and prizes *Winner's Material Requested by over 50 producers, studios, agents and managers *Limited to the first 600 entries! *Online submissions accepted
For more information and to enter: www.HorrorScreenplayContest.com
========================================== (12) Script Pimp in the News ==========================================
To view all Script Pimp company credits, visit: http://www.imdb.com/company/co0173374
View all Script Pimp Press: http://www.scriptpimp.com/features/creative_screenwriting.cfm
Script Pimp's feature film "The Living Wake" reviewed by Variety: http://www.scriptpimp.com/newsletters/variety.cfm
Script Pimp on TV (Peter Bart's Sunday Morning Shootout) Script Pimp Newswire: http://www.scriptpimp.com/news/home.cfm
========================================== (13) Circus of Joy – April 2nd, Hollywood Improv ==========================================
E-mail tickets@scriptpimp.com to get on the free guest list for the best comedy show in town.
CIRCUS OF JOY – comedy show featuring Mike O'Connell
Lineup:
Josh Fadem Erik Charles Nielsen Natasha Leggero Chris Fairbanks Eddie Peptione Mike O'Connell and Dr. Ken
Thursday, April 2nd, 10pm
Improv is @ 8162 Melrose Avenue, Los Angeles, CA 90046 (323) 651-2583.
Corner of Crescent Heights and Melrose. Street parking up and down Melrose.
Dinner is served in the front and chicken fingers in the main room.
RSVP: tickets@scriptpimp.com. For more info go to Improv.com, then click Hollywood on the left.
========================================== (14) Miscellaneous - Top Websites for Screenwriters ==========================================
The following is a guide for the Script Pimp community of five-star websites for screenwriters and aspiring filmmakers. To post your site in this section for approval, please contact us at matt@scriptpimp.com.
NETWORKING SITES:
Screenwriters Federation of America http://www.screenwritersfederation.org/phpBB2/
The 2009 Script Pimp Screenwriting and TV Writing Competitions are now accepting entries: http://www.scriptpimp.com/writing_competition/home.cfm
Regular deadline: May 1st. 58 days left to submit. . . .
**NEW FOR 2009: WRITERS MAY REQUEST FEEDBACK ON THEIR SCRIPT FOR AN ADDITIONAL $40. General analysis includes comments on all major components of your screenplay, including dialogue, characterization, plot, structure, and in some cases, marketability of the material. Plus, ALL notes are given by Script Pimp’s veteran Workshop readers or senior analysts. Notes may only be added by submitting via the Script Pimp site.
All genres and lengths of feature film scripts accepted. International, non-U.S. writers are welcome to enter as well. Scripts are accepted through the Script Pimp site or through Withoutabox (www.withoutabox.com).
And Script Pimp is pleased to announce that judges for the TV contest include:
Mike Kelley, creator of “Swingtown” Brian Keith Etheridge, writer “South Park” Michael Morris, producer “Brothers and Sisters”
The ‘08 contest has already netted option and representation agreements with many of the finalist writers. Even more production companies, agents, and managers will be reading the 2009 winning scripts, along with $50,000 in prizes possible for anyone who enters, and $16,000 cash for the finalists.
The following are a selection of companies that have requested to review the finalists:
3 Arts Entertainment, 3 Ring Circus Films, AEI, The Alpern Group, Anthem Entertainment, Andrew Lauren Productions, Brillstein Entertainment Partners, Cedar Grove Agency, Cinematic Instinct, Energy Entertainment, The Greenblatt-Janollari Studio, Gersh LA, Hi-Def Entertainment, IndieShares, The Jerry Leider Company, JT Entertainment, London Pictures, Pierce/Williams Entertainment, Polsky Films, Principal Entertainment, Symbolic Entertainment, Underground Films, Wonder Entertainment.
For details: http://www.scriptpimp.com/writing_competition/home.cfm
*All new Writers Database members get one FREE entry into the competition!
And thanks to long-time sponsor Final Draft for their continued support of the Script Pimp competition. For further info on Final Draft, visit www.finaldraft.com.
========================================== (2) Recent Script Sales – February ==========================================
One of the more notable developments this year so far: the musical “Damn Yankees” is set for a remake, with Jim Carrey and Jake Gyllenhaall confirmed as leads. As anticipated, “Friday the 13th” will see a second incarnation, and for those interested in further reliving the 80s, “The Neverending Story” has been given the green light, though no writer is attached as of yet.
Other selected sales include:
--The drama/comedy “Downsizing,” with Reese Witherspoon, Sasha Baron Cohen, and Paul Giamatti to star. --“Rape: A Love Story,” based on the Joyce Carol Oates novella. Abigail Breslin, Samuel L. Jackson, and Maria Bello attached. 3 Arts Entertainment to produce. --The DC Comics story “Suicide Squad” --“Little Fockers,” the third installment of the Stiller/DeNiro comedy series.
And as Hollywood has been infected with the remake bug, expect to see a fresh, new, “improved” version of the Schwarzenegger classic “Total Recall.” No, that’s not a typo. . . .
========================================== (3) Box Office Report – February 27th-March 1st ==========================================
The ever-successful Tyler Perry continues his hot streak, as “Madea Goes to Jail” remains number one for the second weekend in a row. The Perry comedy edged out Academy Award winner “Slumdog Millionaire” and Disney’s monstrous teenage creation Jonas Brothers, with their new 3-D film, to claim the top slot. Rather impressive considering “Slumdog,” though first released months ago, is currently playing in more theaters nationwide than “Madea.” And in limited release, “Street Fighter: The Legend of Chun-Li” seems to have proven that the arcade classic may have had a better shot in the nineties—the film finished in eighth with $4.7 million, while “Taken” has crossed the $100m mark.
The Top Ten* (domestic totals in parentheses, with the number of weeks in theaters as of March 1st)
2. Jonas Brothers: The 3D Concert Experience ($12,510,374) – Week #1
3. Slumdog Millionaire ($115,024,121) – Week #16
4. Taken ($107,796,273) – Week #5
5. He's Just Not That Into You ($78,661,321) – Week #4
6. Paul Blart: Mall Cop ($128,107,912) – Week #7
7. Coraline ($61,112,744) – Week #4
8. Street Fighter: The Legend of Chun-Li ($4,721,110) – Week #1
9. Confessions of a Shopaholic ($$33,806,050) – Week #3
10. Fired Up ($10,038,772) – Week #2
*ranked by top weekend box office films from February 27th - March 1st
========================================== (4) Script Pimp Recommends: Big Bear Lake Screenwriting Competition ==========================================
The 2009 Big Bear Lake International Film Festival Screenwriting Competition is now accepting entries.
Our goal is to provide screenwriters with exposure for their writing and an avenue for making Hollywood contacts that can advance their career goals. As such, all Finalists are read by Hollywood professional agents, managers, producers, and those same jurors are at our festival to provide general advice about the industry.
For anyone whose script does not yet make it to the Finalist level, ALL entries receive brief written feedback from at least THREE separate readers—at no extra cost. Past finalists have gotten sales, agents, managers, writing assignments, and a nomination for an Academy Award from contacts made here.
Final deadline: April 1. For information and forms: www.bigbearlakefilmfestival.com.
========================================== (5) Ask the Script Pimp Expert – Flashbacks in a Script ==========================================
As this question has been asked recently. . . .
Why in so many screenwriting and filmmaking books are flashbacks looked down upon?
The reason why emerging writers are strongly discouraged from using flashbacks in their work is that many use this device as a kind of quick fix for plot/character holes. Rather than finding a subtle way to reveal story information, the writer simply resorts to a flashback scene. As a result, the scene tends to seem out of the blue and inorganic.
While many great scripts and films incorporate flashbacks, the thing to remember is that it's actually very difficult to include flashbacks in a way that doesn't feel contrived.
Before including a flashback in a script, consider whether there is another way to convey this information. If so, do it. Keep the reader/viewer in the here and now of the story. Only use flashbacks if essential and if they fit with the overall tone of the story.
Finding Your Thematic: The Role of a Writer’s Emblematic Core Story in Cinematic Storytelling
Let industry pros including Jodie Foster’s former producer, Meg LeFauve, and the Academy Award® nominated writer of CHILDREN OF MEN and IRON MAN guide you in discovering those core Thematic elements that will produce your best storytelling for the screen.
You may not know your Thematic yet. But once you do it will change the way you approach storytelling forever.
Finding Your Thematic will provide an in-depth examination of how a writer's core themes can influence his or her entire body of work. This one-night, limited seating event consists of two sessions:
--An interactive demonstration of how each attending writer can explore his/her personal theme --A panel discussion with pro screenwriters who examine how Thematic has helped direct their choices and influence their entire body of work
Date and time: 7-10pm, Tuesday March 24th Location: Santa Monica Tickets: $45 general admission, $35 CineStory Alumni/Students – go to www.cinestory.org for details.
CineStory gratefully acknowledges the support of the Academy of Motion Picture Arts and Sciences for this special event.
Presented by www.ScreenplayContests.com – The #1 choice for screenplay contests.
The 2009 HORROR SCREENPLAY CONTEST: Now accepting entries
*Over $5,000.00 in cash and prizes *Winner's Material Requested by over 50 producers, studios, agents and managers *Limited to the first 600 entries! *Online submissions accepted
For more information and to enter: www.HorrorScreenplayContest.com
==================================================== (8) Consultations with Senior Story Analyst – Final Month for Discounted Rate ====================================================
*One-On-One Phone Consultation with Senior Story Analyst: http://www.scriptpimp.com/script_coverage/index_ww2.cfm
Direct advice and one-on-one interaction over the phone or in-person. Iron out the issues in your script in the most efficient way possible. Script Pimp story analysts are available for one-on-one meetings to go through your script line by line. As with our Development Notes service, if your script is at the point where it should be shopped around town, we will give you suggestions for the companies that would be most interested in your script.
Special discounts off consults through March 31st, 2009: $150 OFF for non-members ($500) $220 OFF for members ($430)
To take advantage of the discount, offer code SPCD1.
If you would like to set up an appointment, please E-mail Matt at matt@scriptpimp.com.
With the help of our mentors, Chadwick and Matt have Script Pimp 2008 finalist screenplays out to scores of producers and agents and are looking forward to the next 20 finalists for the 2009 Competition.
The top 20 scripts have sparked interest from managers, agents, and production companies worldwide.. Former Workshop Recommends are also finding success with their screenplays and already produced films.
Most recent updates. . . .
Former Script Pimp Recommend screenplay STRENGTH AND HONOR and writer/director Mark Mahon continue to rack up festival awards worldwide, including Best Picture at the New York International Film Festival and Boston Film Festival. Pic stars Michael Madsen, Vinnie Jones, and Richard Chamberlain.
Aaron J. Patton, a former Script Pimp Recommend for his screenplay UNHINGING ROWE is now being represented by Gallagher Literary Management.
James K. Watts’ script BECKWOURTH, a 2008 Script Pimp Screenwriting Competition finalist, is currently under option.
Former Script Pimp Recommend screenplay WORM by Marc Samson has been optioned by Sandcastle Studios.
Evan Daugherty, finalist and Grand Prize winner in the 2008 Script Pimp Screenwriting Competition, has secured literary writer representation from Jake Wagner at Energy Entertainment with his script SHRAPNEL. His script also made The Blacklist, for one of the best unproduced screenplays of 2008.
Script Pimp's Writers Workshop has served a number of writers to start 2009. As always, thanks to all the writers who took the time to send in their comments.
Some recent quotes:
“My feedback notes are amazing--really insightful and very inspiring.” – Louise G. (2/12)
“I couldn't be more pleased with the insights you provided. Thank you so much.” – Bettie S. (2/9)
“I thank you guys for the notes. It's a great help to receive such a professional and accurate notes for the script. I'm grateful for your comments.” – Tony S. (1/29)
“Thanks for the quick turnaround. As far as rating the quality of the reader's comments, 10s across the board. I feel their comments were fair and also very thorough.” – Todd E. (1/23)
“Just a quick email to thank you for the notes. I have to say I'm impressed with the quality and clarity of the suggestions that were made - they will definitely help me with the next draft.” – Tim M. (1/17)
And some responses from our 2008 Writing Competition. . . .
"Looking forward to future dealings with Script P.I.M.P. Thank you again for your support and help. Also had a very enlightening conversation with [the finalist mentor consultant]. He was most gracious, very insightful, and open to hearing about my future efforts as well." – Ed Cound
"Many thanks for hosting the awards event! It was a great opportunity to meet the other writers. Thanks as well for setting up the phone meeting with [a finalist consultant]." – Suzan Flamm
"Really enjoyed talking with you and sharing war stories with the other writers [at the awards party]. Always good to connect with more film folks." – David O'Donnell
========================================== (11) Script Pimp in the News ==========================================
To view all Script Pimp company credits, visit: http://www.imdb.com/company/co0173374
View all Script Pimp Press: http://www.scriptpimp.com/features/creative_screenwriting.cfm
Script Pimp's feature film "The Living Wake" reviewed by Variety: http://www.scriptpimp.com/newsletters/variety.cfm
Script Pimp on TV (Peter Bart's Sunday Morning Shootout) Script Pimp Newswire: http://www.scriptpimp.com/news/home.cfm
========================================== (12) Technical Edits on Scripts and Novels ==========================================
Script Pimp offers copyediting for screenplays, teleplays, and novels. Editing includes a thorough check for grammar, formatting, and, if applicable, sentence structure and suggestions to improve narrative pacing and flow in the hopes of improving the readability (and thus the marketability) of your work.
Rates start at $.03/word and vary depending on the individual writer's needs. We will also perform a FREE one-page "sample" edit for you to determine if the service will meet your needs.
For more info, or to request a free sample edit and price quote, please E-mail matt@scriptpimp.com and write "Editing Services" in the subject line.
========================================== (13) Circus of Joy – April 2nd, Hollywood Improv ==========================================
E-mail tickets@scriptpimp.com to get on the free guest list for the best comedy show in town.
CIRCUS OF JOY – comedy show featuring Mike O'Connell & special guest
Thursday, April 2nd, 10pm
Comics: Josh Fadem, Erik Charles Nielsen, Natasha Leggero, Chris Fairbanks, Eddie Peptione, Mike O'Connell & special guest
Improv is @ 8162 Melrose Avenue, Los Angeles, CA 90046 (323) 651-2583.
Corner of Crescent Heights and Melrose. Street parking up and down Melrose.
Dinner is served in the front and chicken fingers in the main room.
RSVP: tickets@scriptpimp.com. For more info go to Improv.com, then click Hollywood on the left.
Sincerely,
Chadwick Clough Script P.I.M.P., LLC 8033 W. Sunset Blvd. #3000 Hollywood, CA 90046 info@scriptpimp.com www.scriptpimp.com 310-401-1155
To unsubscribe to this great free monthly newsletter click here: http://www.scriptpimp.com/unsubscribe
To visit Script Pimp's Home Page click here: http://www.scriptpimp.com
Script Pimp February Newsletter 01/29/09
Free
SCRIPT PIMP FEBRUARY NEWSLETTER (http://www.scriptpimp.com)
Contents:
(1) Script Pimp 2009 Writing Competitions – EARLY DEADLINE: FEB. 1st (2) Recent Script Sales – January (3) Box Office Report – January 23-25 (4) Ask the Script Pimp Expert – How Important is Choosing a Script’s Title? (5) The Living Wake – Screening at BAM (6) Consultations with Senior Story Analyst – Discounted Winter Rate (7) Workshop & Writers Database Info (8) Script Pimp Success Stories (9) Recent Feedback - Writers Workshop / 2008 Competition (10) Script Pimp in the News (11) Technical Edits on Scripts and Novels (12) Script Pimp Production: Rogues Gallery (13) Circus of Joy – February 5th, Hollywood Improv (14) Miscellaneous - Top Websites for Screenwriters
The 2009 Script Pimp Screenwriting and TV Writing Competitions are now accepting entries. EARLY DEADLINE is Feb. 1st. RECEIVE A $5 DISCOUNT ON THE EARLY DEADLINE.
Regular deadline: May 1st.
All genres and lengths of feature film scripts accepted. International, non-U.S. writers are welcome to enter as well. Scripts are accepted through the Script Pimp site or through Withoutabox (www.withoutabox.com).
**AND NEW FOR 2009: WRITERS MAY REQUEST FEEDBACK ON THEIR SCRIPT FOR AN ADDITIONAL $40.
Judges for the TV contest this year include:
Mike Kelley, creator of “Swingtown” Brian Keith Etheridge, writer (“South Park”)
The ‘08 contest has already netted option and representation agreements with many of the finalist writers. Even more production companies, agents, and managers will be reading the 2009 winning scripts, along with $50,000 in prizes possible for anyone who enters, and $16,000 cash for the finalists.
For more info, visit: http://www.scriptpimp.com/writing_competition/home.cfm
*All new Writers Database members get one FREE entry into the competition!
========================================== (2) Recent Script Sales – January ==========================================
Adaptations (and an adaptation of an adaptation) continue to share the spotlight with a spattering of comedies, science fiction, crime dramas, and family scripts. Notable sales include:
--“Cowboy Bebop,” based on the popular Japanese anime series. Keanu Reeves set to star. --A Cher and Jonny Knoxville (not a typo) project, “The Drop-Out” --A Warner Bros. adaptation of the animated series “Tom and Jerry” --“The A Team,” a polish of a script and project first announced in 2001. --The sequel to “The Chronicles of Narnia,” “Voyage of the Dawn Treader” --“Lowriders,” based on a Brian Grazer concept.
Feeling as though “Tomb Raider” deserves another go-around, the popular comic (and Angelina Jolie film) will get a re-imagining as well. No screenwriter or director attached as of yet.
========================================== (3) Box Office Report – January 23-25 ==========================================
Kevin James struck box office oil as “Paul Blart: Mall Cop” snagged the top spot for the second week in a row. The comedy was joined by newcomer “Underworld: Rise of the Lycans,” and recent Oscar and Golden Globe nominees “Gran Torino,” Danny Boyle’s “Slumdog Millionaire,” and “The Curious Case of Benjamin Button,” which has now crossed the 100m mark. The family-friendly flick “Hotel for Dogs” also had another strong showing.
The Top Ten* (domestic totals in parentheses, with the number of weeks in theaters as of January 4th)
1. Paul Blart: Mall Cop ($64,923,380) – Week #2
2. Underworld: Rise of the Lycans ($20,828,511) – Week #1
3. Gran Torino ($97,819,975) – Week #7
4. Hotel for Dogs ($37,455,759) – Week #2
5. Slumdog Millionaire ($56,065,245) – Week #11
6. My Bloody Valentine 3-D ($37,687,394) – Week #2
7. Inkheart ($7,601,379) – Week #1
8. Bride Wars ($48,570,928) – Week #3
9. The Curious Case of Benjamin Button ($111,129,482) – Week #5
10. Notorious ($31,874,538) – Week #2
*ranked by top weekend box office films from January 23 – 25
=============================================== (4) Ask the Script Pimp Expert –Choosing a Script’s Title? ===============================================
Think of the script’s title as its clothing—a reader’s first impression is naturally based on the name of the script. Will a producer or agent reject a screenplay solely on its title? Of course not (or at least, it’s extremely uncommon). However, be imaginative when it comes to naming your story. Just don’t get too creative or complex, unless the tone or theme of the script calls for such.
A few suggestions:
--Stay away from generic titles. “The Christmas Party,” or “John’s Apartment” don’t exactly scream interesting. Same thing goes for using the name of the main character. Sure, “Juno,” or “Forrest Gump,” and countless other great films have pulled it off, but make that a last resort and only if it properly applies (for instance, what else would you name “Forrest Gump”. . .?).
--Always consider marketability and choose your words carefully. Calling your script “The Rapist” probably isn’t going to fly, although the story might be about that exactly.
--Avoid excessively long titles, too. Again, there are exceptions (e.g. “Eternal Sunshine of the Spotless Mind”), but it’s a fine line between great title and awkward mess. Keep it relatively short.
When in doubt, run your title past a few friends or other writers, or even yourself. If it doesn’t spark any interest, time to choose another option.
========================================== (5) The Living Wake – Screening at BAM ==========================================
“The Living Wake,” Script Pimp's first production company credit and co-produced by Chadwick Clough, will be screening at the Brooklyn Academy of Music (BAM) on February 19th in Brooklyn, NY. For more info, visit: http://www.bam.org/view.aspx?pid=925
Excerpt from the Variety review:
“The sight of Mills taking Binew to and fro in the rickshaw is a classic absurdist piece as staged by director Sol Tryon, capped by scene after scene of dialogue. . . that recall Tom Stoppard in their precise, hilarious, and mind-expanding use of language.” – Variety
To view all Script Pimp company credits: http://www.imdb.com/company/co0173374
==================================================== (6) Consultations with Senior Story Analyst – Discounted Winter Rate ====================================================
*One-On-One Phone Consultation with Senior Story Analyst: http://www.scriptpimp.com/script_coverage/index_ww2.cfm
Direct advice and one-on-one interaction over the phone or in-person. Iron out the issues in your script in the most efficient way possible. Script Pimp story analysts are available for one-on-one meetings to go through your script line by line. As with our Development Notes service, if your script is at the point where it should be shopped around town, we will give you suggestions for the companies that would be most interested in your script.
Special discounts off consults through Feb. 15th, 2009: $150 OFF for non-members ($500) $220 OFF for members ($430)
If you would like to set up an appointment, please E-mail Matt at matt@scriptpimp.com.
========================================== (7) Workshop & Writers Database Info ==========================================
*Writers Database Home Page: http://www.scriptpimp.com/writers_database/index_wdb.cfm
Script Pimp's Writers Database features the current needs and submission guidelines for over 1,000 total company listings, 300 film production companies, and agencies accepting material from new screenwriters. Database members also may send their loglines and synopses into us for general feedback, as well as ask industry-related questions.
*Writers Workshop Home Page: http://www.scriptpimp.com/script_coverage/index_ww2.cfm
Script Pimp's Writers Workshop provides screenwriters with A-level development notes and consultations. A professional story analyst will write extensive notes, 4-6 pages long, giving you a detailed review of the strengths and weaknesses of your screenplay. With a grade of "Recommend," Script Pimp will assist you in circulating your work to agents, managers, and producers at no charge. Numerous writers have seen their work optioned or produced as a result of the Workshop.
*Talent Pimp Home Page: http://www.talentpimp.com
Acting anyone? Talent Pimp concentrates its tools and resources for actors and actresses, complete with our own knowledge base of the industry, updated detailed listings for 550+ agents, 700+ managers and 550+ casting directors. Talent Pimp is now available to working and aspiring professional actors for a fee of $35 for 1-year of unlimited access. Build your own professional page and upload your resume, headshots and demo reel.
With the help of our mentors, Chadwick and Matt have Script Pimp 2008 finalist screenplays out to scores of producers and agents and are looking forward to the next 20 finalists for the 2009 Competition.
The top 20 scripts have sparked interest from managers, agents, and production companies worldwide.. Former Workshop Recommends are also finding success with their screenplays and already produced films.
Most recent updates. . . .
Former Script Pimp Recommend screenplay STRENGTH AND HONOR and writer/director Mark Mahon continue to rack up festival awards worldwide, including Best Picture at the New York International Film Festival and Boston Film Festival. Pic stars Michael Madsen, Vinnie Jones, and Richard Chamberlain.
Aaron J. Patton, a former Script Pimp Recommend for his screenplay UNHINGING ROWE is now being represented by Gallagher Literary Management.
James K. Watts’ script BECKWOURTH, a 2008 Script Pimp Screenwriting Competition finalist, is currently under option.
Former Script Pimp Recommend screenplay WORM by Marc Samson has been optioned by Sandcastle Studios.
Evan Daugherty, finalist and Grand Prize winner in the 2008 Script Pimp Screenwriting Competition, has secured literary writer representation from Jake Wagner at Energy Entertainment with his script SHRAPNEL.
More to come. . . .
=============================================== (9) Recent Feedback - Writers Workshop / 2008 Competition =============================================== br> Script Pimp's Writers Workshop has served a number of writers to start 2009. As always, thanks to all the writers who took the time to send in their comments.
Some recent quotes:
“Thanks for the quick turnaround. As far as rating the quality of the reader's comments, 10s across the board. I feel their comments were fair and also very thorough.” Todd E. (1/23)
“Just a quick email to thank you for the notes. I have to say I'm impressed with the quality and clarity of the suggestions that were made - they will definitely help me with the next draft.” – Tim M. (1/17)
“I'd like to say thanks to you guys for the feedback provided on my screenplays. The readers' realistic, knowledgeable approaches and insights helped me to develop the scripts greatly, and they also helped me to grow as a writer and editor of my own work.” – Forrest G. (12/8)
And some responses from our 2008 Writing Competition. . . .
"Looking forward to future dealings with Script P.I.M.P. Thank you again for your support and help. Also had a very enlightening conversation with [the finalist mentor consultant]. He was most gracious, very insightful, and open to hearing about my future efforts as well." – Ed Cound
"Many thanks for hosting the awards event! It was a great opportunity to meet the other writers. Thanks as well for setting up the phone meeting with [a finalist consultant]." – Suzan Flamm
"Really enjoyed talking with you and sharing war stories with the other writers [at the awards party]. Always good to connect with more film folks." – David O'Donnell
========================================== (10) Script Pimp in the News ==========================================
To view all Script Pimp company credits, visit: http://www.imdb.com/company/co0173374
View all Script Pimp Press: http://www.scriptpimp.com/features/creative_screenwriting.cfm
Script Pimp's feature film "The Living Wake" reviewed by Variety: http://www.scriptpimp.com/newsletters/variety.cfm
Script Pimp on TV (Peter Bart's Sunday Morning Shootout) Script Pimp Newswire: http://www.scriptpimp.com/news/home.cfm
========================================== (11) Technical Edits on Scripts and Novels ==========================================
Script Pimp offers copyediting for screenplays, teleplays, and novels. Editing includes a thorough check for grammar, formatting, and, if applicable, sentence structure and suggestions to improve narrative pacing and flow in the hopes of improving the readability (and thus the marketability) of your work.
Rates start at $.03/word and vary depending on the individual writer's needs. We will also perform a FREE one-page "sample" edit for you to determine if the service will meet your needs.
For more info, or to request a free sample edit and price quote, please E-mail matt@scriptpimp.com and write "Editing Services" in the subject line.
Former Script Pimp "Recommend" writer Brian Watanabe's screenplay, Rogues Gallery, is currently in post-production. Script Pimp owner Chadwick Clough serves as executive producer and first brought the action/comedy project to Sean McKittrick's Darko Entertainment.
The film revolves around two teams of government assassins, using code names from the Tarot deck, who work in a secret underground facility. On The Fool's first day at work, his and the teams' boss is killed under mysterious circumstances, and they must find the person responsible before the facility explodes--or before the potential rogue kills The Fool and the others first.
Fouad Mikati directs an ensemble cast which includes Joe Anderson ("Copying Beethoven," "Across the Universe"), Odette Yustman ("Cloverfield"), and Emilie DeRavin ("Lost"), as well as veterans Bob Odenkirk, Ving Rhames ("Mission: Impossible 3", "Animal"), Ellen Barkin ("The Big Easy"), Will Arnett ("Arrested Development"), and Jeffrey Tambor ("Arrested Development"). Film is produced by Michael Ohoven ("Capote"), Sean McKittrick ("Donnie Darko"), and Kevin Turen.
Recent articles on Rogue's in Variety, The Hollywood Reporter, and Creative Screenwriting:
========================================== (13) Circus of Joy – Feb. 5th, Hollywood Improv ==========================================
E-mail tickets@scriptpimp.com to get on the free guest list for the best comedy show in town.
CIRCUS OF JOY – comedy show featuring Mike O'Connell & special guest
Thursday, February 5th, 10pm
LINEUP:
Patrick Keane (Host) Joe Betance Erin Foley Kyle Dunnigan Henry Phillips Brian Keith Etheridge Mike O'Connell
Improv is @ 8162 Melrose Avenue, Los Angeles, CA 90046 (323) 651-2583. Corner of Crescent Heights and Melrose. Street parking up and down Melrose. Dinner is served in the front and chicken fingers in the main room.
RSVP: tickets@scriptpimp.com. For more info go to Improv.com, then click Hollywood on the left.
========================================== (14) Miscellaneous - Top Websites for Screenwriters ==========================================
Here's a guide through the screenwriting community with Script Pimp's list of FIVE STAR WEBSITES for screenwriters. If there's a site you'd like to request to be added to the list, please email matt@scriptpimp.com.
NETWORKING SITES:
American Zoetrope http://www.zoetrope.com/
Screenwriters Federation of America http://www.screenwritersfederation.org/phpBB2/
The 2009 Script Pimp Screenwriting Competition is now accepting entries. Early deadline: Feb. 1st. Regular deadline: May 1st. ALL genres and lengths of feature film scripts accepted. International, non-U.S. writers are welcome to enter as well.
The ‘08 contest has already netted option and representation agreements with many of the finalist writers. Even more production companies, agents, and managers will be reading the 2009 winning scripts, along with $50,000 in prizes possible for anyone who enters, and $16,000 cash for the finalists.
For more info, visit: http://www.scriptpimp.com/writing_competition/home.cfm
*All new Writers Database members get one FREE entry into the competition!
==================================================== (2) Consultations with Senior Story Analyst – Discounted Winter Rate ====================================================
*One-On-One Phone Consultation with Senior Story Analyst: http://www.scriptpimp.com/script_coverage/index_ww2.cfm
Direct advice and one-on-one interaction over the phone or in-person. Iron out the issues in your script in the most efficient way possible. Script Pimp story analysts are available for one-on-one meetings to go through your script line by line. As with our Development Notes service, if your script is at the point where it should be shopped around town, we will give you suggestions for the companies that would be most interested in your script.
Special discounts off consults through Jan 31st, 2009: $150 OFF for non-members ($500) $220 OFF for members ($430)
If you would like to set up an appointment, please E-mail Matt at matt@scriptpimp.com.
========================================== (3) Cowrite Contest: In Association with BENDERSPINK ==========================================
The innovative Cowrite Contest is now accepting entries for the first ten pages of the community-sourced screenplay. Deadline for the first ten pages: JANUARY 18th, 2009.
A movie premise has been posted on the Cowrite website: www.cowritescipt.com.
Writers now have the opportunity to submit their version of the first ten pages of the story. The best opening ten pages, selected by the Cowrite judges, will be posted on the website, and the story will build from there. Every other week the best ten-page submission will be added to the developing story until the script is finished and ready to be sold!
Over $35,000 in cash and prizes. $3,000 in cash and prizes awarded to a writer every other week. Grand prize is a paid rewrite. All winners will share in any script sale.
In association with BENDERSPINK (A History of Violence, The Butterfly Effect, Just Friends).
www.cowritescript.com ========================================== (4) Recent Script Sales – December / January ==========================================
For the first part of 2009, dramas mixed with thrillers and a buddy comedy fill out the script sales thus far. Most notable is Disney’s latest project based on the Jules Verne novel “20,000 Leagues Under the Sea: Captain Nemo.” McG (Charlie’s Angels) is tabbed to direct.
In December, remakes and popular franchise sequels ruled, with a handful of comedy, thriller, and dramas, including:
--“H2,” the sequel to Rob Zombie’s 2007 take on “Halloween” --“Terminator 5.” Christian Bale attached. --A reinvention of “The Crow,” based on the graphic novel. --Remake of the 1980s comedy “Arthur”
In addition, the rights to F. Scott Fitzgerald’s “The Great Gatsby” have been purchased for another screen adaptation. Baz Luhrmann is on board.
And in a somewhat surprising move, considering the critical success of the original, a new rendition of the Michael Douglas/Kathleen Turner adventure-comedy “Romancing the Stone” is in development. No producers attached as of yet.
========================================== (5) Box Office Report – January 2nd-4th ========================================== Fueled by the star power of its leads, and the holiday season requirement of family fare, “Marley and Me” has passed the 100 million mark in just its second week in theaters, followed by the equally audience-friendly Adam Sandler pic “Bedtime Stories.” The rest of the top 10 are rounded out by possible Oscar nominees, including “The Curious Case of Benjamin Button,” “Seven Pounds,” and “Doubt.”
The Top Ten* (domestic totals in parentheses, with the number of weeks in theaters as of January 4th)
1. Marley and Me ($106,664,046) – Week #2
2. Bedtime Stories ($85,539,168) – Week #2
3. The Curious Case of Benjamin Button ($79,297,086) – Week #2
4. Valkyrie ($60,743,921) – Week #2
5. Yes Man ($79,507,388) – Week #3
6. Seven Pounds ($60,147,298) – Week #3
7. The Tale of Despereaux ($43,661,775) – Week #3
8. The Day the Earth Stood Still ($74,424,256) – Week #3
9. Doubt ($18,705,481) – Week #4
10. Slumdog Millionaire ($28,676,598) – Week #8
*ranked by top weekend box office films from December 2nd – 4th
============================================== (6) 2009 Cinestory Screenwriting Awards – Script Pimp Offer ============================================== Looking for a path to becoming a working writer?
Enter the CineStory Screenwriting Awards for a chance to work with industry pros at the exclusive CineStory Writer's Retreat - four days of script feedback and career advice in the beautiful mountains of Idyllwild, California.
Retreat attendees get four 90-minute one-on-one sessions with CineStory mentors and staff, all of whom are practicing and respected industry professionals. During these meetings, writers can discuss everything from the script(s) they submitted for feedback to jumpstarting their careers.
When not meeting in one-on-one sessions, writers participate in mentor moderated "informal rooms," which cover everything from pitching like a pro to the state of filmmaking in the digital age. In addition, mentors and writers gather for meals, drinks, film screenings, and other special events.
Grand Prize: Winner(s) receives over $8000 in cash and prizes as well as two industry mentors for ONE YEAR.
Extended Deadline: January 31st, 2009 ($70)
EXCLUSIVE SCRIPT PIMP DISCOUNT:
Mention Script P.I.M.P. and save $15! Extended fee only $55 per entry, or two for $90.
To take advantage of this offer submit via www.cinestory.org with the code SPIMP09 (not available through Withoutabox).
Entry forms and details available at www.cinestory.org or contact info@cinestory.org for more details.
========================================== (7) Workshop & Writers Database Info ==========================================
*Writers Database Home Page: http://www.scriptpimp.com/writers_database/index_wdb.cfm
Script Pimp's Writers Database features the current needs and submission guidelines for over 1,000 total company listings, 300 film production companies, and agencies accepting material from new screenwriters. Database members also may send their loglines and synopses into us for general feedback, as well as ask industry-related questions.
*Writers Workshop Home Page: http://www.scriptpimp.com/script_coverage/index_ww2.cfm
Script Pimp's Writers Workshop provides screenwriters with A-level development notes and consultations. A professional story analyst will write extensive notes, 4-6 pages long, giving you a detailed review of the strengths and weaknesses of your screenplay. With a grade of "Recommend," Script Pimp will assist you in circulating your work to agents, managers, and producers at no charge. Numerous writers have seen their work optioned or produced as a result of the Workshop.
*Talent Pimp Home Page: http://www.talentpimp.com
Acting anyone? Talent Pimp concentrates its tools and resources for actors and actresses, complete with our own knowledge base of the industry, updated detailed listings for 550+ agents, 700+ managers and 550+ casting directors. Talent Pimp is now available to working and aspiring professional actors for a fee of $35 for 1-year of unlimited access. Build your own professional page and upload your resume, headshots and demo reel.
=============================================== (8) Ask the Script Pimp Expert – Writing Action in a Screenplay ===============================================
Sounds easy enough—write what’s happening in the script. However, it’s not exactly as simple as it seems, especially to first-time writers.
Penning action is, in some ways, just as integral as dialogue and story elements. Though it falls under presentation, possessing above average writing skills and the ability to truly lure in the reader through your storytelling abilities may be the determining factor in whether or not a) your script gets read, b) the producer decides to hire you for other writing projects, and c) your professionalism as a screenwriter. The screenplay might be fantastic, but if the narrative is sub-par, there’s a chance the reader, possibly a potential investor or producer, will overlook the greatness that is your premise and instead look upon you as another inexperienced writer.
A couple tips (of many) to consider:
1. Keep action short, but not too short. In other words, no one wants to read huge paragraphs of description, but too little description won’t paint a vivid picture of the scene. Focus only on the necessary details. Maybe a sentence or two to set up the scene, and then dive right into the main action. Also, to help avoid talking heads conversations, use lines of action to break up dialogue throughout. But again, be certain the action makes sense for a given moment.
2. Don’t get too fancy with descriptions, and never, ever tell us what a character is feeling, or their backstory. Too often, novice writers will reveal exposition in the action line that we are not able to see on-screen. Keep it visual!
3. Avoid repetition and “dull phrases” through paragraph consolidation. The following sentence: “Joel walks quickly to the harbor. He boards the boat. The captain looks at him strangely. He returns the stare. They shake hands. They don’t really know one another.” Can be changed to: “He hurries to the harbor, quickly boarding the boat. The captain and Joel trade a curious glare. They shake hands, though it’s apparent they don’t know each other.”
Does action in a script need be the stuff of Hemingway and Frost? No. After all, no one’s necessarily publishing the script, so the action merely serves as a blueprint, like the rest of the screenplay. But do give greater attention to the action itself in terms of style, description, and succinctness.
With the help of our mentors, Chadwick and Matt have Script Pimp 2008 finalist screenplays out to scores of producers and agents and are looking forward to the next 20 finalists for the 2009 Competition.
The top 20 scripts have sparked interest from managers, agents, and production companies worldwide.. Former Workshop Recommends are also finding success with their screenplays and already produced films.
Most recent updates. . . .
Former Script Pimp Recommend screenplay STRENGTH AND HONOR and writer/director Mark Mahon continue to rack up festival awards worldwide, including Best Picture at the New York International Film Festival and Boston Film Festival. Pic stars Michael Madsen, Vinnie Jones, and Richard Chamberlain.
Aaron J. Patton, a former Script Pimp Recommend for his screenplay UNHINGING ROWE is now being represented by Gallagher Literary Management.
James K. Watts’ script BECKWOURTH, a 2008 Script Pimp Screenwriting Competition finalist, is currently under option.
Former Script Pimp Recommend screenplay WORM by Marc Samson has been optioned by Sandcastle Studios.
Evan Daugherty, finalist and Grand Prize winner in the 2008 Script Pimp Screenwriting Competition, has secured literary writer representation from Jake Wagner at Energy Entertainment with his script SHRAPNEL.
More to come as companies gear up for 2009. . . .
=============================================== (10) Recent Feedback - Writers Workshop / 2008 Competition =============================================== br> Script Pimp's Writers Workshop closed 2008 with tremendous positive feedback. As always, thanks to all the writers who took the time to send in their comments.
Recent quotes:
“I'd like to say thanks to you guys for the feedback provided on my screenplays. The readers' realistic, knowledgeable approaches and insights helped me to develop the scripts greatly, and they also helped me to grow as a writer and editor of my own work.” – Forrest G. (12/8)
“You guys are exceptional! Not only do you find all the weaknesses in the script and make your recommendations on how to make the script great, but you also acknowledge the good parts of the script. All hope is not lost. That's what exceptional teachers do: first praise then lay out the positive criticism”. – Enza F. (11/28)”
“Great notes--felt like the evaluator really got the story and what I was trying to do. I will be re-submitting my next draft.” – Jami D. (11/17)
“I just want to say that your notes are incredible. I've read through them a couple of times because there is so much good information and things to think about regarding my script. You've given me a lot of great ideas and great direction.” – Roy L. (11/15)
“Thank you for your evaluation. Your keen and thorough observations were greatly appreciated! Also, all your feedback scales were clearly a ten including the length of the evaluation and the quick turnaround time.” – D. Friedman (11/12)
“Thanks for the feedback, very informative.” – Ken L. (11/12)
“I just looked over my notes. They look thorough, on the mark, and of total use as a tool for me to rewrite and resubmit to you in a timely manner.” – Lori J. (11/12)
“I just wanted to shoot you a quick thank you email for all your help and great feedback over the years.” Matt O’Neill (11/6)
"I shall only wish I had found you guys sooner. The notes are superior in every respect. I will be busy now. Many thank yous. Moreover, I found your customer service excellent, please thank Matt Misetich for me." – Douglas L. (11/2)”
And some responses from our 2008 Writing Competition. . . .
"Looking forward to future dealings with Script P.I.M.P. Thank you again for your support and help. Also had a very enlightening conversation with [the finalist mentor consultant]. He was most gracious, very insightful, and open to hearing about my future efforts as well." – Ed Cound
"Many thanks for hosting the awards event! It was a great opportunity to meet the other writers. Thanks as well for setting up the phone meeting with [a finalist consultant]." – Suzan Flamm
"Really enjoyed talking with you and sharing war stories with the other writers [at the awards party]. Always good to connect with more film folks." – David O'Donnell
========================================== (11) Script Pimp in the News ==========================================
To view all Script Pimp company credits, visit: http://www.imdb.com/company/co0173374
View all Script Pimp Press: http://www.scriptpimp.com/features/creative_screenwriting.cfm
Script Pimp's feature film "The Living Wake" reviewed by Variety: http://www.scriptpimp.com/newsletters/variety.cfm
Script Pimp on TV (Peter Bart's Sunday Morning Shootout) Script Pimp Newswire: http://www.scriptpimp.com/news/home.cfm
========================================== (12) Technical Edits on Scripts and Novels ==========================================
Script Pimp offers copyediting for screenplays, teleplays, and novels. Editing includes a thorough check for grammar, formatting, and, if applicable, sentence structure and suggestions to improve narrative pacing and flow in the hopes of improving the readability (and thus the marketability) of your work.
Rates start at $.03/word and vary depending on the individual writer's needs. We will also perform a FREE one-page "sample" edit for you to determine if the service will meet your needs.
For more info, or to request a free sample edit and price quote, please E-mail matt@scriptpimp.com and write "Editing Services" in the subject line.
Former Script Pimp "Recommend" writer Brian Watanabe's screenplay, Rogues Gallery, is currently in post-production. Script Pimp owner Chadwick Clough serves as executive producer and first brought the action/comedy project to Sean McKittrick's Darko Entertainment.
The film revolves around two teams of government assassins, using code names from the Tarot deck, who work in a secret underground facility. On The Fool's first day at work, his and the teams' boss is killed under mysterious circumstances, and they must find the person responsible before the facility explodes--or before the potential rogue kills The Fool and the others first.
Fouad Mikati directs an ensemble cast which includes Joe Anderson ("Copying Beethoven," "Across the Universe"), Odette Yustman ("Cloverfield"), and Emilie DeRavin ("Lost"), as well as veterans Bob Odenkirk, Ving Rhames ("Mission: Impossible 3", "Animal"), Ellen Barkin ("The Big Easy"), Will Arnett ("Arrested Development"), and Jeffrey Tambor ("Arrested Development"). Film is produced by Michael Ohoven ("Capote"), Sean McKittrick ("Donnie Darko"), and Kevin Turen.
Recent articles on Rogue's in Variety, The Hollywood Reporter, and Creative Screenwriting:
========================================== (14) Miscellaneous - Top Websites for Screenwriters ==========================================
Here's a guide through the screenwriting community with Script Pimp's list of FIVE STAR WEBSITES for screenwriters. If there's a site you'd like to request to be added to the list, please email matt@scriptpimp.com.
NETWORKING SITES:
American Zoetrope http://www.zoetrope.com/
Screenwriters Federation of America http://www.screenwritersfederation.org/phpBB2/
Chadwick Clough Script P.I.M.P., LLC 8033 W. Sunset Blvd. #3000 Hollywood, CA 90046 info@scriptpimp.com www.scriptpimp.com 310-401-1155
To unsubscribe to this great free monthly newsletter click here: http://www.scriptpimp.com/unsubscribe
To visit Script Pimp's Home Page click here: http://www.scriptpimp.com
Script Pimp December Newsletter 12/08/08
Free
SCRIPT PIMP DECEMBER NEWSLETTER (http://www.scriptpimp.com)
Contents:
(1) Script Pimp 2009 Screenwriting Competition – Now Accepting Entries (2) “The Living Wake” Wins Best Film – Big Apple Film Festival (3) Consultations with Senior Story Analyst – Discounted Winter Rate (4) Workshop & Writers Database Info (5) Cinestory Contest – Regular Deadline December 15th (6) Box Office Report – December (7) Ask the Script Pimp Expert –`Readers, Development Directors, Story Analysts, and Story Editors? (8) Script Pimp Success Stories (9) Recent Feedback - Script Pimp Writers Workshop / 2008 Competition (10) Script Pimp in the News (11) Technical Edits on Scripts and Novels (12) Script Pimp Production: Rogues Gallery (13) Miscellaneous - Top Websites for Screenwriters
The 2009 Script Pimp Screenwriting Competition is now accepting entries. Deadline: May 1st, 2009. All genres and lengths of feature film scripts accepted. International, non-U.S. writers are welcome to enter as well.
The ‘08 contest has already netted option and representation agreements with many of the finalist writers. Even more production companies, agents, and managers will be reading the 2009 winning scripts, along with $50,000 in prizes possible for anyone who enters.
For more info, visit: http://www.scriptpimp.com/writing_competition/home.cfm
*All new Writers Database members get one FREE entry into the competition!
================================================== (2) “The Living Wake” Wins Best Feature – Big Apple Film Festival ==================================================
'The Living Wake,' Script Pimp's first production company credit and co-produced by Chadwick Clough, won Best Feature Film at the Big Apple Film Festival in November. 'Wake' co-star Jesse Eisenberg won the Emerging Talent Award. For more info, visit: http://bigapplefilmfestival.com/news/news_nov23_08.html
To view all Script Pimp company credits, visit: http://www.imdb.com/company/co0173374
==================================================== (3) Consultations with Senior Story Analyst – Discounted Winter Rate ====================================================
*One-On-One Phone Consultation with Senior Story Analyst: http://www.scriptpimp.com/script_coverage/index_ww2.cfm
Direct advice and one-on-one interaction over the phone or in-person. Iron out the issues in your script in the most efficient way possible.
Script Pimp story analysts are now available for one-on-one development meetings with writers. It is a two-hour long meeting, in LA or by phone, in which your analyst will go through your script with you line by line. Feel free to come with a list of questions to be addressed, and steer the conversation in any direction you wish.
Our analyst will read the script twice before the meeting and come with his/her own notes. If the script is at the point where it should be shopped around town, we will give you concrete suggestions as to where the screenplay has the best chance, and the companies that would most likely be interested in the material.
Special discount of 20% off on consults through Jan 31st, 2009: $130 OFF for non-members ($520) $110 OFF for members ($440)
If you would like to set up an appointment, please E-mail Matt at matt@scriptpimp.com or notes@scriptpimp.com.
============================= (4) Workshop & Writers Database Info =============================
*Writers Database Home Page: http://www.scriptpimp.com/writers_database/index_wdb.cfm
Script Pimp's Writers Database features the current needs and submission guidelines for over 1,000 total company listings, 300 film production companies, and agencies accepting material from new screenwriters. Database members also may send their loglines and synopses into us for general feedback, as well as ask industry-related questions.
*Writers Workshop Home Page: http://www.scriptpimp.com/script_coverage/index_ww2.cfm
Script Pimp's Writers Workshop provides screenwriters with A-level development notes and consultations. A professional story analyst will write extensive notes, 4-6 pages long, giving you a detailed review of the strengths and weaknesses of your screenplay. With a grade of "Recommend," Script Pimp will assist you in circulating your work to agents, managers, and producers at no charge. Numerous writers have seen their work optioned or produced as a result of the Workshop.
*Talent Pimp Home Page: http://www.talentpimp.com
Acting anyone? Talent Pimp concentrates its tools and resources for actors and actresses, complete with our own knowledge base of the industry, updated detailed listings for 550+ agents, 700+ managers and 550+ casting directors. Talent Pimp is now available to working and aspiring professional actors for a fee of $35 for 1-year of unlimited access. Build your own professional page and upload your resume, headshots and demo reel.
=========================================== (5) Cinestory Contest – Regular Deadline December 15th ===========================================
Each year, CineStory runs a screenwriting competition like no other. It's unique because each of the semifinalists are invited to the CineStory Writer's Retreat—four days of heaven in the beautiful mountains of Idyllwild, California.
Whether winner, finalist, or semifinalist, all retreat attendees get four 90-minute one-on-one sessions with CineStory mentors and staff, all of whom are practicing and respected industry professionals. During these meetings, attendees can discuss everything from the script(s) they submitted for feedback to jumpstarting their writing careers. When not meeting in one-on-one sessions, writers participate in mentor moderated “informal rooms,” which cover everything from pitching like a pro to the state of filmmaking in the digital age. In addition, mentors and writers gather for meals, drinks, film screenings, and other special events.
Regular Deadline: December 15th, 2008 ($50)
Grand Prize: Winner(s) receives $2000, free entry to CineStory Retreat (valued at $1500), and two mentors for ONE YEAR.
======================================= (6) Box Office Report – December 5th-7th =======================================
The Top Ten* (domestic totals in parentheses, with the number of weeks in theaters as of November 3rd)
1. Four Christmases ($69,418,170) - Week #2
2. Twilight ($138,402,068) - Week #3
3. Bolt ($79,381,422) - Week #3
4. Australia ($30,919,097) - Week #2
5. Quantum of Solace ($151,620,134) - Week #4
6. Madagascar: Escape 2 Africa ($165,653,852) - Week #5
7. Transporter 3 ($25,549,454) - Week #2
8. Punisher: War Zone ($4,271,451) - Week #1
9. Cadillac Records ($3,445,559) - Week #1
10. Role Models ($61,617,805) - Week #5
*ranked by top weekend box office films from December 5th-7th
=========================================================================== (7) Ask the Script Pimp Expert – What are Readers, Development Directors, Story Analysts, and Story Editors? ===========================================================================
This was in a previous newsletter long ago, but by special demand. . . .
Script readers are people who are paid (or, in the case of interns, unpaid) to read and evaluate incoming projects for a given production company, manager, or agency. After reading the script, the reader will then write “coverage” for the project, which consists of a logline, a 1-2 page synopsis, and 1-2 pages of comments evaluating everything from concept, to plot, to structure, to character, to dialogue.
Story analyst is the preferred name for script readers, but their jobs may be as complex as having to come up with character breakdowns for casting purposes, to determining plot inconsistencies and reworking the script as a whole.
Development directors are generally the bottom of the line at a given production company. Their job is to find projects their company will want to make, or writers their company will want to work with. Having done that, they will be promoted to the important job of VP of Development and/or possibly even be attached as a producer on the projects they find.
Story editors work like script readers/story analysts, but their focus is on working with the writer to iron out the rough spots on scripts. They may also be the person below the Director of Development who may or may not also find projects for their company. As this is an entry level position, story editors generally work for quite a while with their superiors learning the craft of screenwriting and understanding what it takes to get a project ready for production. Along those lines, it may be quite a while before they finally find a project that is worthy of consideration by those above them.
With the help of our mentors, Chadwick and Matt have Script Pimp 2008 finalist screenplays out to scores of producers and agents. The top 20 scripts have sparked interest from managers, agents, and production companies worldwide, and the finalist writers are all moving forward with getting their winning projects into the marketplace. Former Workshop Recommends are also finding success with their screenplays and already produced films.
Most recent updates. . . .
Former Script Pimp Recommend screenplay STRENGTH AND HONOR and writer/director Mark Mahon continue to rack up festival awards worldwide, including Best Picture at the New York International Film Festival and Boston Film Festival. Pic stars Michael Madsen, Vinnie Jones, and Richard Chamberlain.
Aaron J. Patton, a former Script Pimp Recommend for his screenplay UNHINGING ROWE is now being represented by Gallagher Literary Management.
James K. Watts’ script BECKWOURTH, a 2008 Script Pimp Screenwriting Competition finalist, is currently under option.
Former Script Pimp Recommend screenplay WORM by Marc Samson has been optioned by Sandcastle Studios.
Evan Daugherty, finalist and Grand Prize winner in the 2008 Script Pimp Screenwriting Competition, has secured literary writer representation from Jake Wagner at Energy Entertainment with his script SHRAPNEL.
Script Pimp's Writers Workshop closes 2008 with a swarm of positive feedback. As always, thanks to all the writers who sent in their comments.
Recent quotes:
“I'd like to say thanks to you guys for the feedback provided on my screenplays. The readers' realistic, knowledgeable approaches and insights helped me to develop the scripts greatly, and they also helped me to grow as a writer and editor of my own work.” – Forrest G. (12/8)
“You guys are exceptional! Not only do you find all the weaknesses in the script and make your recommendations on how to make the script great, but you also acknowledge the good parts of the script. All hope is not lost. That's what exceptional teachers do: first praise then lay out the positive criticism”. – Enza F. (11/28)”
“Great notes--felt like the evaluator really got the story and what I was trying to do. I will be re-submitting my next draft.” – Jami D. (11/17)
“I just want to say that your notes are incredible. I've read through them a couple of times because there is so much good information and things to think about regarding my script. You've given me a lot of great ideas and great direction.” – Roy L. (11/15)
“Thank you for your evaluation. Your keen and thorough observations were greatly appreciated! Also, all your feedback scales were clearly a ten including the length of the evaluation and the quick turnaround time.” – D. Friedman (11/12)
“Thanks for the feedback, very informative.” – Ken L. (11/12)
“I just looked over my notes. They look thorough, on the mark, and of total use as a tool for me to rewrite and resubmit to you in a timely manner.” – Lori J. (11/12)
“I just wanted to shoot you a quick thank you email for all your help and great feedback over the years.” Matt O’Neill (11/6)
"I shall only wish I had found you guys sooner. The notes are superior in every respect. I will be busy now. Many thank yous. Moreover, I found your customer service excellent, please thank Matt Misetich for me." – Douglas L. (11/2)”
“Had a consultation with (my consultant) on Sunday. He is exceptional. After speaking with him, I'm recharged on the project and filled with lots of new ideas.” – Larry S. (10/10)
And some responses from our 2009 Writing Competition. . . .
"Looking forward to future dealings with Script P.I.M.P. Thank you again for your support and help. Also had a very enlightening conversation with [the finalist mentor consultant]. He was most gracious, very insightful, and open to hearing about my future efforts as well." – Ed Cound
"Many thanks for hosting the awards event! It was a great opportunity to meet the other writers. Thanks as well for setting up the phone meeting with [a finalist consultant]." – Suzan Flamm
"Really enjoyed talking with you and sharing war stories with the other writers [at the awards party]. Always good to connect with more film folks." – David O'Donnell
===================== (10) Script Pimp in the News =====================
To view all Script Pimp company credits, visit: http://www.imdb.com/company/co0173374
View all Script Pimp Press: http://www.scriptpimp.com/features/creative_screenwriting.cfm
Script Pimp's feature film "The Living Wake" reviewed by Variety: http://www.scriptpimp.com/newsletters/variety.cfm
Script Pimp on TV (Peter Bart's Sunday Morning Shootout) Script Pimp Newswire: http://www.scriptpimp.com/news/home.cfm
=============================== (11) Technical Edits on Scripts and Novels ===============================
Script Pimp offers copyediting for screenplays, teleplays, and novels. Editing includes a thorough check for grammar, formatting, and, if applicable, sentence structure and suggestions to improve narrative pacing and flow in the hopes of improving the readability (and thus the marketability) of your work.
Rates start at $.03/word and vary depending on the individual writer's needs. We will also perform a FREE one-page "sample" edit for you to determine if the service will meet your needs.
For more info, or to request a free sample edit and price quote, please E-mail matt@scriptpimp.com and write "Editing Services" in the subject line.
Former Script Pimp "Recommend" writer Brian Watanabe's screenplay, Rogues Gallery, is currently in post-production. Script Pimp owner Chadwick Clough serves as executive producer and first brought the action/comedy project to Sean McKittrick's Darko Entertainment.
The film revolves around two teams of government assassins, using code names from the Tarot deck, who work in a secret underground facility. On The Fool's first day at work, his and the teams' boss is killed under mysterious circumstances, and they must find the person responsible before the facility explodes--or before the potential rogue kills The Fool and the others first.
Fouad Mikati directs an ensemble cast which includes Joe Anderson ("Copying Beethoven," "Across the Universe"), Odette Yustman ("Cloverfield"), and Emilie DeRavin ("Lost"), as well as veterans Bob Odenkirk, Ving Rhames ("Mission: Impossible 3", "Animal"), Ellen Barkin ("The Big Easy"), Will Arnett ("Arrested Development"), and Jeffrey Tambor ("Arrested Development"). Film is produced by Michael Ohoven ("Capote"), Sean McKittrick ("Donnie Darko"), and Kevin Turen.
Recent articles on Rogue's in Variety, The Hollywood Reporter, and Creative Screenwriting:
======================================= (13) Miscellaneous - Top Websites for Screenwriters =======================================
Here's a guide through the screenwriting community with Script Pimp's list of FIVE STAR WEBSITES for screenwriters. If there's a site you'd like to request to be added to the list, please email matt@scriptpimp.com.
NETWORKING SITES:
American Zoetrope http://www.zoetrope.com/
Screenwriters Federation of America http://www.screenwritersfederation.org/phpBB2/
Chadwick Clough Script P.I.M.P., LLC 8033 W. Sunset Blvd. #3000 Hollywood, CA 90046 info@scriptpimp.com www.scriptpimp.com 310-401-1155
To unsubscribe to this great free monthly newsletter click here: http://www.scriptpimp.com/unsubscribe
To visit Script Pimp's Home Page click here: http://www.scriptpimp.com
Script Pimp November Newsletter 11/05/08
Free
SCRIPT PIMP NOVEMBER NEWSLETTER (http://www.scriptpimp.com)
Contents:
(1) Script Pimp 2009 Screenwriting Competition – Now Accepting Entries (2) Ask the Script Pimp Expert – What Does “On-the-nose” Dialogue Mean? (3) “The Living Wake” in NYC – Screening (4) Cinestory Contest – Earlybird Deadline November 16th (5) Box Office Report – November (6) Script Pimp Success Stories (7) Recent Feedback - Script Pimp Writers Workshop / 2008 Competition (8) Script Pimp in the News (9) Consultations with Senior Story Analyst (10) Technical Edits on Scripts and Novels (11) Script Pimp Production: Rogues Gallery (12) Workshop & Writers Database Info (13) Circus of Joy Show – Hollywood Improv (14) Miscellaneous - Top Websites for Screenwriters
The 2009 Script Pimp Screenwriting Competition is now accepting entries. Deadline: May 1st, 2009. All genres and lengths of feature film scripts accepted. International, non-U.S. writers are welcome to enter as well.
The ‘08 contest has already netted option and representation agreements with many of the finalist writers. Even more production companies, agents, and managers will be reading the 2009 winning scripts, along with MORE prizes possible for anyone who enters.
For more info, visit: http://www.scriptpimp.com/writing_competition/home.cfm
*All new Writers Database members get one FREE entry into the competition!
======================================================= (2) Ask the Script Pimp Expert – What Does “On-the-nose” Dialogue Mean? =======================================================
Professional or beginner, at some point, everyone is going to find themselves having just written a scene that’s on-the-nose.
What does it mean? Essentially, it’s when a character is speaking precisely how they’re feeling or thinking, without room for the reader/audience to fill in the blanks when it comes to a particular character’s emotions, thoughts, and so forth.
Why is this bad? Well, for one, picture the scene playing out on-screen: what’s more interesting, leaving subtlety to a conversation, or having two people explain everything for us? For the vast majority of audiences, the latter of those two options can be uninteresting, dull, cliché, sappy, and a host of other negative results. Not to mention the fact it doesn’t give proper justice to the complexity of your characters.
So for instance, compare these two lines of dialogue:
MARCUS: “Because it’s not totally about you, it’s about me and my own problems. I love you. I’m just really upset because you cheated on me with my best friend, Dave, when I was at work, so I need to move out.”
Or. . . .
MARCUS: “I left a key for you. . . I figure Dave can use the back door, like usual.”
The second option gives away the same amount of information (e.g. he cares enough to leave a key for her, is still bitter about the affair, etc.), but with greater nuance. Though it’s out of context, you can get an idea of what to stay away from when writing dialogue, especially in an emotionally-charged scene.
================================================== (3) “The Living Wake” in NYC – Screening ==================================================
Script Pimp’s first production company credit, The Living Wake will be showing in New York City on November 19th, 7:30 p.m. at Tribeca Cinemas. Tickets will go on sale on the film festival website, www.bigapplefilmfestival.com , on November 1 and can be purchased online through November 14. After November 14, tickets will only be available for purchase at the box office 1 hour prior the start of the program (cash only at the box office).
Also, please check out our website for any further information about the film! www.thelivingwake.com
=========================================== (4) Cinestory Contest – Earlybird Deadline November 16th ===========================================
Each year, CineStory runs a screenwriting competition like no other. It's unique because each of the semifinalists are invited to the CineStory Writer's Retreat—four days of heaven in the beautiful mountains of Idyllwild, California.
Whether winner, finalist, or semifinalist, all retreat attendees get four 90-minute one-on-one sessions with CineStory mentors and staff, all of whom are practicing and respected industry professionals. During these meetings, attendees can discuss everything from the script(s) they submitted for feedback to jumpstarting their writing careers. When not meeting in one-on-one sessions, writers participate in mentor moderated "informal rooms", which cover everything from pitching like a pro to the state of filmmaking in the digital age. In addition, mentors and writers gather for meals, drinks, film screenings, and other special events.
Earlybird Deadline: November 16th, 2008 ($40)
Grand Prize: Winner(s) receives $2000, free entry to CineStory Retreat (valued at $1500), and two mentors for ONE YEAR.
======================================= (5) Box Office Report – October 31st – November 2nd =======================================
Porno and a High School musical make for an interesting top two at the box office to start November. The Zac Efron/ensemble cast pic made an impressive 1st place showing, with the comedy “Zack and Miri Make a Porno” coming in #2. Two horrors rounded out the top five, thanks in part to Halloween, along with the Jolie drama “Changeling” in fifth.
The Top Ten* (domestic totals in parentheses, with the number of weeks in theaters as of November 3rd)
1. High School Musical 3 ($62,034,083) - Week #2 2. Zack and Miri Make a Porno ($10,065,630) - Week #1 3. Saw V ($45,469,066) - Week #2 4. Changeling ($10,031,122) - Week #2 5. The Haunting of Molly Hartley ($5,423,315) - Week #1 6. Beverly Hills Chihuahua ($84,177,645) - Week #5 7. The Secret Life of Bees ($25,297,621) - Week #3 8. Max Payne ($35,538,365) - Week #3 9. Eagle Eye ($92,616,665) - Week #6 10. Pride & Glory ($11,719,094) - Week #2 *ranked by top weekend box office films from October 31st-November 2nd
With the help of our mentors, Chadwick and Matt have Script Pimp 2008 finalist screenplays out to scores of producers and agents. The top 20 scripts have sparked interest from managers, agents, and production companies worldwide, and the finalist writers are all moving forward with getting their winning projects into the marketplace.
Most recent update. . . .
Evan Daugherty, finalist and Grand Prize winner in the 2008 Script Pimp Screenwriting Competition, has secured literary writer representation from Jake Wagner at Energy Entertainment with his script SHRAPNEL.
Script Pimp's Writers Workshop is continuing to see a surge in submissions, and with that, loads of positive feedback. As always, thanks to all the writers who sent in their comments.
Recent quotes:
"I shall only wish I had found you guys sooner. The notes are superior in every respect. I will be busy now. Many thank yous. Moreover, I found your customer service excellent, please thank Matt Misetich for me." – Douglas L. (11/2)”
“Had a consultation with (my consultant) on Sunday. He is exceptional. After speaking with him, I'm recharged on the project and filled with lots of new ideas.” – Larry S. (10/10)
“Thanks for the notes—complimentary, but incisive and very helpful. Exactly what I was hoping for, in fact, I'll definitely be doing a re-write based on the notes. Thanks again to whoever did the notes. Much appreciated!” – Simon R. (10/8)
“Thanks for the notes. Again, simply fantastic feedback, no word wasted. I got development notes from you before, and they were right on. Thanks so much, also in regards to the production constraints you beautifully weaved that into the review.” – Elke Weiss (10/6)
And some responses from our 2009 Writing Competition. . . .
"Looking forward to future dealings with Script P.I.M.P. Thank you again for your support and help. Also had a very enlightening conversation with [the finalist mentor consultant]. He was most gracious, very insightful, and open to hearing about my future efforts as well." – Ed Cound
"Many thanks for hosting the awards event! It was a great opportunity to meet the other writers. Thanks as well for setting up the phone meeting with [a finalist consultant]." – Suzan Flamm
"Really enjoyed talking with you and sharing war stories with the other writers [at the awards party]. Always good to connect with more film folks." – David O'Donnell
==================== (8) Script Pimp in the News ====================
Script Pimp's feature film "The Living Wake" reviewed by Variety: http://www.scriptpimp.com/newsletters/variety.cfm
Script Pimp on TV (Peter Bart's Sunday Morning Shootout) Script Pimp Newswire: http://www.scriptpimp.com/news/home.cfm
================================ (9) Consultations with Senior Story Analyst ================================
*One-On-One Phone Consultation with Senior Story Analyst: http://www.scriptpimp.com/script_coverage/index_ww2.cfm
Direct advice and one-on-one interaction over the phone or in-person. Iron out the issues in your script in the most efficient way possible.
Script Pimp story analysts are now available for one-on-one development meetings with writers. It is a two-hour long meeting, in LA or by phone, in which your analyst will go through your script with you line by line. Feel free to come with a list of questions to be addressed, and steer the conversation in any direction you wish.
Our analyst will read the script twice before the meeting and come with his/her own notes. If the script is at the point that it should be shopped around town, we will give you concrete suggestions as to where the screenplay has the best chance, and the companies that would most likely be interested in the material.
The cost is $550 for Script Pimp Writers Database members, and $650 for non-members. If you would like to set up an appointment, please E-mail Matt at matt@scriptpimp.com or notes@scriptpimp.com.
=============================== (10) Technical Edits on Scripts and Novels ===============================
Script Pimp offers copyediting for screenplays, teleplays, and novels. Editing includes a thorough check for grammar, formatting, and, if applicable, sentence structure and suggestions to improve narrative pacing and flow in the hopes of improving the readability (and thus the marketability) of your work.
Rates start at $.03/word and vary depending on the individual writer's needs. We will also perform a FREE one-page "sample" edit for you to determine if the service will meet your needs.
For more info, or to request a free sample edit and price quote, please E-mail matt@scriptpimp.com and write "Editing Services" in the subject line.
Former Script Pimp "Recommend" writer Brian Watanabe's screenplay, Rogues Gallery, is currently in post-production. Script Pimp owner Chadwick Clough serves as executive producer and first brought the action/comedy project to Sean McKittrick's Darko Entertainment.
The film revolves around two teams of government assassins, using code names from the Tarot deck, who work in a secret underground facility. On The Fool's first day at work, his and the teams' boss is killed under mysterious circumstances, and they must find the person responsible before the facility explodes--or before the potential rogue kills The Fool and the others first.
Fouad Mikati directs an ensemble cast which includes Joe Anderson ("Copying Beethoven," "Across the Universe"), Odette Yustman ("Cloverfield"), and Emilie DeRavin ("Lost"), as well as veterans Bob Odenkirk, Ving Rhames ("Mission: Impossible 3", "Animal"), Ellen Barkin ("The Big Easy"), Will Arnett ("Arrested Development"), and Jeffrey Tambor ("Arrested Development"). Film is produced by Michael Ohoven ("Capote"), Sean McKittrick ("Donnie Darko"), and Kevin Turen.
Recent articles on Rogue's in Variety, The Hollywood Reporter, and Creative Screenwriting:
============================= (12) Workshop & Writers Database Info =============================
*Writers Database Home Page: http://www.scriptpimp.com/writers_database/index_wdb.cfm
Script Pimp's Writers Database features the current needs and submission guidelines for over 1,000 total company listings, 300 film production companies, and agencies accepting material from new screenwriters. Over 240 active query accounts provide writers the access to query producers and agents. Database members also may send their loglines and synopses into us for general feedback, as well as ask industry-related questions.
*Writers Workshop Home Page: http://www.scriptpimp.com/script_coverage/index_ww2.cfm
Script Pimp's Writers Workshop provides screenwriters with A-level development notes and consultations. A professional story analyst will write extensive notes, 4-6 pages long, giving you a detailed review of the strengths and weaknesses of your screenplay. With a grade of "Recommend," Script Pimp will assist you in circulating your work to agents, managers, and producers at no charge. Numerous writers have seen their work optioned or produced as a result of the Workshop.
*Talent Pimp Home Page: http://www.talentpimp.com
Acting anyone? Talent Pimp concentrates its tools and resources for actors and actresses, complete with our own knowledge base of the industry, updated detailed listings for 550+ agents, 700+ managers and 550+ casting directors. Talent Pimp is now available to working and aspiring professional actors for a fee of $35 for 1-year of unlimited access. Build your own professional page and upload your resume, headshots and demo reel.
================================ (13) Circus of Joy Show – Hollywood Improv ================================
All Script Pimp newsletters subscribers are invited to the Free Guest List for:
CIRCUS OF JOY – Thursday, November 6th, 10pm
FREE GUEST LIST: tickets@scriptpimp.com
COMICS: Patrick Keane (emcee) Brian Farrell Matt Braunger Kevin Shea Erin Foley Kyle Kinane Eddie Pepitione Henry Phillips
Improv is @ 8162 Melrose Avenue, Los Angeles, CA 90046 (323) 651-2583.
Corner of Crescent Heights and Melrose. Street parking up and down Melrose.
Dinner is served in the front and chicken fingers in the main room.
For more info go to Improv.com, then click “Hollywood” on the left.
======================================= (14) Miscellaneous - Top Websites for Screenwriters =======================================
Here's a guide through the screenwriting community with Script Pimp's list of FIVE STAR WEBSITES for screenwriters. If there's a site you'd like to request to be added to the list, please email matt@scriptpimp.com.
NETWORKING SITES:
American Zoetrope http://www.zoetrope.com/
Screenwriters Federation of America http://www.screenwritersfederation.org/phpBB2/
Chadwick Clough Script P.I.M.P., LLC 8033 W. Sunset Blvd. #3000 Hollywood, CA 90046 info@scriptpimp.com www.scriptpimp.com 310-401-1155
To unsubscribe to this great free monthly newsletter click here: http://www.scriptpimp.com/unsubscribe
To visit Script Pimp's Home Page click here: http://www.scriptpimp.com
Script Pimp October Newsletter 10/08/08
Free
SCRIPT PIMP OCTOBER NEWSLETTER (http://www.scriptpimp.com)
Contents:
(1) Ask the Script Pimp Expert – Getting Your Script in the Door (2) Kairos Prize - Script Pimp Recommended Contest (3) InkTip.com Makes It Easy to Find Great Scripts & Writers (4) Box Office Report – October (5) Script Pimp Success Stories (6) Recent Feedback - Script Pimp Writers Workshop / 2008 Competition (7) Script Pimp in the News (8) Consultations with Senior Story Analyst (9) Technical Edits on Scripts and Novels (10) Script Pimp Production: Rogues Gallery (11) Workshop & Writers Database Info (12) Miscellaneous - Top Websites for Screenwriters
================================================= (1) Ask the Script Pimp Expert – Getting Your Script in the Door =================================================
#1: Write a Logline that Pops.
What does that mean? Well, don’t get too wordy with loglines. Keep them short, but ultra descriptive. Between the following two loglines, which one sounds better?
--Two police officers who used to go to school together back in Colorado where they played baseball are forced to reconcile their past problems in order to fight off a child killer preying upon children in their small town.
--Parker and Blake, baseball teammates and friends until a falling out years ago, must band together as small-town officers to hunt down a vicious child killer during a brutal Oklahoma heat wave.
Just remember to keep it short and snappy, keeping only the plot elements you know are absolutely vital. In this case, that these two men were friends, had a falling out, and now must come together again to stop a child killer, set against a somewhat original setting.
#2: Know Who You’re Submitting To
Tailor your queries as much as possible to whomever you're submitting to. This means you have to do your research. If a production company’s library of films is all horror, don’t submit your animated comedy. This just frustrates everyone involved—you, as a writer, won’t get a response, and they, as producers, will feel like they wasted their time on reading your query. Look into the company or manager you’re submitting to as deep as you can. Over half have websites, you could check the films a company’s released on IMDB. . . lots of ways to go about writing a genuine and well-thought-out query. Also, if you send queries to large studios they often don’t read material from unrepresented writers, and you’ll just be expending energy and time that could be placed elsewhere. Script Pimp's Writers Database has also helped writers a great deal here by narrowing down criteria such as genre and budget.
There are plenty more tips to include here, but if you follow these basic three, you’ll have a huge jump on the competition.
As it’s one of the more unique and worthwhile screenwriting contests open to beginning writers, Script Pimp proudly endorses the Kairos Prize for SPIRITUALLY UPLIFTING SCREENPLAYS. The contest offers excellent exposure and generous prizes to the top 3 scripts. More info on this top-notch competition below. . .
*SPONSOR SPOTLIGHT*
The 4TH Annual $50,000 Kairos Prize for Spiritually Uplifting Screenplays Announced!
Sponsored by The John Templeton Foundation, MOVIEGUDE® announces the 4th Annual Kairos Prize for Spiritually Uplifting Screenplays. The primary purpose of the prize is to further the influence of moral and spiritual values within the film and television industries. Set up to help inspire first-time and beginning screenwriters to produce compelling, entertaining, and spiritually uplifting scripts, the winning scripts are read by top execs in addition to the monetary awards.
DEADLINES: Oct. 27th, 2008 (Standard); December 1st, 2008 (Late)
For complete information, please visit www.kairosprize.com
================================================== (3) Script Pimp Recommended Service: InkTip ================================================== Script Pimp continues to post recommended material from our Writers Workshop on InkTip. We recommend all writers and industry check it out to see if it's right for you. InkTip (www.inktip.com). Success stories every week, and it’s helped a number of our own Workshop writers in the past. More info below from InkTip:
InkTip.com is the only Website in the world where three scripts are optioned or writers are hired every week. From the scripts/writers found on InkTip.com, at least 70 films have been produced! For example, AmberGreen Entertainment recently completed production on a script by an InkTip scribe, with Vivica A. Fox starring, and Rich Newey recently directed I Tried, starring world-famous rap group Bone Thugs-N-Harmony, and written by an InkTip scribe. For more info, please see http://www.inktip.com/welcome.php?cid=SPIMPsolo&pg=prod.php.
Producers use InkTip.com because it's EASY, convenient, free to industry professionals, and available 24/7. InkTip.com's doors are open to name actors, directors, producers, and representatives, and their services are free for industry professionals who register. InkTip.com's unrivaled, searchable database of scripts will help you easily find the exact type of script you need as soon as you need it.
To see how easy it is to find exactly what you are looking for, take a look at their sample search and result pages:
As noted above, all Script Pimp “Recommend” writers get a listing on InkTip. Workshop Home: http://www.scriptpimp.com/script_coverage
InkTip.com makes it easy to find your next great screenplay or writer. Register now at InkTip.com.
============================= (4) Box Office Report – October 3rd-5th =============================
Of course, everyone predicted Beverly Hills Chihuahua would nab the #1 spot, right? Surprisingly, the George Lopez comedy notched close to $30 million in its opening weekend, perhaps partly due to the scarcity of kid’s films to choose from (just about zero in most theaters). The Shia LaBeouf action/thriller Eagle Eye continued its strong showing, tacking on another $18 million or so. Michael Cera has solidified his place among the under-30 demographic as well, and romance isn’t quite completely dead with the semi-successful Gere/Lane pic Nights in Rodanthe.
The Top Ten* (domestic totals in parentheses, with the number of weeks in theaters as of October 5th)
1. Beverly Hills Chihuahua ($29,000,000) - Week #1 2. Eagle Eye ($54,605,000) - Week #2 3. Nick and Norah's Infinite Playlist ($12,000,000) - Week #1 4. Nights in Rodanthe ($25,075,000) - Week #2 5. Appaloosa ($5,570,000) - Week #3 6. Lakeview Terrace ($32,140,000) - Week #3 7. Burn After Reading ($51,641,000) - Week #4 8. Fireproof ($12,491,000) - Week #2 9. An American Carol ($3,810,000) - Week #1 10. Religulous ($3,519,000) - Week #1 *ranked by top weekend box office films from October 3rd-5th
With the help of our mentors, Chadwick and Matt have Script Pimp 2008 finalist screenplays out to scores of producers and agents. The top 20 scripts have sparked interest from managers, agents, and production companies worldwide, and the finalist writers are all moving forward with getting their winning projects into the marketplace. Most recently, Evan Daugherty, finalist and Grand Prize winner in the 2008 Script Pimp Screenwriting Competition, has secured literary representation from Jake Wagner at Energy Entertainment with his script SHRAPNEL.
===================================================== (6) Recent Feedback - Script Pimp's Writers Workshop / 2008 Competition ===================================================== Script Pimp's Writers Workshop, attracting more screenwriters than ever before, continues to see positive feedback pour in. Thanks you writers for the support!
Recent quotes:
“Thanks for the notes. Again, simply fantastic feedback, no word wasted. I got development notes from you before, and they were right on. Thanks so much, also in regards to the production constraints you beautifully weaved that into the review.” (10/6)
“Thank you, as always, for the insightful feedback! It amazes me to get four solid pages of stuff that never occurred to me about my own screenplay. You folks never disappoint. I'm going to digest the feedback, work on the script some more, and send it back. In the meantime, please convey my sincere thanks to the analyst who read (my script) and gave me so much food for thought!” (9/29)
“Thank you. Your notes were clear, concise, thorough, and encouraging.” (9/28)
“Beyond the money (and paying such a small fee for such brilliant notes at that), your time and energy given to my script is so deeply appreciated. Especially because I feel that I received such enlightening (very educational) notes. Very touched by how attentively you pondered my work. By virtue of your kindness, I am in high spirits to better it!” (9/26)
“I really want to thank you, and Script P.I.M.P., you guys (girls) are like a light at the end of a very dark and lonely tunnel. I hope no matter how successful you become that you will always be around to help us. For all your good, honest, hard, and fair work. . . thank you from the bottom of my heart.” (9/16)
“Thanks for the great feedback. Lots of good suggestions to digest. I feel all of them are strong elements that can and should strengthen the story and characters. One great feedback note I can give to you and your team is that at this point in the process I may be too close to this story and characters to always see the best fixes or problems. But you, as an independent outside reader, can. This is absolutely what I need, what any serious writer needs. Thanks for having this service. Not only does your feedback help me on this script, but it keeps me in line on other scripts I am working on.” – (9/15)
“Was very satisfied with the evaluation. I was initially afraid that it would have been a standard cut and paste review, but was amazed at how thorough was the examination into the life of the script. Made me feel as though you were in my head and asking the same questions I've had; and answered many of them. I feel that I can take the month to give it the refined polish it deserves before resubmitting. Thanks again.” – (9/15)
And some responses from our 2009 Writing Competition. . . .
"Looking forward to future dealings with Script P.I.M.P. Thank you again for your support and help. Also had a very enlightening conversation with Andrew. He was most gracious, very insightful, and open to hearing about my future efforts as well." – Ed Cound (9/8)
"Many thanks for hosting the awards event! It was a great opportunity to meet the other writers. Thanks as well for setting up the phone meeting." – Suzan Flamm (9/5)
"Really enjoyed talking with you and sharing war stories with the other writers [at the awards party]. Always good to connect with more film folks." – David O'Donnell (9/4)
==================== (7) Script Pimp in the News ====================
Script Pimp's feature film "The Living Wake" reviewed by Variety: http://www.scriptpimp.com/newsletters/variety.cfm
Script Pimp on TV (Peter Bart's Sunday Morning Shootout) Script Pimp Newswire: http://www.scriptpimp.com/news/home.cfm
================================ (8) Consultations with Senior Story Analyst ================================
*One-On-One Phone Consultation with Senior Story Analyst: http://www.scriptpimp.com/script_coverage/index_ww2.cfm
Direct advice and one-on-one interaction over the phone or in-person. Iron out the issues in your script in the most efficient way possible.
Script Pimp story analysts are now available for one-on-one development meetings with writers. It is a two-hour long meeting, in LA or by phone, in which your analyst will go through your script with you line by line. Feel free to come with a list of questions to be addressed, and steer the conversation in any direction you wish.
Our analyst will read the script twice before the meeting and come with his/her own notes. If the script is at the point that it should be shopped around town, we will give you concrete suggestions as to where the screenplay has the best chance, and the companies that would most likely be interested in the material.
The cost is $550 for Script Pimp Writers Database members, and $650 for non-members. If you would like to set up an appointment, please E-mail Matt at matt@scriptpimp.com or notes@scriptpimp.com.
=============================== (9) Technical Edits on Scripts and Novels ===============================
Script Pimp offers copyediting for screenplays, teleplays, and novels. Editing includes a thorough check for grammar, formatting, and, if applicable, sentence structure and suggestions to improve narrative pacing and flow in the hopes of improving the readability (and thus the marketability) of your work.
Rates start at $.02/word for novels or $.01/word for screenplays and vary depending on the individual writer's needs. We will also perform a FREE one-page "sample" edit for you to determine if the service will meet your needs.
For more info, or to request a free sample edit and price quote, please E-mail matt@scriptpimp.com and write "Editing Services" in the subject line.
Former Script Pimp "Recommended Script" Rogues Gallery, from writer Brian Watanabe's, is half-way through post-production. Script Pimp owner Chadwick Clough serves as executive producer and first brought the action/comedy project to Sean McKittrick's Darko Entertainment.
The film revolves around two teams of government assassins, using code names from the Tarot deck, who work in a secret underground facility. On The Fool's first day at work, his and the teams' boss is killed under mysterious circumstances, and they must find the person responsible before the facility explodes--or before the potential rogue kills The Fool and the others first.
Fouad Mikati directs an ensemble cast which includes Joe Anderson ("Copying Beethoven," "Across the Universe"), Odette Yustman ("Cloverfield"), and Emilie DeRavin ("Lost"), as well as veterans Bob Odenkirk, Ving Rhames ("Mission: Impossible 3", "Animal"), Ellen Barkin ("The Big Easy"), Will Arnett ("Arrested Development"), and Jeffrey Tambor ("Arrested Development"). Film is produced by Michael Ohoven ("Capote"), Sean McKittrick ("Donnie Darko"), and Kevin Turen.
Recent articles on Rogue's in Variety and The Hollywood Reporter:
============================= (11) Workshop & Writers Database Info =============================
*Writers Database Home Page: http://www.scriptpimp.com/writers_database/index_wdb.cfm Script Pimp's Writers Database features the current needs and submission guidelines for over 1,000 total company listings, 300 film production companies, and agencies accepting material from new screenwriters. Over 240 active query accounts provide writers the access to query producers and agents. Database members also may send their loglines and synopses into us for general feedback, as well as ask industry-related questions.
*Writers Workshop Home Page: http://www.scriptpimp.com/script_coverage/index_ww2.cfm
Script Pimp's Writers Workshop provides screenwriters with A-level development notes and consultations. A professional story analyst will write extensive notes, 4-6 pages long, giving you a detailed review of the strengths and weaknesses of your screenplay. With a grade of "Recommend," Script Pimp will assist you in circulating your work to agents, managers, and producers at no charge. Numerous writers have seen their work optioned or produced as a result of the Workshop.
*Talent Pimp Home Page: http://www.talentpimp.com
Acting anyone? Talent Pimp concentrates its tools and resources for actors and actresses, complete with our own knowledge base of the industry, updated detailed listings for 550+ agents, 700+ managers and 550+ casting directors. Talent Pimp is now available to working and aspiring professional actors for a fee of $35 for 1-year of unlimited access. Build your own professional page and upload your resume, headshots and demo reel.
======================================= (12) Miscellaneous - Top Websites for Screenwriters =======================================
Here's a guide through the screenwriting community with Script Pimp's list of FIVE STAR WEBSITES for screenwriters. If there's a site you'd like to request to be added to the list, please email matt@scriptpimp.com.
NETWORKING SITES:
American Zoetrope http://www.zoetrope.com/
Screenwriters Federation of America http://www.screenwritersfederation.org/phpBB2/
Chadwick Clough Script P.I.M.P., LLC 8033 W. Sunset Blvd. #3000, Hollywood, CA 90046 info@scriptpimp.com www.scriptpimp.com 310-401-1155
To unsubscribe to this great free monthly newsletter click here: http://www.scriptpimp.com/unsubscribe
To visit Script Pimp's Home Page click here: http://www.scriptpimp.com
FOREMOST FILMS HAS ADDED THEIR SUBMISSION PREFERENCES 10/05/08
Writers Database Members Only
If you are not logged in you will not be able to view this information. If you have not registered for the Writers Database, please click here to sign up.
Script Pimp September Newsletter 09/15/08
Free
SCRIPT PIMP SEPTEMBER NEWSLETTER (http://www.scriptpimp.com)
Contents:
(1) Script Pimp Production: Rogues Gallery (2) The Movie Deal - Screenplay Contest (3) Box Office Report - August (4) Recent Feedback - Script Pimp Writers Workshop / 2009 Competition (5) Script Pimp in the News (6) Consultations with Senior Story Analyst (7) Technical Edits on Scripts and Novels (8) Ask the Script Pimp Expert - Script Presentation & Technical Editing: Is it Really Impoertant? (9) Workshop & Writers Database Info (10) Miscellaneous - Top Websites for Screenwriters
Former Script Pimp "Recommend" writer Brian Watanabe's screenplay, Rogues Gallery, has wrapped shooting in Los Angeles and is currently in post-production. Script Pimp owner Chadwick Clough serves as executive producer and first brought the action/comedy project to Sean McKittrick's Darko Entertainment.
The film revolves around two teams of government assassins, using code names from the Tarot deck, who work in a secret underground facility. On The Fool's first day at work, his and the teams' boss is killed under mysterious circumstances, and they must find the person responsible before the facility explodes--or before the potential rogue kills The Fool and the others first.
Fouad Mikati directs an ensemble cast which includes relative newcomers Joe Anderson ("Copying Beethoven," "Across the Universe"), Odette Yustman ("Cloverfield"), and Emilie DeRavin ("Lost"), as well as veterans Bob Odenkirk, Ving Rhames ("Mission: Impossible 3", "Animal"), Ellen Barkin ("The Big Easy"), Will Arnett ("Arrested Development"), and Jeffrey Tambor ("Arrested Development"). Film is produced by Michael Ohoven ("Capote"), Sean McKittrick ("Donnie Darko"), and Kevin Turen.
Recent articles on Rogue's in Variety and The Hollywood Reporter:
======================================================================= (2) The Movie Deal - Screenwriting Contest (Deadline Sept. 30) - Script Pimp Writers Discount =======================================================================
THE MOVIE DEAL! Screenplay Contest Extended Deadline is approaching SEPT. 30th!
Through Sept. 20th, you can still save $15.00 on your submission with this PROMO code: SP9038
New INDIE screenplay competition offers an exciting PRODUCTION DEAL to the grand prize winner. . . .
The winning writer of The Movie Deal! Screenplay Contest will receive an honest-to-gosh PRODUCTION DEAL, plus airfare and accommodations to the set of their own film.
The goal is to produce a hit bigger than 'Project Greenlight' ever dreamed of. We're looking for an original, innovative, yet marketable idea that could garner the success of hits 'Napoleon Dynamite,' 'The Blair Witch Project,' or 'Open Water.' It doesn't matter what genre, it just has to be INDIE and INTERESTING!
You don't need AGENCY representation to enter. We want the best scripts in the market, which as independent filmmakers we know usually comes from up-and-coming talent, just like you!
Entries to The Movie Deal! are invited in 10 categories for feature length genres, as well as TV pilots and short films. For submission details and other information, please visit: www.TheMovieDeal.com
****Through Sept. 20th, Script Pimp Screenwriters receive $15.00 off with PROMO code: SP9038****
ARE YOU A STUDENT? Email us at TheMovieDeal@aol.com to find out about STUDENT RATES!
*To use code, go to the 'Enter Now' page on our site, or use www.Withoutabox.com
======================================== (3) Box Office Report – September 12th-14th ========================================
Four films in their opening weekend dominated the Top 10 at the box office for the September 12th weekend, including the latest Coen brothers flick, DeNiro and Pacino’s action drama, and the female ensemble piece The Women. Tyler Perry also snuck into the #2 spot, further proving the writer/director’s apparent knack at producing audience-drawing pics. And oh yeah, Batman’s only gained close to 1 billion worldwide. . . .
The Top Ten* (domestic totals in parentheses, with the number of weeks in theaters as of September 15th)
1. Burn After Reading ($19,404,000) - Week #1 2. Tyler Perry's The Family That Preys ($18,020,000) - Week #1 3. Righteous Kill ($16,500,000) - Week #1 4. The Women ($10,088,000) - Week #1 5. The House Bunny ($4,300,000) - Week #4 6. Tropic Thunder ($4,180,000) - Week #5 7. The Dark Knight ($4,015,000) - Week #9 8. Bangkok Dangerous ($2,400,000) - Week #2 9. Traitor ($2,132,000) - Week #3 10. Death Race ($2,017,000) - Week #4
*ranked by top weekend box office films from September 12th-14th
Script Pimp's Writer Workshop, attracting more writers than ever before, continues to see positive feedback pour in.
Some recent quotes:
“Thanks for the great feedback. Lots of good suggestions to digest. I feel all of them are strong elements that can and should strengthen the story and characters. One great feedback note I can give to you and your team is that at this point in the process I may be too close to this story and characters to always see the best fixes or problems. But you, as an independent outside reader, can. This is absolutely what I need, what any serious writer needs. Thanks for having this service. Not only does your feedback help me on this script, but it keeps me in line on other scripts I am working on.” – Tom Z.
“Was very satisfied with the evaluation. I was initially afraid that it would have been a standard cut and paste review, but was amazed at how thorough was the examination into the life of the script. Made me feel as though you were in my head and asking the same questions I've had; and answered many of them. I feel that I can take the month to give it the refined polish it deserves before resubmitting. Thanks again.” – C. King (9/15)
"I received the notes from my script. . . and was very pleased with the comments, observations, and suggestions made by my analyst. The analyst posseses a keen story sense. a genuine interest in the story, and a solid grasp of the craft of writing. I thought the feeedback itself was very professionally written and communicated a thorough understanding of the story. I will definitely be incorporating many of the suggestions in the next draft. Please express my appreciation." – Adewale O. (9/14)
"Just wanted to say thank you. I was really pleased to get a "consider" from Script P.I.M.P. Please tell the reader her notes are great." – E. Werner (9/4)
"This analyst was perfect. It was plainly obvious (the reader) gave it a close read and understood where it was going and what the issues were. Perfect as usual!" – P. Samuelson (9/2)
"What a speedy and spot-on analysis. . . Thank you again for such a thoughtful and incisive set of notes. You truly are the jedi swami masters of the screenplay arts." – A. Fox (8/27)
"I just spent the past few days assimilating the notes I got. I thought they were by far the most insightful and constructive feedback I've ever received. . . I'll definitely be incorporating a lot of these suggestions into my script. Please convey my thanks and appreciation to your senior analyst, and I will definitely be resubmitting my script once I finish my new draft." – G. Milin (8/12)
And some responses from our 2009 Writing Competition. . . .
"Looking forward to future dealings with Script P.I.M.P. Thank you again for your support and help. Also had a very enlightening conversation with [the finalist mentor consultant]. He was most gracious, very insightful, and open to hearing about my future efforts as well." – Ed Cound (9/8)
"Many thanks for hosting the awards event! It was a great opportunity to meet the other writers. Thanks as well for setting up the phone meeting with [a finalist consultant]." – Suzan Flamm (9/5)
"Really enjoyed talking with you and sharing war stories with the other writers [at the awards party]. Always good to connect with more film folks." – David O'Donnell (9/4)
=========================== (5) Script Pimp in the News ===========================
Script Pimp's feature film "The Living Wake" reviewed by Variety: http://www.scriptpimp.com/newsletters/variety.cfm
Script Pimp on TV (Peter Bart's Sunday Morning Shootout) Script Pimp Newswire: http://www.scriptpimp.com/news/home.cfm
================================ (5) Consultations with Senior Story Analyst ================================
*One-On-On Phone Consultation with Senior Story Analyst: http://www.scriptpimp.com/script_coverage/index_ww2.cfm
Direct advice and one-on-one interaction over the phone or in-person. Iron out the issues in your script in the most efficient way possible. Script Pimp story analysts are now available for one-on-one development meetings with writers. It is a two-hour long meeting, in LA or by phone, in which your analyst will go through your script with you line by line. Feel free to come with a list of questions to be addressed, and steer the conversation in any direction you wish. Our analyst will read the script twice before the meeting, and come with his/her own notes. If the script is at the point that it should be shopped around town, we will give you concrete suggestions as to where the screenplay has the best chance, and the companies that would most likely be interested in the material.
The cost is $550 for Script Pimp Writers Database members, and $650 for non-members. If you would like to set up an appointment, please E-mail Matt at matt@scriptpimp.com or notes@scriptpimp.com.
========================================= (6) Technical Edits on Scripts and Novels =========================================
Script Pimp offers technical revisions for screenplays, teleplays, and novels. Editing includes a thorough check for grammar, formatting, and, if applicable, sentence structure and suggestions to improve narrative pacing and flow in the hopes of improving the readability (and thus the marketability) of your work.
Rates start at $.01/word and vary depending on the individual writer's needs. We will also perform a FREE one-page "sample" edit to determine if the service will meet your needs.
For more info, or to request a free sample edit and price quote, please E-mail matt@scriptpimp.com and write "Editing Services" in the subject line.
====================================================================== (7) Ask the Script Pimp Expert - Script Presentation & Technical Editing: Is it Really Impoertant? ======================================================================
"Will a producers might think of buying my screenplay even if there is typos etc. that need to be fixed? Doesnt story mean anything anymore or do people just care about the little things that no one even sees when the finished film is completed?"
And so began what was a much longer real E-mail received by a real screenwriter who was looking for real industry credits as a writer. Notice anything that would turn off even the most lenient of producers, agents, managers, and anyone considering a partnership with the writer? Thought it was a joke at first, but. . . unfortunately, no. And this is in no way meant to bash the writer, but consider that a) this individual was a fluent English speaker, b) a college graduate, and c) has written a number of scripts. While international writers are allowed a number of mistakes (hey, you try writing a script in your second language), there's just no excuse for someone to neglect performing a technical polish on their script, including fixing typos, sentence structure, and overall grammar. What it boils down to over 90% of the time is laziness and putting too low a value on amending those technicalities. But consider this: would you read a whole script if it was written like the above sentence? Certainly not.
On the other hand, will two missing commas, a spelling mistake, and an erroneous scene heading send your screenplay to the recycler? Unless you're dealing with a deeply and genuinely shallow reader, no, it's fine. The reason many readers place a decent amount of stock in technical editing has to do with time: the clearer and more legible a screenplay, the quicker and easier the reader can get through the text and concentrate on what's most important—the story, theme, and creative elements. Always make sure your formatting is spot on as well. For example, if you're not 100% sure how to write a montage, look it up online or in a reference book. Same for other questionable/tricky "rules" (time-lapse, flashbacks, etc.).
Always give the script to someone else—friend, pro editor, a reader, whatever—to try and spot out lingering typos or awkward sentences. As writers, you of course can't be expected to catch everything. Above all, put forth the effort to edit the script after you feel you have a suitable first draft, story-wise. Educate yourself on all the facets of writing (that is, if you didn't go to film school, or if you were one of the many nodding off during class), and seek help from others if need be. If you're a Script Pimp Writers Database member, you can E-mail questions to us, and we'll happily offer a prompt reply. Showing that you've utilized resources in polishing a script's presentation proves to the person reading your work that you're serious about honing the craft. And THAT just gives you an extra boost in getting producers, agents, and managers interested in you as a screenwriter.
(*and yes. . . "important" in the header was spelled wrong for a reason)
============================= (8) Workshop & Writers Database Info =============================
*Writers Database Home Page: http://www.scriptpimp.com/writers_database/index_wdb.cfm
Script Pimp's Writers Database features the current needs and submission guidelines for over 1,000 total company listings, 300 film production companies, and agencies accepting material from new screenwriters. Over 240 active query accounts provide writers the access to query producers and agents.
*Writers Workshop Home Page: http://www.scriptpimp.com/script_coverage/index_ww2.cfm
Script Pimp's Writers Workshop provides screenwriters with A-level development notes and consultations. A professional story analyst will write extensive notes, 4-6 pages long for $250, giving you a detailed review of the strengths and weaknesses of your screenplay. With a grade of "recommend," Script Pimp will assist you in circulating your work to agents, managers, and producers at no charge.
*Talent Pimp Home Page: http://www.talentpimp.com
Acting anyone? Talent Pimp concentrates its tools and resources for actors and actresses, complete with our own knowledge base of the industry, updated detailed listings for 550+ agents, 700+ managers and 550+ casting directors. Talent Pimp is now available to working and aspiring professional actors for a fee of $35 for 1-year of unlimited access. Build your own professional page and upload your resume, headshots and demo reel.
======================================= (9) Miscellaneous - Top Websites for Screenwriters =======================================
Here's a guide through the screenwriting community with Script Pimp's list of FIVE STAR WEBSITES for screenwriters. If there's a site you'd like to request to be added to the list, please email matt@scriptpimp.com!
NETWORKING SITES:
American Zoetrope http://www.zoetrope.com/ Screenwriters Federation of America http://www.screenwritersfederation.org/phpBB2/ Shooting People http://www.shootingpeople.org TriggerStreet http://www.triggerstreet.com/gyrobase/index
BLOG SITES: John August http://johnaugust.com/ Artful Writer http://artfulwriter.com/
Former Script Pimp "Recommend" writer Brian Watanabe's screenplay, Rogues Gallery, has wrapped shooting in Los Angeles and is currently in post-production. Script Pimp owner Chadwick Clough serves as executive producer and first brought the action/comedy project to Sean McKittrick's Darko Entertainment.
The film revolves around two teams of government assassins, using code names from the Tarot deck, who work in a secret underground facility. On The Fool's first day at work, his and the teams' boss is killed under mysterious circumstances, and they must find the person responsible before the facility explodes--or before the potential rogue kills The Fool and the others first.
Fouad Mikati directs an ensemble cast which includes relative newcomers Joe Anderson ("Copying Beethoven," "Across the Universe"), Odette Yustman ("Cloverfield"), and Emilie DeRavin ("Lost"), as well as veterans Bob Odenkirk, Ving Rhames ("Mission: Impossible 3", "Animal"), Ellen Barkin ("The Big Easy"), Will Arnett ("Arrested Development"), and Jeffrey Tambor ("Arrested Development"). Film is produced by Michael Ohoven ("Capote"), Sean McKittrick ("Donnie Darko"), and Kevin Turen.
Recent articles on Rogue's in Variety and The Hollywood Reporter:
======================================== (2) Box Office Report - August 21st-24th ========================================
Perhaps due to positive buzz surrounding Heath Ledger's performance, or simply the fact it's one of the most recognized comic franchises of all time, The Dark Night is poised to break every domestic box office record in U.S. history, taking in close to an almost unheard of half billion dollars, but the film has since been de-throned by Ben Stiller's "controversial" spoof, a house bunny, and this year's most straightforward action flick, Death Race. The ho-hum animated prequel to Star Wars, Clone Wars, proved to be a modest flop, as this summer, audiences flocked to action and comedy (and of course so-called premium animation--e.g. Wall-E and Kung Fu Panda). As for Disney's The Longshots: better shot at a decent showing in the ancillary market.
The Top Ten*
(domestic totals in parentheses, with the number of weeks in theaters as of July 6th)
1. Tropic Thunder ($65,839,915) - Week #2 2. The House Bunny ($14,533,702) - Week #1 3. Death Race ($12,621,090) - Week #1 4. The Dark Knight ($489,416,885) - Week #6 5. Star Wars: The Clone Wars($24,999,054) - Week #2 6. Pineapple Express ($73,780,191) - Week #3 7. Mirrors ($20,211,066) - Week #2 8. Mamma Mia! ($124,469,900) - Week #6 9. The Mummy: Tomb of the Dragon Emperor ($93,921,245) - Week #4 10. The Longshots ($4,080,687) - Week #1
*ranked by top weekend box office films from August 21-24th
Script Pimp's Writer Workshop continues it's run of positive feedback. Some recent quotes:
"Would you please pass along my sincere thanks to the analyst who has twice worked on my script? I wanted to let her know that the first round of notes I received helped me make changes that garnered (my script) an honorable mention at the '08 Indie Gathering. I really, REALLY appreciate the feedback I've gotten from (the reader) so far--it's been insightful and incredibly helpful." - Cynthia P. (7/8)
"The notes where well thought out and worth every penny I spent. Will use you again. Thank you." - Tom A. (6/26)
"My objective has been achieved, and I cannot thank your reader enough. They (the notes) were brilliant, thanks!" - William T. (6/24)
=========================== (4) Script Pimp in the News ===========================
View all Script Pimp Press:
http://www.scriptpimp.com/features/creative_screenwriting.cfm Script Pimp's "Rogue's Gallery": http://www.hollywoodreporter.com/hr/content_display/news/e3if7b717939831cbe299581383a70dea5a Script Pimp's feature film "The Living Wake" reviewed by Variety: http://www.scriptpimp.com/newsletters/variety.cfm Script Pimp on TV (Peter Bart's Sunday Morning Shootout) Script Pimp Newswire: http://www.scriptpimp.com/news/home.cfm
=========================================== (5) Consultations With Senior Story Analyst ===========================================
*One-On-On Phone Consultation with Senior Story Analyst: http://www.scriptpimp.com/script_coverage/index_ww2.cfm
Direct advice and one-on-one interaction over the phone or in-person. Iron out the issues in your script in the most efficient way possible. Script Pimp story analysts are now available for one-on-one development meetings with writers. It is a two-hour long meeting, in LA or by phone, in which your analyst will go through your script with you line by line. Feel free to come with a list of questions to be addressed, and steer the conversation in any direction you wish. Our analyst will read the script twice before the meeting, and come with his/her own notes. If the script is at the point that it should be shopped around town, we will give you concrete suggestions as to where the screenplay has the best chance, and the companies that would most likely be interested in the material.
The cost is $550 for Script Pimp Writers Database members, and $650 for non-members. If you would like to set up an appointment, please E-mail Matt at matt@scriptpimp.com or notes@scriptpimp.com.
========================================= (6) Technical Edits on Scripts and Novels =========================================
Script Pimp offers technical revisions for screenplays, teleplays, and novels. Editing includes a thorough check for grammar, formatting, and, if applicable, sentence structure and suggestions to improve narrative pacing and flow in the hopes of improving the readability (and thus the marketability) of your work. Rates start at $.01/word and vary depending on the individual writer's needs. We will also perform a free one-page "sample" edit to determine if the service will meet your needs.
For more info, or to request a sample edit and price quote, please E-mail matt@scriptpimp.com and write "Editing Services" in the subject line.
====================================================== (7) Ask the Script Pimp Expert - Why Choosing Your Market is Priority #1 ======================================================
"Two separate producers both rejected my script: one said "the market isn't ready for the concept," another said I basically need to understand what people are buying. What does that mean? Is it just an easy rejection response?"
Most likely, they're trying to kindly say that the script is an ultra-tough sell. Maybe the concept is too "artsy", maybe it's too experimental. . . there are a myriad of reasons why a producer, manager, or agent rejects a given script. When it's a rejection based on marketability, take it to heart. Chances are, they aren't trying to give a phony response, since there are a number of generalized ways a producer can reject a script. Comments on marketability are pretty pointed. As an independent producer, they have to ask, "How am I going to sell this film?" Hence, why we sometimes see tired concepts--they're proven sellers.
However, concepts run in cycles. What's in-demand now may not be tomorrow, so to put it simply, write the kind of story you want to write, yet see if it can be modified to appeal to as large an audience as possible. It's always recommended a writer imagine an original (or semi-original) concept, or a twist on an old premise, and then write a treatment before penning the script. Get some feedback on the storyline and find a balance between art and commercialism. In other words, don't stick to only one side of the concept spectrum. Are the plot and characters too predictable, too generic? Conjure up an angle so the story offers a fresh take on a possibly hackneyed premise, or give the characters a clever edge we haven't seen before. Is the script too wandering and non-traditional?
Stick to the fundamentals. Contrary to the belief of many, if not most, beginning writers, it is possible to stray from the "Hollywood" formula while maintaining a sense of mainstream appeal. The Matrix did it, American Beauty made it work, and countless other films across all genres have succeeded at bringing creativity to otherwise cliche concepts. Don't try and write "The Next Batman," or "The Next Babel." Favor innovation over imitation, at least in premise.
But always, always iron out your idea long before writing your first scene.
==================================== (8) Workshop & Writers Database Info ====================================
*Writers Database Home Page: http://www.scriptpimp.com/writers_database/index_wdb.cfm Script Pimp's
Writers Database features the current needs and submission guidelines for over 1,000 total company listings, 300 film production companies, and agencies accepting material from new screenwriters. Over 240 active query accounts provide writers the access to query producers and agents.
*Writers Workshop Home Page: http://www.scriptpimp.com/script_coverage/index_ww2.cfm Script Pimp's
The Writers Workshop provides screenwriters with A-level development notes and consultations. A professional story analyst will write extensive notes, 4-6 pages long for $250, giving you a detailed review of the strengths and weaknesses of your screenplay. With a grade of "recommend," Script Pimp will assist you in circulating your work to agents, managers, and producers at no charge.
*Talent Pimp Home Page: http://www.talentpimp.com Acting anyone? Talent Pimp concentrates its tools and resources for actors and actresses, complete with our own knowledge base of the industry, updated detailed listings for 550+ agents, 700+ managers and 550+ casting directors. Talent Pimp is now available to working and aspiring professional actors for a fee of $35 for 1-year of unlimited access. Build your own professional page and upload your resume, headshots and demo reel.
================================================== (9) Miscellaneous - Top Websites for Screenwriters ==================================================
Here's a guide through the screenwriting community with Script Pimp's list of FIVE STAR WEBSITES for screenwriters. If there's a site you'd like to request to be added to the list, please email matt@scriptpimp.com
NETWORKING SITES:
American Zoetrope http://www.zoetrope.com/
Screenwriters Federation of America http://www.screenwritersfederation.org/phpBB2/
Shooting People http://www.shootingpeople.org
TriggerStreet http://www.triggerstreet.com/gyrobase/index BLOG SITES: John August http://johnaugust.com/
Chadwick Clough Script P.I.M.P., LLC 8033 W. Sunset Blvd. #3000 Hollywood, CA 90046 info@scriptpimp.com www.scriptpimp.com 310-401-1155
To unsubscribe to this great free monthly newsletter click here: http://www.scriptpimp.com/unsubscribe
To visit Script Pimp's Home Page click here: http://www.scriptpimp.com
. HAS UPDATED THEIR SUBMISSION PREFERENCES 08/25/08
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C. WESLEY PICTURES HAS UPDATED THEIR SUBMISSION PREFERENCES 07/11/08
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C. WESLEY PICTURES HAS UPDATED THEIR SUBMISSION PREFERENCES 07/11/08
Writers Database Members Only
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Script Pimp July Newsletter 07/10/08
Free
SCRIPT PIMP JULY NEWSLETTER (http://www.scriptpimp.com)
Contents: (1) Script Pimp 2008 Screenwriting and TV Writing Contests - Finalists (2) Upcoming Screenwriting Contests (3) Box Office Report - First Week of July (4) Recent Feedback - Script P.I.M.P. Writers Workshop (5) Script Pimp in the News (6) Consultations with Senior Story Analyst (7) Ask the Script Pimp Expert – Query Letters (8) Creative Convergence - Top Writing Teleseminar Available (9) Workshop & Writers Database Info (10) Miscellaneous - Top Websites for Screenwriters
==(1) Script Pimp 2008 Screenwriting and TV Writing Contests - Finalists==
In what turned out to be a very competitive year, both for feature-length screenplays and the large volume of spec script submissions in our first annual TV Writing Competition, we have narrowed down 2,000-plus entries to our top 20 in the Film category and Grand Prize and 1st-3rd place winners in the TV contest. Results are as follows. . . .
Feature Film Contest:
Shrapnel by Evan Daughtery The Tollbooth Operator by Christian Heinze Neither by Christian Heinze Beckwourth by James K. M. Watts The De-haunters by Calvin Field & Bryan Bagby Long Shadow Woman by Craig Clyde The Stacks by Edward Cound A Mate for Lonesome George by Sharon Clark A Revolution in Urination by Christian Heinze Hidden by Noah Ruderman His Fair Lady by Russell Bryan Sommers In the Garden of the King by Paul Ian Johnson Alpha Male by Spanner Spencer Drill Queen by Andrea Seybold & Kate Wharton Freebird by Hilary Weisman Graham The D Line by David O'Donnell The Well by Julie Anne Wight Maid of Dishonor by Sophia Trone Palestine by Suzan Flamm Honor Bound by Michael Amato
TV Writing Winners:
After reviewing what turned out to be mostly spec scripts, we have chosen our top four (in order).
Grand Prize Winner: The Office - "The Crossword Puzzle" (Spec) by Beau Henry
1st Place: Dexter - "Slow News Day" (Spec) by Ryan Harris & Brian Lubocki
2nd Place: Californication - "Redemption Song" (Spec) by John Fein
3rd Place: "Home Game Hero" (Reality) Douglas Robbins
Thanks to everyone for submitting! It was truly a great year for scripts overall. Hope see more feature-length screenplays and TV projects (especially reality show treatments and original pilots) in next year's competition.
As many writers have asked about next year's contest, we opened registrations a few months early. To pre-register for the 2009 Competition, please visit: http://www.scriptpimp.com/writing_competition/home11.cfm
==(2) Upcoming Screenwriting Contests==
A few contests with deadlines in late Summer/Fall (much more to be added soon as the open registration).
Gimme Credit Screenplay Competition Deadline: November 3rd www.gimmecreditcompetition.com
Slamdance Teleplay Competition Deadline: September 5th www.slamdance.com/teleplay
==(3) Box Office Report - First Week of July==
Could be the Year of the Franchise Builders. . . . Super heroes dominate the summer thus far, with Hancock keeping pace with franchises Iron Man and The Incredible Hulk. Animation fans (and families, no doubt) also flocked to Pixar's latest release, Wall-E, and the Jack Black-voiced comedy Kung Fu Panda, while Get Smart and Indiana Jones showed strong performances as well. No surprises: the Jolie-led Wanted scored high marks with audiences, too, however the Mike Myers/Jessica Alba comedy The Love Guru failed to lure a sizable base. Nevertheless, likely look for sequels of most films in the top 10 this summer, as they've proven to be Hollywood gold.
The Top Ten - July 4-6: (domestic totals in parentheses, with the number of weeks in theaters as of July 6th)
1. Hancock ($62,603,879) - Week #1 2. Wall-E ($32,509,203) - Week #2 3. Wanted ($20,050,070) - Week #2 4. Get Smart ($11,109,408) - Week #3 5. Kung Fu Panda ($7,318,635) - Week #5 6. The Incredible Hulk ($4,899,280) - Week #4 7. Indiana Jones and the Kingdom of the Crystal Skull ($3,774,807) - Week #7 8. Kit Kittredge: An American Girl ($3,296,929) - Week #3 9. Sex and the City ($2,382,438) - Week #6 10. You Don't Mess with the Zohan ($1,981,251) - Week #5
^ranked by top weekend box office films first week of July
Script Pimp's Writer Workshop continues it's run of positive feedback. Some recent quotes:
"Would you please pass along my sincere thanks to the analyst who has twice worked on my script? I wanted to let her know that the first round of notes I received helped me make changes that garnered (my script) an honorable mention at the '08 Indie Gathering. I really, REALLY appreciate the feedback I've gotten from (the reader) so far--it's been insightful and incredibly helpful." - Cynthia P. (7/8)
"The notes where well thought out and worth every penny I spent. Will use you again. Thank you." - Tom A. (6/26)
"My objective has been achieved, and I cannot thank your reader enough. They (the notes) were brilliant, thanks!" - William T. (6/24)
==(5) Script Pimp in the News==
View all Script Pimp Press: http://www.scriptpimp.com/features/creative_screenwriting.cfm
Script Pimp's feature film "The Living Wake" reviewed by Variety: http://www.scriptpimp.com/newsletters/variety.cfm
Script Pimp on TV (Peter Bart's Sunday Morning Shootout)
One-On-On Phone Consultation with Senior Story Analyst: http://www.scriptpimp.com/script_coverage/index_ww2.cfm
Direct advice and one-on-one interaction over the phone or in-person. Iron out the issues in your script in the most efficient way possible. Script Pimp story analysts are now available for one-on-one development meetings with writers. It is a two-hour long meeting, in LA or by phone, in which your analyst will go through your script with you line by line. Feel free to come with a list of questions to be addressed, and steer the conversation in any direction you wish. Our analyst will read the script twice before the meeting, and come with his/her own notes. If the script is at the point that it should be shopped around town, we will give you concrete suggestions as to where the screenplay has the best chance, and the companies that would most likely be interested in the material. The cost is $550 for Script Pimp Writers Database members, and $650 for non-members.
If you would like to set up an appointment, please E-mail Matt at matt@scriptpimp.com or notes@scriptpimp.com.
==(7) Ask the Script Pimp Expert - Query Letters==
Last month we received a number of questions regarding query letters. So. . . back by demand, last month's Question of the Month:
"I've sent my query letter out to over 50 companies, but have received no response. What's the deal?"
The query letter, in some cases, is more important for a writer to perfect than the actual script. Think of it as the lone key that will get you into a room of full of agents and producers. Once you're in, then you have to depend on the script. But if you can't get through the door, your script is as good as blank paper. It's an unfortunate fact of the industry, albeit a necessary one, but ask yourself this: if your query letter is confusing, dull, or filled with grammatical errors, would you want to read the script? Your goal is to convince someone that they have to read this screenplay. This is why, although query letters are a fraction of the length of an actual feature screenplay, they deserve your utmost attention. Prove that you're not only creative, but know the marketplace for your project. It'll definitely pay off in the end. A sampling of tips to keep in mind:
Longer is Better (. . . Sort of): Certainly, you want to keep a query letter as short as possible, but when you limit it to one or two sentences, it's just not enough (usually) to dig that hook into the mind of a producer, agent, manager, or industry pro. Start with an original first sentence, succinctly describing the crux of your script, rather than something like, "I've attached my script, The Dark Hunter. It's about a hunter that goes insane and kills his family." If that's the highlight of the screenplay, chances are you're sunk. Focus on the innovative hook that almost every script possesses. If the person you're submitting to has no idea what the story is about, and must decipher the plot through the title, it's going to inevitably hurt your chances. Keep it short, to-the-point, and distinctive. Even the query letter should be memorable.
Shorter is Better: Before you go crying "contradiction!", allow me to explain. Too short is bad; too long is worse. And it can spell disaster for your chances at getting a script request. Imagine being a producer, or often-times producer's assistant, or literary agent having to wade through a hundred query letters, and all of a sudden, you get one that's one, big, page-long paragraph of a writer's bio, story synopsis, and so forth. Keep the full-length synopses separate from the query, and unless you have serious credits to mention (winner of a top competition, hired to do a rewrite, etc.), keep the bio brief, if you decide to include one at all. The trick is to find a balance in length between too long and too short. My advice would be to limit the query to three short paragraphs: the first paragraph, an intro/logline to the story; the second paragraph a deeper explanation of the genre, or a broader explanation of the story (e.g. The characters in this dark comedy struggle with. . . until they realize . . . ), or even marketplace; and the last paragraph perhaps a brief background of you as a writer, or the script--but again, only if it's legitimately impressive awards, positions held, etc. that relate to your screenwriting ability.
Let the Logline Do the Job, And Leave the Ego Behind: Make the logline as original as possible, even if it means slightly over-selling the script. Just be sure to never (never) claim your script to be the next great thing, whether it's a blatant "This script will change the face of cinema," or a more subtle claim of arrogance . . . it's rare, but some writers take that route, and it's a huge mistake. Mind the Grammar: It should go without saying: check for typos. It's amazing how many queries I've read with terrible grammar and punctuation. If it means giving the query to someone to edit, so be it, but clean up the technicalities to perfection before sending it off.
All Script Pimp Workshop "Recommend" writers get assistance with their query letters, and in a few cases, a little guidance led to the writers' scripts getting high marks from producers. Always place the query as a priority.
==(8) Creative Convergence - Top Writing Teleseminar Available==
What makes industry insiders tick, and what ticks them off?
Philippa Burgess of Creative Convergence shows you how to open doors in Hollywood and take your screenwriting career to the next level. Join in her popular Million Dollar Screenwriting & Content Career course--all from the comfort of your own home.
6 Session Teleseminar Intensive starts July 14th on Mondays and Tuesdays at: 5:30 PM Pacific / 7:30 PM Central / 8:30 PM Eastern. $297 includes live calls with lecture and Q&A, online group, materials, and MP3s of each session.
Learn more at: www.screenplaybyphone.com/career.
==(9) Database & Writers Workshop Info==
Writers Database Home Page: http://www.scriptpimp.com/writers_database/index_wdb.cfm
Script Pimp's Writers Database features the current needs and submission guidelines for over 1,000 total company listings, 300 film production companies, and agencies accepting material from new screenwriters. Over 240 active query accounts provide writers the access to query producers and agents.
Writers Workshop Home Page: http://www.scriptpimp.com/script_coverage/index_ww2.cfm Script Pimp's Writers Workshop provides screenwriters with A-level development notes and consultations. A professional story analyst will write extensive notes, 4-6 pages long for $250, giving you a detailed review of the strengths and weaknesses of your screenplay. With a grade of "recommend," Script Pimp will assist you in circulating your work to agents, managers, and producers at no charge.
Talent Pimp Home Page: http://www.talentpimp.com Acting anyone? Talent Pimp concentrates its tools and resources for actors and actresses, complete with our own knowledge base of the industry, updated detailed listings for 550+ agents, 700+ managers and 550+ casting directors. Talent Pimp is now available to working and aspiring professional actors for a fee of $35 for 1-year of unlimited access. Build your own professional page and upload your resume, headshots and demo reel.
==(10) Miscellaneous - Top Websites for Screenwriters==
Here's a guide through the screenwriting community with Script Pimp's list of FIVE STAR WEBSITES for screenwriters. If there's a site you'd like to request to be added to the list, please email matt@scriptpimp.com
NETWORKING SITES: American Zoetrope http://www.zoetrope.com/ Screenwriters Federation of America http://www.screenwritersfederation.org/phpBB2/ Shooting People http://www.shootingpeople.org TriggerStreet http://www.triggerstreet.com/gyrobase/index BLOG SITES: John August http://johnaugust.com/ Artful Writer http://artfulwriter.com/ RECENT SCRIPT SALES ~ Done Deal http://www.scriptsales.com/ Script Copier - "Best Copier in LA" http://www.ScriptCopier.com FREE SCREENPLAYS ONLINE ~ Script Pimp, IScriptDB, Simply Scripts http://www.scriptpimp.com/show_me/free_screenplays/ http://www.iscriptdb.com/ http://www.simplyscripts.com SCREENPLAY CONTESTS ~ Movie Bytes, Script Pimp: http://www.moviebytes.com/ http://www.scriptpimp.com/show_me/contests/ SCREENPLAYS TO BUY ~ Script Pimp http://www.scriptpimp.com/show_me/screenplays/ SCREENPLAY REVIEWS ~ Screenwriters Utopia http://www.screenwritersutopia.com/modules.php?name=Content&pa=list_pages_categories&cid=2 SCREENPLAY CONSULTANTS ~ Script Pimp, Google http://www.scriptpimp.com/show_me/script_consultants/ http://directory.google.com/Top/Arts/Writers_Resources/Screenwriting/Script_Consulting/ SCREENWRITER INTERVIEWS ~ Screenwriters Utopia http://www.screenwritersutopia.com/modules.php?name=Content&pa=list_pages_categories&cid=1 SCREENWRITING BOOKS ~ Script Pimp, Writers Store http://www.scriptpimp.com/show_me/screenwriting_books/ http://www.writersstore.com/products.php?cPath=129 SCREENWRITING RESOURCES ~ Script Pimp, Google http://www.scriptpimp.com/show_me/resources_and_reference/ http://www.google.com/ SCREENWRITING SOFTWARE ~ Final Draft, Write Brothers, More http://www.finaldraft.com/ http://www.screenplay.com/ http://plotbot.com/ http://www.scriptassist.com/ SCREENWRITING MAGAZINES ~ Script Pimp http://www.scriptpimp.com/show_me/magazines_and_papers/ SCREENWRITING SUPPLIES ~ Writers Store, ScreenStyle http://www.writersstore.com/products.php?cPath=130 http://www.screenstyle.com/ OSCAR SCRIBES ~ Script Pimp http://www.scriptpimp.com/show_me/oscars/ POSTING SCRIPTS ONLINE ~ InkTip, Script Shark http://www.inktip.com/ http://www.scriptshark.com/specmarket.cfm SCREENWRITING HOW-TO ~ Screenwriting.info http://www.screenwriting.info/ FREE SCREENWRITING EDUCATION ~ Script Fly http://www.scriptfly.com/
Sincerely,
Chadwick Clough, Script P.I.M.P., LLC 8033 W. Sunset Blvd. #3000, Hollywood, CA 90046 info@scriptpimp.com www.scriptpimp.com 310-401-1155 ` To subscribe to this newsletter: http://www.scriptpimp.com/subscribe To unsubscribe to this great free monthly newsletter click here: http://www.scriptpimp.com/unsubscribe To visit Script Pimp's Home Page click here: http://www.scriptpimp.com
EPIC LEVEL ENTERTAINMENT HAS ADDED THEIR SUBMISSION PREFERENCES 07/07/08
Writers Database Members Only
If you are not logged in you will not be able to view this information. If you have not registered for the Writers Database, please click here to sign up.
PAPA JOE FILMS HAS UPDATED THEIR SUBMISSION PREFERENCES 06/22/08
Writers Database Members Only
If you are not logged in you will not be able to view this information. If you have not registered for the Writers Database, please click here to sign up.
Script P.I.M.P. June Newsletter 06/10/08
Free
SCRIPT PIMP JUNE NEWSLETTER (http://www.scriptpimp.com)
** This year’s prize-winners and 20 finalists will be posted on the competition home page by July 10th!**
Contents: (1) Script Sales Report (May 2008) (2) Upcoming Screenwriting Contests (3) Box Office Report - Top Films, End of May (4) Recent Feedback - Script P.I.M.P. Writers Workshop (5) InkTip (6) Possible Scam Alert - WL Screenplay Agency (7) Script Pimp in the News (8) Consultations with Senior Story Analyst (9) Ask the Script P.I.M.P. Expert – Query Letters (10) Script P.I.M.P. 2008 Competition - Record Numbers (11) Workshop, 2009 Competition Pre-registration, Writers Database – Info (12) Writers Boot Camp - Now Enrolling (13) 2008 Harvardwood Screenplay Competition Winners (14) Miscellaneous - Top Websites for Screenwriters
==(1) Script Sales Report (May 2008)==
Script deals were robust in the month of May, with adaptations again tallying the majority of sales. Notable sales included Ernest Hemmingway’s “Islands in the Stream” starring Tommy Lee Jones. Jones will also direct and produce along with Gary Smith and Intandem Flims. Albert Camus’ “The First Man” will be adapted by writer/director Gianni Amelio. A remake of the Abel Ferrara cult classic “The Bad Lieutenant” will be directed by Wim Wenders. Billy Finkelstein will pen the sequel. Nicolas Cage will star. On the spec front, managers Brooklyn Weaver and Adam Marshall continue their hot streak with a spec entitled “Stop Huntingdon Animal Cruelty” written by Adam Sachs. Comedy centers on a drunk, middle-aged reporter and a teenager who bond while finding themselves up against a group of fanatical protesters.
Check our newswire for past script sales reports: http://www.scriptpimp.com/news/home.cfm
==(2) Upcoming Screenwriting Contests==
Though most major contest deadlines have ended, a handful are still open for submissions. A few selected contests:
The Silver Screenwriting Competition Deadline: July 1st (extended) www.silverscreenwriting.com
Action On Film International Film Festival Deadline: June 15th www.aoffest.com
FirstGlance Feature and Short Screenplay Competitions Deadline: July 1st www.firstglancefilms.com
Shriekfest Film Festival Deadline: June 28th www.shriekfest.com
8th Annual FilmMakers International Screenwriting Deadline: June 30th (extended) www.filmmakers.com/screenplay
Gimme Credit Screenplay Competition Deadline: November 3rd www.gimmecreditcompetition.com
And for TV . . . .
Slamdance Teleplay Competition Deadline: September 5th www.slamdance.com/teleplay
==(3) Box Office Report==
Driven by a fedora-sporting archaeologist, four sexy New Yorkers, and a comeback actor in an iron suit, May was Hollywood's near-perfect prelude to a summer promising hit sequels, eagerly-anticipated adaptations, and edgy crime/dramas. As is the norm for the season, big-budget action topped 200+ million, but a moderate surprise came from the big-screen adaptation of HBO's Sex and the City, which slightly exceeded analyst expectations and no doubt secured a sturdy fan base and a broad female demo. Star-driven romantic comedies and two kid/teen flicks rounded out the rest of the top ten, along with the quasi-original horror The Strangers.
The Top Ten - End of May: (domestic totals in parentheses, with the number of weeks in theaters as of June 1st)
1. Sex and the City ($57,038,404) - Week #1 2. Indiana Jones and the Kingdom of the Crystal Skull ($215,635,899) - Week #2 3. The Strangers ($20,997,985) - Week #1 4. Iron Man ($276,166,336) - Week #5 5. The Chronicles of Narnia: Prince Caspian ($115,362,725) - Week #3 6. What Happens in Vegas ($65,904,971) - Week #4 7. Speed Racer ($40,677,371) - Week #4 8. Baby Mama ($56,117,805) - Week #6 9. Made of Honor ($42,878,354) - Week #5 10. Forgetting Sarah Marshall ($60,485,980) - Week #7
*ranked by top weekend box office films May 30-June 1
Praise for Script P.I.M.P.'s Writer Workshop continues . . . some comments below.
"I am deeply touched by the notes and thoughtfulness from the inspiring person who laboured over my script. I look forward to sending Script P.I.M.P. an improved version, all based on the profound notes I received. Thank you!" - Mark M. (5/30)
"We really appreciate the thorough analysis on our script, PLAYING MARCO POLO. Your service is worth every penny." - Ron & Enza Fangio (5/29) "Thank you so much for your insightful and detailed notes on my script. They were helpful and (thankfully) gracious. I was also pleased to see that you 'got' my script - certainly writing a dual story is bound to lose some people, and I'm glad you seem to have understood the true spirit of the piece, with all its points both broad and fine." - Philip C. (5/12)
==(5) Ink Tip==
***InkTip Works*** InkTip.com is the only website in the world where three scripts are optioned or writers are hired every week. Our password-protected website is designed for writers to place their works. Writers can place a logline, synopsis, treatment and/or script for the big screen, television, or a novel. Searches can be very detailed so that when an industry member is looking for your kind of script, it will be easy to find. From the scripts/writers found on InkTip.com, at least 70 films have been produced! For example, AmberGreen Entertainment started production on a script by an InkTip scribe, with Vivica A. Fox starring. For more info, please see http://www.inktip.com/prod.php Subscribe to our newsletter, which contains lead(s) every week telling you what producers are looking for right now at http://www.inktip.com/newsletter_writers.php
It is $50 to place one script for six months on the website (this includes your logline, synopsis, description, treatment, and script, as well as your resume).
Register now at www.InkTip.com
==(6) Possible Scam Alert - WL Screenplay Agency==
In recent months, Script P.I.M.P. has been informed of a possible fraudulent company claiming to be a reputable agency: WL Screenplay Agency (www.wlscreenplayagency.com/), which has appeared on our Google-controlled ads banner on our website pages. The company is on a number of "Worst Agencies" lists, as well numerous Buyer's Beware blogs. In an effort to protect our writers and members, we thought it necessary to alert everyone of this company and to proceed with caution when and if you do business with them. Should this not be a fraudulent organization, a representative from WL Screenplay Agency may contact us at info@scriptpimp.com.
==(7) Script Pimp in the News==
View all Script Pimp Press: http://www.scriptpimp.com/features/creative_screenwriting.cfm
Script Pimp's feature film "The Living Wake" reviewed by Variety: http://www.scriptpimp.com/newsletters/variety.cfm
Script Pimp on TV (Peter Bart's Sunday Morning Shootout)
*One-On-On Phone Consultation with Senior Story Analyst: http://www.scriptpimp.com/script_coverage/index_ww2.cfm
Direct advice and one-on-one interaction over the phone or in-person! Iron out the issues in your script in the most efficient way possible. Script P.I.M.P. story analysts are now available for one-on-one development meetings with writers. It is a two-hour long meeting, in LA or by phone, in which your analyst will go through your script with you line by line. Feel free to come with a list of questions to be addressed, and steer the conversation in any direction you wish. Our analyst will read the script twice before the meeting, and come with his/her own notes. If the script is at the point that it should be shopped around town, we will give you concrete suggestions as to where the screenplay has the best chance, and the companies that would most likely be interested in the material. The cost is $550 for Script P.I.M.P. Writers Database members, and $650 for non-members.
If you would like to set up an appointment, please E-mail Matt at matt@scriptpimp.com or notes@scriptpimp.com.
==(9) Ask the Script P.I.M.P. Expert - Query Letters==
Question of the month: "I've sent my query letter out to over 50 companies, but have received no response. What's the deal?"
The query letter, in some cases, is more important for a writer to perfect than the actual script. Think of it as the lone key that will get you into a room of full of agents and producers. Once you're in, then you have to depend on the script. But if you can't get through the door, your script is as good as blank paper. It's an unfortunate fact of the industry, albeit a necessary one, but ask yourself this: if your query letter is confusing, dull, or filled with grammatical errors, would you want to read the script? Your goal is to convince someone that they have to read this screenplay. This is why, although query letters are a fraction of the length of an actual feature screenplay, they deserve your utmost attention. Prove that you're not only creative, but know the marketplace for your project. It'll definitely pay off in the end.
A sampling of tips to keep in mind:
Longer is Better (. . . Sort of): Certainly, you want to keep a query letter as short as possible, but when you limit it to one or two sentences, it's just not enough (usually) to dig that hook into the mind of a producer, agent, manager, or industry pro. Start with an original first sentence, succinctly describing the crux of your script, rather than something like, "I've attached my script, The Dark Hunter. It's about a hunter that goes insane and kills his family." If that's the highlight of the screenplay, chances are you're sunk. Focus on the innovative hook that almost every script possesses. If the person you're submitting to has no idea what the story is about, and must decipher the plot through the title, it's going to inevitably hurt your chances. Keep it short, to-the-point, and distinctive. Even the query letter should be memorable.
Shorter is Better: Before you go crying "contradiction!", allow me to explain. Too short is bad; too long is worse. And it can spell disaster for your chances at getting a script request. Imagine being a producer, or often-times producer's assistant, or literary agent having to wade through a hundred query letters, and all of a sudden, you get one that's one, big, page-long paragraph of a writer's bio, story synopsis, and so forth. Keep the full-length synopses separate from the query, and unless you have serious credits to mention (winner of a top competition, hired to do a rewrite, etc.), keep the bio brief, if you decide to include one at all. The trick is to find a balance in length between too long and too short. My advice would be to limit the query to three short paragraphs: the first paragraph, an intro/logline to the story; the second paragraph a deeper explanation of the genre, or a broader explanation of the story (e.g. The characters in this dark comedy struggle with. . . until they realize . . . ), or even marketplace; and the last paragraph perhaps a brief background of you as a writer, or the script--but again, only if it's legitimately impressive awards, positions held, etc. that relate to your screenwriting ability.
Let the Logline Do the Job, And Leave the Ego Behind: Make the logline as original as possible, even if it means slightly over-selling the script. Just be sure to never (never) claim your script to be the next great thing, whether it's a blatant "This script will change the face of cinema," or a more subtle claim of arrogance . . . it's rare, but some writers take that route, and it's a huge mistake.
Mind the Grammar: It should go without saying: check for typos! It's amazing how many queries I've read with terrible grammar and punctuation. If it means giving the query to someone to edit, so be it, but clean up the technicalities to perfection before sending it off. All Script P.I.M.P. Workshop "Recommend" writers get assistance with their query letters, and in a few cases, a little guidance led to the writers' scripts getting high marks from producers. Always place the query as a priority.
==(10) Script P.I.M.P. 2008 Competition - Record Numbers==
THIS YEAR’S PRIZE-WINNERS AND 20 FINALISTS WILL BE POSTED ON THE COMPETITION HOME PAGE BY JULY 10th!
Over 1,900 scripts were entered into this year's feature screenplay competition! Our first annual television contest also saw a great turn-out, with some terrific specs and original series coming in from writers all around the world. Each year, more and more up-and-coming screenwriters aspire to use the Script P.I.M.P. contest as a springbroad to a career in writing.
Past winners and finalists have gone on to find representation, secure professions in writing, and (most of all) get their scripts optioned and sold.
The 2008 Awards show will be held at Writer’s Boot Camp in Los Angeles, CA
Check the website soon to learn how you can pre-register for the Script P.I.M.P. 2009 Writing Competition!
The 2009 Script Pimp Competition is searching for the best stories told by the best screenwriters demonstrating the best craft. Composed of working literary agents, literary managers, and development directors from the film industry, past winners have been optioned, signed with A-level agent, and sold for six-figures!
Final Deadline and Fee: $50 (May 1st, 2009)
*Writers Database Home Page: http://www.scriptpimp.com/writers_database/index_wdb.cfm
Script Pimp's Writers Database features the current needs and submission guidelines for over 1,000 total company listings, 300 film production companies, and agencies accepting material from new screenwriters. Over 240 active query accounts provide writers the access to query producers and agents.
*Writers Workshop Home Page: http://www.scriptpimp.com/script_coverage/index_ww2.cfm
Script Pimp's Writers Workshop provides screenwriters with A-level development notes and consultations. A professional story analyst will write extensive notes, 4-6 pages long for $250, giving you a detailed review of the strengths and weaknesses of your screenplay. With a grade of "recommend," Script Pimp will assist you in circulating your work to agents, managers, and producers at no charge.
*Talent Pimp Home Page: http://www.talentpimp.com
Acting anyone? Talent Pimp concentrates its tools and resources for actors and actresses, complete with our own knowledge base of the industry, updated detailed listings for 550+ agents, 700+ managers and 550+ casting directors. Talent Pimp is now available to working and aspiring professional actors for a fee of $35 for 1-year of unlimited access. Build your own professional page and upload your resume, headshots and demo reel.
===(12) Writers Boot Camp – Currently Enrolling==
Writers Boot Camp, the premier film and television writing training ground, is currently enrolling students in its summer sessions in Los Angeles, New York, and Online . . . and inviting you to GET LUCKY this Friday the 13th. In addition to its renowned 6-week Basic Training course, scheduled to begin this Monday, June 16th in Los Angeles, and again on Tuesday July 22nd in both Los Angeles and New York, Writers Boot Camp is also enrolling writers in both cities for our main mission, Professional Membership, also known as Think Tank. Professional Membership allows Writers Boot Camp to help its students fully develop the skills and the material they need for a transition to an industry career.
Writers Boot Camp alumni work at the top levels of the entertainment industry, and have written screenplays that have brought in more than half a billion dollars in box office, such as OCEAN'S 13 and BLADES OF GLORY. Our alumni have also Alum have also been staffed as writers on more than 70 different shows, and created (Burn Notice), and directed (West Wing, House, Mad Men) some of the top shows on TV, including an alum who is now the Executive Producer of Grey's Anatomy.
If you or someone you know in the Los Angeles or New York areas would like to spend part of their summer developing a script that could lead to a professional career, contact Writers Boot Camp immediately. Regardless of when they start, any one who contacts us and enlists on or before this Friday - the 13th - will GET LUCKY and receive a significant discount on either course. The discount will also apply to anyone taking the Online version of either course, designed to offer the same tools, support, feedback and industry access to writers living outside of the Los Angeles and New York areas.
For more information on this and other WBC coursework, check out www.writersbootcamp.com, or contact Robert at 800/800-1733, x 310, or at: rfisher@writersbootcamp.com Get Lucky... and get ready to write! P.S.
We find it helpful for writers to revisit these two links on our website. One explains, in detail, the Distinctions of Writers Boot Camp:
http://www.writersbootcamp.com/29distinction.asp
And the other deals with common misconceptions that many people, including professionals in the industry, often have about the screenwriting business:
Congratulations to the winners of the 2008 Harvardwood Screenplay Competition, sponsored by Circle of Confusion! To read the winning screenplays, please email a request including your name and company info to: contest@harvardwood.org (you must be a Full Member of Harvardwood) or BrancatoNY@aol.com (if not a member).
1st place (cash prize of $500): PICTURE MAN by Broderick Fox April, 1942. Adam Silver, a young "by-the-books" FBI agent is sent up to an Alaska cannery town to investigate espionage charges levied against a Japanese fisherman. Silver arrives thinking this is a routine grunt assignment but quickly finds himself in way over his head, with now way to back out now.
2nd place: SUPER VILLAIN ACADEMY by Rob Cain “Super Villain Academy” is the story of a recently divorced dad who—despite a lifetime of mediocrity—has always dreamed of becoming a superhero. At the urging of his 12-year old son he tries out at the superhero open auditions; when rejected, he must decide whether to accept a fateful invitation to enroll in the Super Villain Academy.
3rd place: MR. CHRISTMAS by Paula Brancato After the recent death of their father, a new step mom tries to forge a closer bond with her reluctant step daughters (ages 12 and 16) to make a happy first Christmas. Just when she is ready to give up, an unlikely angel uses his kindness and magic to pull the family closer together.
==(14) Miscellaneous - Top Websites for Screenwriters==
Here's a guide through the screenwriting community with Script Pimp's list of FIVE STAR WEBSITES for screenwriters. If there's a site you'd like to request to be added to the list, please email matt@scriptpimp.com
NETWORKING SITES: American Zoetrope http://www.zoetrope.com/
Screenwriters Federation of America http://www.screenwritersfederation.org/phpBB2/
Shooting People http://www.shootingpeople.org TriggerStreet http://www.triggerstreet.com/gyrobase/index
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Script Pimp May Newsletter 05/09/08
Free
SCRIPT PIMP MAY NEWSLETTER (http://www.scriptpimp.com)
*** *** *** *** *** *** *** *** May 15th: The FINAL 2008 Script Pimp Competition deadline (only through Without a Box)! http://www.scriptpimp.com/writing_competition/home.cfm
May 15th: the 2008 Script Pimp TV Contest deadline! http://www.scriptpimp.com/tv/home.cfm
Contents: (1) Deadline May 15th for Script Pimp 2008 (2) Script Sales Report (April 2008) (3) Upcoming Contests (4) New Script Pimp Recommended Scripts (5) 6th Annual Script Pimp Screenwriting Competition (6) Box Office Report (April 2008) (7) Ask the Script Pimp Expert (8) Writer Feedback (9) Script Pimp in the News (10) Summary of Script Pimp Services - New Service Available (11) Screenwriters Resources - HollyNorth Project
SPECIAL OFFER: Join the Writers Database before June 30th and receive two (2) additional bonus years and a FREE entry into the competition. http://www.scriptpimp.com/writers_database/index_wdb.cfm
=============================================== (1) Deadline May 15th (through Without a Box only) for Script Pimp 2008 ===============================================
$12,000 in cash, $20,000 in prizes
Submissions accepted in Final Draft, PDF, Movie Magic & Word.
5 scripts optioned from 2006 and 2007! 8 writers gained representation. Past winner, SLAMMIN' sold for to Warner Brothers for six-figures!
Over 60 companies have requested to read the top Script Pimp's top 20 finalists for 2008. FINAL DEADLINE: May 15th (through Without a Box), 2008
"For the 6th straight year I join the pack hungry to read the Script Pimp finalists ." Colin O'Reilly, Co-Producer of "Blades of Glory"
"We are once again looking forward to reading the 2008 Script Pimp finalists as it is one of the highest quality of contests in town with an excellent track record in discovering new talent." Jake Wagner, Manager (Energy Entertainment)
"The Script Pimp Contest is an excellent opportunity for undiscovered or unread writers to get read by industry professionals. I'm very excited to be a part of this event again this year." Andrew Kersey, Manager (Kersey Management)
"I review the Script Pimp top 20 right away." Jewerl Ross, Agent (Silent R)
The studios have finally found their post-strike mojo as specs sales were brisk this month. The most high-profile sales, however, continued to be adaptations. Major sales included another adaptation of Emily Bronte’s WUTHERING HEIGHTS. Olivia Hetreed will pen the latest version with John Maybury attached to direct and Natalie Portman set to star. The pic will be produced by Ecosse Films and HanWay Films. Scribe Timothy Sexton will write TIME CRIMES based on Nacho Vigalondo’s novel, “Los Cronocrimenes”, a thriller about a man who travels back in time one half hour in order to prevent a serious crime. United Artists purchased the script. Universal has hired Dirk Wittenborn to adapt Alan Glynn’s sci-fi novel THE DARK FIELDS, about a loser who gets his hands on a top-secret pharmaceutical drug that makes you smarter. Shia LaBeouf will star. Lionsgate will continue its lucrative relationship with writer-director Tyler Perry by purchasing MADEA GOES TO JAIL. Perry will adapt from his own stageplay.
Check our newswire for past script sales reports: http://www.scriptpimp.com/news/home.cfm
"Only months after receiving a grade of RECOMMEND on our script, we were able to use the endorsement letter and coverage we received to secure an option agreement for high five to low six figures for our script. The producer hopes to have the script into production within a year, and all eyes coming in contact with the script continue to be impressed. We couldn't have done it without you guys, so hat's off to you!" -Ian Noakes & Scott Parisien
"I don't know who read my script and provided the notes but all I have to say is they are BRILLIANT. THANKS SO MUCH! You folks have been so helpful and patient and your suggestions are definitely not falling on deaf ears." -Allie Davidson
=============================================== (7) Ink Tip ===============================================
***InkTip Works*** InkTip.com is the only website in the world where three scripts are optioned or writers are hired every week. Our password-protected website is designed for writers to place their works. Writers can place a logline, synopsis, treatment and/or script for the big screen, television or a novel. Searches can be very detailed so that when an industry member is looking for your kind of script, it will be easy to find. From the scripts/writers found on InkTip.com, at least 70 films have been produced! For example, AmberGreen Entertainment started production on a script by an InkTip scribe, with Vivica A. Fox starring. For more info, please see http://www.inktip.com/prod.php Subscribe to our newsletter, which contains lead(s) every week telling you what producers are looking for right now at http://www.inktip.com/newsletter_writers.php It is $50 to place one script for six months on the website (this includes your logline, synopsis, description, treatment, and script, as well as your resume). Register now at www.InkTip.com
=============================================== (9) Script Pimp in the News ===============================================
View all Script Pimp Press http://www.scriptpimp.com/features/creative_screenwriting.cfm
Script Pimp's feature film "The Living Wake" reviewed by Variety http://www.scriptpimp.com/newsletters/variety.cfm
Script Pimp on TV (Peter Bart's Sunday Morning Shootout) http://movies.yahoo.com/mv/mf/frame?theme=sms&lid=wmv-56-p.1368820-149798,wm v-100-p.1368821-149798,wmv-300-p.1368822-149798,wmv-700-p.1368823-149798&p=m ovies&c=p3&.skin=movies&f=76362974
May 15th is the FINAL 2008 Competition deadline! http://www.scriptpimp.com/writing_competition/home.cfm
May 15th is the 2008 Script Pimp TV Contest deadline http://www.scriptpimp.com/tv/home.cfm
=============================================== (10) Summary of Script Pimp Services - New Service Available ===============================================
*One-On-On Phone Consultation with Senior Story Analyst http://www.scriptpimp.com/script_coverage/index_ww2.cfm
Script Pimp story analysts are now available for one on one development meetings with writers. It is a two-hour long meeting, in LA or by phone, in which your analyst will go through your script with you line by line. Feel free to come with a list of questions to be addressed, and steer the conversation in any direction you wish. Our analyst will read the script twice before the meeting, and come with his/her own notes. If the script is at the point that it should be shopped around town, we will give you concrete suggestions as to where the screenplay has the best chance, and the companies that would most likely be interested in the material. The cost is $550 for Script P.I.M.P. Writers Database members, and $650 for non-members.
If you would like to pay and set up an appointment please call Matt at 310.401.1155 between 10am and 6pm, (P.S.T.) to coordinate payment and appointments.
=============================================== (11) Screenwriter Resources =============================================== Featured Site: 4 Screenwriters http://www.4screenwriters.com/
UPCOMING ONLINE CLASSES:
* Thriller Screenwriting Techniques (4-week) * How to Write A Hollywood Blockbuster! (4-week) * The Screenwriter as Independent Filmmaker (8-week)
New Site to check out: HollyNorth
Young, Hollywood visionaries unite to launch The HollyNorth Project to give talented writers throughout the US and Canada wide access to Hollywood. Thousands of screenwriters move to LA every year vying for the attention of just a handful of studio executives, producers and agents. Having a great script is essential, but getting your masterpiece into the right hands is what really matters. HollyNorth gets your script into the right hands. If you have a truly unique and engaging voice and want access to Hollywood's movers and shakers, look no further. Visit http://www.hollynorth.org No fee. No deadlines.
* * * * * FIVE STAR WEBSITES FOR SCREENWRITERS * * * * *
Here's a guide through the screenwriting community with Script Pimp's list of FIVE STAR WEBSITES for screenwriters. If there's a site you'd like to request to be added to the list please email russ@scriptpimp.com
NETWORKING SITES:
American Zoetrope http://www.zoetrope.com/
Screenwriters Federation of America http://www.screenwritersfederation.org/phpBB2/
=============================================== (10) Summary of Script Pimp services ===============================================
May 15th is the FINAL 2008 Competition deadline! http://www.scriptpimp.com/writing_competition/home.cfm
May 15th is the 2008 Script Pimp TV Contest deadline http://www.scriptpimp.com/tv/home.cfm
*Screenwriting Competition Home Page: http://www.scriptpimp.com/writing_competition/home.cfm
The 2008 Script Pimp Competition is searching for the best stories told by the best screenwriters demonstrating the best craft, each screenplay entered is guaranteed two (2) reads from the Script Pimp panel of judges. Composed of working literary agents, literary managers and development directors from the film industry, past winners have optioned, signed with A-level agents and sold for six-figures!
Final Deadline (through Without a Box): May 15th, 2008
TV Contest Deadline: May 15th
*Writers Database Home Page: http://www.scriptpimp.com/writers_database/index_wdb.cfm
Script Pimp's Writers Database features the current needs and submission guidelines for over 1,000 total company listings, 300 film production companies and agencies accepting material from new screenwriters. 242 active query accounts provide writers the access to query producers and agents.
*Writers Workshop Home Page: http://www.scriptpimp.com/script_coverage/index_ww2.cfm
Script Pimp's Writers Workshop provides screenwriters with A-level development notes and consultations. A professional reader with extensive experience in development and creative analysis will write detailed notes, 4-6 pages long, for $250, giving you a comprehensive review of the strengths and weaknesses of your screenplay. There is also an Overall Review option at a discounted rate. With a grade of "recommend", Script Pimp will assist you in circulating your work to agents, managers, and producers at no charge. We also offer free follow-up questions with your evaluator in the hopes of getting your project ready for the marketplace.
Over the past few years, a number of writers have seen their work optioned or sold through our Workshop process.
*Talent Pimp Home Page: http://www.talentpimp.com
Acting anyone? Talent Pimp concentrates its tools and resources for actors and actresses, complete with our own knowledge base of the industry, updated detailed listings for 550+ agents, 700+ managers and 550+ casting directors. Talent Pimp is now available to working and aspiring professional actors for a fee of $35 for 1-year of unlimited access. Build your own professional page and upload your resume, headshots and demo reel.
Best,
Chadwick Clough Script P.I.M.P. (Pipeline Into Motion Pictures) 8033 W. Sunset Blvd. #3000, Hollywood, CA 90046 p. 310.401.1155 newsletter@scriptpimp.com www.scriptpimp.com
To subscribe to this newsletter: http://www.scriptpimp.com/subscribe
To unsubscribe to this great free monthly newsletter click here: http://www.scriptpimp.com/unsubscribe
To visit Script Pimp's Home Page click here: http://www.scriptpimp.com
Script Pimp April Newsletter 04/24/08
Free
SCRIPT PIMP APRIL NEWSLETTER (http://www.scriptpimp.com)
While the studios are still trying to find their footing post-writer's strike and possibly pre-actor's strike, spec sales flew off the handle in March with over 70 recorded sales. The most notable sale was from first-time writer Brad Ingelsby, who at the time of the sale, was living with his parents in Pennsylvania and working as an insurance salesman. His dark thriller The Low Dwellers, sold to Relativity Media in a deal valued at $650,000 against $1 million. The script, in the vein of NO COUNTRY FOR OLD MEN, is about a man trying to assimilate into society after he's released from jail, only to find someone from his past pursuing him to settle a score. The deal was set up by Energy's Brooklyn Weaver and Adam Marshall. Leonardo DiCaprio is attached to star, with Ridley Scott attached as director. Other notable sales include the spec thriller Hereafter, written by Peter Morgan, (THE QUEEN), for low six figures against mid-six figures from Dreamworks. Craig Brewer. HUSTLE AND FLOW, will direct and adapt GANG LEADER FOR A DAY, for Paramount Vantage.
New Script Pimp TV Contest! This year Script Pimp has launched a new TV division. We'll be accepting pilots, sitcoms, one-hour dramas, and reality shows.
Script Pimp TV Contest 05.15.08 http://www.scriptpimp.com/tv/home.cfm
The Writers Place 05.01.08 http://www.thewritersplace.org/screenplay_contest.shtml
================================= (3) Industry: Act II by Paula Brancato =================================
WRITING A STRONG ACT II by Paula Brancato USC Professor and Writers Place Co-founder http://www.thewritersplace.org/script_consultation.shtml brancato@usc.edu When we last left Ed, our protagonist, at the end of ACT I, his life was forever changed. There he was just bumbling along in his everyday normal circumstances when voila! he locked eyes with a gorgeous supermodel and fell eternally in love. Trouble is Ed is 5'5' standing on a phonebook, wears coke bottle glasses, has a tenure track job at Crispy Chicken and can't even approach a girl without stuttering and tripping all over himself. Let alone through a sea of well-heeled competitors. All of that is about to change -- or at least he is going to try to change all of that. Struck by lightning, he is about to go after what he wants. Trouble is, he is going to do it in the way he always does, because he is Ed after all, getting deeper and deeper into trouble, until he is almost as far away from his goal as he can be. This is the essential nature of all Act II's, the chase for the holy grail. ACT II (40 to 60 pages), the longest portion of the screenplay, shows Ed pursuing his goal -- the "solution" to all his problems -- as the antagonist attempts to stop him. Perhaps Ed has a competitor? Perhaps the antagonist is the girl herself. Ed will pursue her, nevertheless, through increasing obstacles and midpoint complications to a dramatic climax, which occurs generally near the end of Act II. Throughout Act II the audience will experience (relative to the climax) a slow build, rising and falling, rising higher and falling, leading us again and again to the point of Ed's maximum peril or conflict. This would be where Ed hits bottom. Indeed, near the end of Act II, at the climax, poor Ed will be about as far from achieving his goal as possible. He will be tied up in a shack, naked in the forest, 200 miles from anywhere, the antagonist setting the shack on fire. He will be tossed out of his apartment and job, his car and dog repossessed, his handsome, rich, but wily, arch nemesis slipping a ring on his intended's finger. He will be locked out of the church, the wedding to another man in already progress. First, the build, where most writers get into trouble. The build is a series of incidents where the lead character seems to get or tries to get what he wants (his false hope) but every time he gets or comes near it, he actually gets deeper and deeper into conflict. During this process, the lead character is highly active, even if he is strapped to a chair. Passive protagonists make for lousy stories. Whatever happens to poor Ed, it is important that he act. His actions reveal the story occurring inside him.
Maybe Ed gets the girl, initially. Maybe she is really really fond of Crispy Chicken. Ed's story may be: I have a nice girl but she makes me feel insecure instead of powerful. She's so nice she doesn't care I don't spend money. It makes me feel guilty and I don't like that so I treat her bad. But then I feel bad, and I don't like that either. So I placate her with money. I hate to spend money. But now, she expects me to spend money.
In fact, she only loves me for my money. I will set up a test -- which of course she won't fail -- to see if she really loves me. And another and another. But every one of those thoughts, or plot points, needs a scene full of action to show the internal progression of the character. (You can already see the story can be written many ways.) To recap, in Act II, our hero tries and tries, using his old flawed methodology, to defeat or subdue the antagonist and get what he wants. Other characters help or hinder, with story arcs, needs, etc. of their own. These subplots support the plot and symbolize various aspects of the hero's struggle. The hero's problem, as the writer moves through Act II, gets worse and worse and worse, because he is still using old methodology, even as he believes he is closer and closer to a solution - to getting what he wants. The hero thinks he has the answer, but reality is saying, "No, go." At the midpoint, around page 50 or 60 in the screenplay, the crisis deepens, there can even be a switchabout or two or three - KILL BILL has a nice midpoint complication in its very long second act, regarding the Bride's baby and occurring at the end of the first film. In the typical screenplay, however, by around page 80, our hero must face that his method has failed. In Ed's case, perhaps he can't take it anymore - her niceness (egads, she is actually in love with him!) and strikes out or does something heinous to escape his false solution. (I'll show her. I'm gonna sleep with her best friend. So there!) This is the point where the audience says "No, don't do it!" knowing full well the character will proceed. Or perhaps the girl gets fed up and leaves, which affects him more than expected. Or he throws her out then his best friend steals her away. And it matters. Now, Ed is really really in deep muck and will have to sacrifice something big to get out of it. Usually, this something big symbolizes his entire prior way of being. He has to do things differently now and be born again to truly succeed. In effect, he must make a dramatic change, shown with specific action. He could give up peanut butter but that is probably not enough. In DIE HARD, the hero comes to grips with love and what really matters. In GOOD AS IT GETS, the Jack Nicholson character does the same while the woman learns to accept his imperfections. In AN OFFICER AND A GENTLEMAN, the lead character shows he's becomes both. After the devastating (or euphoric) climax, there is a brief hiatus, hopefully, where Ed wakes up in a cold sweat and sees an answer, which isn't anything he thought about or was willing to do before and realizes this is what he now must do. (Oh, my god -- it's me that's the screw-up -- the screwed-upness is inside of me! I really really LOVED her!) Alas, but at this climax, poor Ed is tied up in a shack, naked in the forest, 200 miles from anywhere, the antagonist setting the shack on fire.
Or tossed out of his apartment and job, his car and dog repossessed, his handsome, rich, but wily, arch nemesis slipping a ring on his intended's finger. Or be locked out of the church, the wedding to another man in already progress.
Next newsletter we will discuss how we get him out of this mess -- or not. That is called the resolution of the screenplay and constitutes Act III. by Paula Brancato USC Professor and Writers Place Co-founder http://www.thewritersplace.org/script_consultation.shtml brancato@usc.edu
Email your entry, send us a hard-copy or use Without a Box!
4 scripts optioned from 2006 and 2007! 7 writers gained representation.
Past winner, SLAMMIN' sold for to Warner Brothers for six-figures!
Over 60 companies have requested to read the top Script Pimp's top 20 finalists for 2008.
"For the 6th straight year I join the pack hungry to read the Script Pimp finalists ." Colin O'Reilly, Co-Producer of "Blades of Glory"
"We are once again looking forward to reading the 2008 Script Pimp finalists as it is one of the highest quality of contests in town with an excellent track record in discovering new talent." Jake Wagner, Manager (Energy Entertainment)
"The Script Pimp Contest is an excellent opportunity for undiscovered or unread writers to get read by industry professionals. I'm very excited to be a part of this event again this year." Andrew Kersey, Manager (Kersey Management)
At the box office, Will Ferrell scored the number one spot with his hoop comedy SEMI-PRO. Film opened softly at 15M- the film's R-rating most likely affected ticket sales. VANTAGE POINT held onto second place with a solid 12.8M cume. Paramount's THE SPIDERWICK'S CHRONICLES also held strong taking third place at $8.7M. In the second weekend, pre-historic adventure 10,000 B.C. shot to the top spot with a stellar $35M cume. Kiddie pic COLLEGE ROAD TRIP grossed $13M for Martin Lawrence and Disney. Sony's VANTAGE POINT again held strong in third place with $7M. In the third weekend, animated DR. Seus pic HORTON HEARS A WHO opened huge with $45M for Fox. The opening was the biggest thus far in 2008. Film was budgeted at $85M. 10,000 B.C. took a hit but held onto second place with nearly $17M. The martial arts actioner NEVER BACK DOWN debuted in third place with a modest $8M opening. Family films dominated Easter weekend as HORTON again took the top spot with $24M. Tyler Perry's MEET THE BROWNS was runner-up with an excellent $20M opening. Debuting in third place, Fox's horror pic SHUTTER took in $10.4 million. Owen Wilson's DRILLBIT TAYLOR opened to a mediocre fourth place at just over $10M.
================================= (6) Ask the Script Pimp Expert =================================
What do readers, development directors, story analysts & story editors do?
Script readers are people who are paid (or not in the case of interns) to read and evaluate incoming projects. Having read the script, readers then write "coverage" for the project which consists of a logline, 1-2 pages of synopsis and 1-2 pages of comments evaluating everything from concept, to plot, to structure, to character, to dialogue. Story analyst is the preferred name for script readers, but their jobs may be as complex as having to come up with character breakdowns for casting purposes.
Development directors are generally the bottom of the line at a given production company. Their job is to find projects their company will want to make, or writers their company will want to work with, and having done that, they will be promoted to the very important job of VP of Development and/or possibly even be attached as a producer on the projects they find. Story editors work like script readers/story analysts, but their focus is on working with the writer to iron out the rough spots on the scripts. They may also be the person below the Director of Development who may or may not also find projects for their company. As this is an entry level position, story editors generally work for quite a while with their superiors learning the craft of screenwriting and understanding what it takes to get a project ready for production. Along those lines, it may be quite a while before they finally find a project that is worthy of consideration by those above them.
"I felt the reader took the time and expended the effort to properly understand and evaluate the story. I have used another coverage service with another script, and was shocked at the sloppy written review I received, and was angered that the reader referenced story events that never took place. Much of the coverage was rambling, and excerpts from my script were cut and pasted for filler. The Script Pimp coverage I received was the complete opposite. The recommendations were very insightful, and I got a sense the reader actually wanted my script to succeed. I will be re-submitting this script and am optimistic about its results." -Greg Porter (March, 2008)
I see what you are getting on these couple scenes and i am going to get to work on it over the weekend and then I should have a new polish for you to take a look at, and thanks for caring enough to help me make this script the best it can possible be. -Scott Parisien (March, 2008)
Script Pimp's feature film "The Living Wake" reviewed by Variety http://www.scriptpimp.com/newsletters/variety.cfm
View all Script Pimp Press http://www.scriptpimp.com/features/creative_screenwriting.cfm
If you're a writer trying to break into Hollywood you've got to watch this: Peter Bart's Sunday Morning Shootout - "How to get a script recognized" -click the link in the top right hand corner of Script Pimp's home page: www.scriptpimp.com
================================= (9) Five Star Websites for Screenwriters =================================
Here's a guide through the screenwriting community with Script Pimp's list of FIVE STAR WEBSITES for screenwriters. If there's a site you'd like to request to be added to the list please email russ@scriptpimp.com
* * * * * FIVE STAR WEBSITES FOR SCREENWRITERS * * * * *
NETWORKING SITES:
American Zoetrope http://www.zoetrope.com/
Screenwriters Federation of America http://www.screenwritersfederation.org/phpBB2/
=============================================== (10) Summary of Script Pimp services ===============================================
30 DAYS until the 2008 Competition deadline! http://www.scriptpimp.com/writing_competition/home.cfm
45 DAYS until the 2008 Script Pimp TV Contest deadline http://www.scriptpimp.com/tv/home.cfm
*Screenwriting Competition Home Page: http://www.scriptpimp.com/writing_competition/home.cfm
The 2008 Script Pimp Competition will open soon! Searching for the best stories told by the best screenwriters demonstrating the best craft, each screenplay entered is guaranteed two (2) reads from the Script Pimp panel of judges. Composed of working literary agents, literary managers and development directors from the film industry, past winners have optioned, signed with A-level agents and sold for six-figures!
Final Deadline: $50 (May 1st, 2008)
*Writers Database Home Page: http://www.scriptpimp.com/writers_database/index_wdb.cfm
The Writers Database features the current needs and submission guidelines for over 1,000 total company listings, 300 film production companies and agencies accepting material from new screenwriters. 242 active query accounts provide writers the access to query producers and agents.
*Writers Workshop Home Page: http://www.scriptpimp.com/script_coverage/index_ww2.cfm
Script P.I.M.P.'s Writers Workshop provides screenwriters with A-level development notes and consultations. A professional story analyst will write extensive notes, 4-6 pages long for $250, giving you a detailed review of the strengths and weaknesses of your screenplay. With a grade of "recommend" Script Pimp will assist you in circulating your work to agents, managers and producers at no charge.
*Talent Pimp Home Page: http://www.talentpimp.com
Acting anyone? Talent Pimp concentrates its tools and resources for actors and actresses, complete with our own knowledge base of the industry, updated detailed listings for 550+ agents, 700+ managers and 550+ casting directors. Talent Pimp is now available to working and aspiring professional actors for a fee of $35 for 1-year of unlimited access. Build your own professional page and upload your resume, headshots and demo reel.
Best,
Chadwick Clough Script P.I.M.P. (Pipeline Into Motion Pictures) 8033 W. Sunset Blvd. #3000, Hollywood, CA 90046 p. 310.401.1155 newsletter@scriptpimp.com
*** *** *** *** *** *** *** *** 30 DAYS until the 2008 Script Pimp Competition deadline! http://www.scriptpimp.com/writing_competition/home.cfm
45 DAYS until the 2008 Script Pimp TV Contest deadline! http://www.scriptpimp.com/tv/home.cfm
*** *** *** *** *** *** *** *** To subscribe to this newsletter: http://www.scriptpimp.com/subscribe
To unsubscribe to this great free monthly newsletter: http://www.scriptpimp.com/unsubscribe
To visit Script Pimp's Home Page: http://www.scriptpimp.com
Special Offer 04/22/08
Free
Join the Writers Database from April 23rd through May 1st and you'll receive two (2) additional years to your membership along with a FREE entry into the 2008 Screenwriting Competition.
C. WESLEY PICTURES HAS UPDATED THEIR SUBMISSION PREFERENCES 12/19/07
Writers Database Members Only
If you are not logged in you will not be able to view this information. If you have not registered for the Writers Database, please click here to sign up.
4 FUN FILMS HAS UPDATED THEIR SUBMISSION PREFERENCES 12/17/07
Writers Database Members Only
If you are not logged in you will not be able to view this information. If you have not registered for the Writers Database, please click here to sign up.
SCRIPT PIMP PRODUCTIONS HAS ADDED THEIR SUBMISSION PREFERENCES 09/09/07
Writers Database Members Only
If you are not logged in you will not be able to view this information. If you have not registered for the Writers Database, please click here to sign up.
4 FUN FILMS HAS ADDED THEIR SUBMISSION PREFERENCES 09/09/07
Writers Database Members Only
If you are not logged in you will not be able to view this information. If you have not registered for the Writers Database, please click here to sign up.
SHOWOFF ENTERTAINMENT HAS UPDATED THEIR SUBMISSION PREFERENCES 08/18/07
Writers Database Members Only
If you are not logged in you will not be able to view this information. If you have not registered for the Writers Database, please click here to sign up.
NEPTUNE PICTURES HAS UPDATED THEIR SUBMISSION PREFERENCES 08/18/07
Writers Database Members Only
If you are not logged in you will not be able to view this information. If you have not registered for the Writers Database, please click here to sign up.
Jeff Belkin requests Finalists 08/17/07
Free
Jeff Belkin of Foremost Films requests 2007 Finalist script.
COLOSSAL ENTERTAINMENT HAS UPDATED THEIR SUBMISSION PREFERENCES 08/15/07
Writers Database Members Only
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Script Pimp August 2007 Newsletter 08/04/07
Free
SCRIPT P.I.M.P. AUGUST NEWSLETTER (http://www.scriptpimp.com)
Contents:
(1) 2007 Script Pimp Screenwriting Competition Winners Announced! (2) Script Sales Report (July 07) (3) Script Contest Deadlines Approaching (4) Ask the Script Pimp Expert (5) Quick summary of Script Pimp's Workshop and Database (6) Five Star Websites for Screenwriters
MUST SEE: Funny or Die's Hot List http://www.funnyordie.com/videos/hot The Will Ferrell site just added Mike O'Connell's 'What's it Gonna Be?'
SPECIAL DISCOUNT: Receive $25 off DEVELOPMENT NOTES from our Workshop http://www.scriptpimp.com/script_coverage/index_ww2.cfm
NO AGENT, NO MANAGER, NO PROBLEM. Contact agents through our Database: http://www.scriptpimp.com/writers%5Fdatabase/index_wdb.cfm
From 1,206 total entries, congratulations to the four grand prize winners of the 2007 Script Pimp Competition! The next deadline will be May 1st, 2008.
Title: FUEL Authors: James Roman & Chris Donaldson Logline: A true story: Oil production halts in 1970s Iran when an American executive negotiates an oil-for-weapons deal with the Shah; Capitalism clashes with Islam as Tehran’s terrorists-in-training make demands of them both.
Title: LIVING IN LIMBO Author: Mike Amato Logline: The "survivors" of a zombie attack receive medicine that prevents them from fully mutating, only to discover that society has little use for the undead.
Title: MONSTROUS PASSIONS Author: Deborah Baxtrom Logline: A witty, sexy Frankenstein’s Monster takes us on a journey through the tragic life of his creator, teenage author Mary Shelley.
Title: THE RISE OF FRED AMAZING Author: Scott Cunningham Logline: An alcoholic superhero is pulled out of retirement to face his lifelong nemesis and redeem his past.
For industry requests of the winners and finalists please email russ@scriptpimp.com.
Thanks again to everyone who entered!
Competition Home Page: http://www.scriptpimp.com/writing_competition/home.cfm
Script deals slowed modestly in the month of July, despite the prediction that studios would be stockpiling scripts in anticipation of a possible fall writer's strike. Spec sales took a dip, accounting for less than 15 percent of all deals. Comic book deals nearly topped spec sales, as the genre seems to have hit an all-time high. In general, adaptations reigned, accounted for nearly 60%, while pitches were scant. Notable sales include two musicals- NINE based on the Broadway music which was based on Fellini's 8 1/2, and FOOTLOOSE to be released by Paramount and starring Zac Efron. Sports drama BARBARO, horse bio-pic on the Kentucky Derby winner, written by Buzz Bissinger (FRIDAY NIGHT LIGHTS), will be directed by his cousin Peter Berg. A remake of the Dickens classic A CHRISTMAS CAROL will star Jim Carrey playing the parts of Scrooge and the three ghosts. Script to be directed by Rob Zemeckis. Look for sales to slow down in August, as the industry takes their summer vacation.
American Zoetrope Screenplay Contest 09.04.07 http://www.zoetrope.com/contests
ASA International Screenplay Competition 10.31.07 http://www.goasa.com/competition.shtml
Hollywood Nexus Screenwriting Contest 11.21.07 http://www.HollywoodNexus.com/ScreenwritingContest.php
======================================= (4) Ask the Script Pimp Expert =======================================
Q. Hi, I remember reading somewhere that the standard payment to a screenwriter is 5% of the total movie budget. Is that accurate?
Answer. Actually a typical union-based writer¹s fee usually works out at around 2-3% of the budget. However, depending on the circumstances it could be less or more. For instance, a writer with a track record of several box office hits would definitely command more money that a writer who has never sold a script before.
Q. I was recently contacted by a development assistant, expressing interest in my screenplay. Should I be looking for an agent at this point?
A. Well that's great news - but don't panic about not having an agent right now. Just send your script out and see what reaction it gets. If someone comes back to you serious about optioning or buying the script, you can get an agent on board then - or even just an entertainment attorney. It will be much easier to get an agent’s attention if you can say you have an offer on the table. The producer or production company might even be able to help you with this.
Q. I have the next Hollywood blockbuster, how do I get an agent, manager or producer?
A. At this stage you need to do some work in order to present this material according to professional Hollywood standards. The first thing to remember is that agents, producers and production companies are experienced in judging ideas and screenplays. All they want you to do is to lay out the story and then they will decide whether or not they are interested in reading the script. Do not include any illustrations, graphics, references to songs etc. with any of your submissions. Do not refer to the people you would like to cast in the lead roles - this is a production concern and the writer has no say in this area. In order to approach an agent, producer etc., you first need to put together a query letter. Keep query letters as brief as possible. Agents, producers and prod co's get hundreds of letters a week. The more concise you are, the more likely someone will actually read your letter. Make the synopsis of the story as interesting as possible. The aim is to intrigue the reader enough to read the whole script. Don't include self-promotional sentences like "don't miss this exciting opportunity" or "this film will be a blockbuster." People tend to be put off by being told what they should like. Also, like your script, the story synopsis should speak for itself. However, before sending off query letters, be sure that your screenplay also conforms to professional standards. Make sure there are no spelling or grammatical mistakes. Consult with screenwriting books. Make sure your screenplay is correctly formatted in 12pt Courier font with proper margins. Read as many produced screenplays as you can to get a feel for current writing standards. Once you feel confident you screenplay is as good as you can make it, consider submitting it to our script coverage service for some professional feedback. Most people will only consider a story once, so you need to send your best work possible.
We hope this helps,
Your Script P.I.M.P. Expert Script P.I.M.P. (Pipeline Into Motion Pictures) 8033 W. Sunset Blvd. #3000, Hollywood, CA 90046 (d) 310-401-1155 (f) 310-564-2021 notes@scriptpimp.com www.scriptpimp.com
*Join our Writers Database and we'll answer your specific screenwriting questions.
======================================= (5) Quick summary of Script Pimp Services =======================================
* WRITERS DATABASE HOME PAGE: http://www.scriptpimp.com/writers_database/index_wdb.cfm
The Writers Database features the current needs and submission guidelines for over 1,000 total company listings, 300 film production companies and agencies accepting material from new screenwriters. 242 active query accounts provide writers the access to query producers and agents today!
Manual Order Form for the Workshop: http://www.scriptpimp.com/documents/order_forms/Writers_Database_Order_Form. pdf
* WRITERS WORKSHOP HOME PAGE: http://www.scriptpimp.com/script_coverage/index_ww2.cfm
Script P.I.M.P.'s Writers Workshop provides screenwriters with A-level development notes and consultations. A professional story analyst will write extensive notes, 3-6 pages long for $225, giving you a detailed review of the strengths and weaknesses of your screenplay. With a grade of "recommend" Script Pimp will assist you in circulating your work to agents, managers and producers at no charge.
Manual Submission Form for the Workshop: http://www.scriptpimp.com/documents/WorkshopOrderForm-Agreement-2007.pdf
* SCREENWRITING COMPETITION HOME PAGE: http://www.scriptpimp.com/writing_competition/home.cfm
The early deadline for the 2008 Script Pimp Competition deadline is January 15th, 2008. Final deadline will be May 1st, 2008. Composed of working literary agents, literary managers and development directors from the film industry, past winners have optioned, signed with A-level agents and sold for six-figures! To receive a registration
* TALENT PIMP HOME PAGE: http://www.talentpimp.com
Talent P.I.M.P. is owned and operated by Script P.I.M.P., LLC. Talent P.I.M.P. is our latest and most extensive project. While Script P.I.M.P. remains focused on writers and literary professionals, Talent P.I.M.P. concentrates its tools and resources for actors and actresses, complete with our own knowledge base of the industry, updated and detailed listings for 550+ agents, 700+ managers and 550+ casting directors. Talent Pimp is now available to working and aspiring professional actors for a fee of $35 for 1-year of unlimited access. Build your own professional page and upload images.
For information on any Script Pimp services email russ@scriptpimp.com.
======================================= (6) Five Star Websites for Screenwriters =======================================
Here's a guide through the screenwriting community with Script Pimp's list of FIVE STAR WEBSITES for screenwriters. If there's a site you'd like to request to be added to the list please email russ@scriptpimp.com
AUGUST SPOTLIGHT SITE: InkTip
InkTip.com is designed for writers to place their work online. Recommended writers from Script Pimp's Writers Workshop are featured in InkTip's select 'positive coverage' section. Only industry professionals who are registered and are verified can get into the site, as it is password protected. Recently Starz Media optioned the feature script 'Columbine Trail' by Caroline Friday. To join: http://www.InkTip.com
* * * * FIVE STAR WEBSITES FOR SCREENWRITERS * * * *
Chadwick Clough Script P.I.M.P. (Pipeline Into Motion Pictures) 8033 W. Sunset Blvd. #3000, Hollywood, CA 90046 newsletter@scriptpimp.com www.scriptpimp.com
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HI-DEF ENTERTAINMENT HAS UPDATED THEIR SUBMISSION PREFERENCES 08/03/07
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NEW FILMS INTERNATIONAL HAS ADDED THEIR SUBMISSION PREFERENCES 08/02/07
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Script Pimp's "The Living Wake" Gets Raving Reviews 07/06/07
Free
1. The Living Wake on CineVegas: http://cinevegas.bside.com/?_view=_filmdetails&filmId=22116671
Sol Tryon¹s The Living Wake garnered the Heineken Red Star Award. A dark comedy set in a storybook universe, The Living Wake chronicles the final day of K. Roth Binew, a quixotic character who attempts to probe life¹s great mysteries before his final hour.
The Heineken Red Star Award recognizes films that push the boundaries of creativity and provide a unique vision and execution; this award was created in an effort to promote up-and-coming filmmakers by providing additional exposure and visibility for their films. To this end, Heineken has partnered with two venerable media partners Variety and the Independent Film Channel (IFC) to bring well-deserved publicity and visibility to the Heineken Red Star Award recipients and their films.
2. The Living Wake Variety http://www.variety.com/review/VE1117933902.html?categoryid=31&cs=1
The Living Wake By ROBERT KOEHLER An Original Media presentation in association with Drops Entertainment, Script Pimp, MonAmi Prods. (International sales: Shoreline Entertainment, Los Angeles.) Produced by Ami Ankin, Chadwick Clough, Peter Kline, Mike O'Connell, Sol Tryon. Executive producers, Charlie Corwin, Clara Markowitz, Justin Leitstein, Rob Bethge. Co-producers, Gabe Polsky, Giancarlo Canavesio. Directed by Sol Tryon. Screenplay, Mike O'Connell, Peter Kine. K. Roth Binew - Mike O'Connell Mills Joaquin - Jesse Eisenberg Librarian - Ann Dowd Reginald - Eddie Pepitone Lampert Binew - Jim Gaffigan Marla - Diane Kagan Set inside the daft world of its eccentric hero, "The Living Wake" could be termed anything from a black comedy to an absurdist/existentialist literary tale. In the end, however, pic defies all categorization, joining a small pantheon of pics including "Withnail & I" and Peter Greenaway's "Drowning byNumbers" that whistle past the graveyard with aplomb. Marking a stunning feature debut by lead actor and co-writer Mike O'Connell, pic is certain to set tongues wagging at fests and looks primed to do well in theatrical niches and tony ancillary havens.
Opening mock newsreel, titled "The Life and Times of K. Roth Binew," lets auds know they're in for something altogether different. Binew's father (Jim Gaffigan) apparently left the family when Binew was a lad. The boy was rescued from a life of sheer hell by his nanny Marla (Diane Kagan), whom he learned to love in more ways than one. Binew grows up to become a dabbler in the arts, increasingly burdened by the sense that he'll never accomplish a complete work of art, or anything else for that matter.
Newsreel brings the saga up to the present day. Binew's doctor (Sam Goldfarb) has told him he will expire of "a vague and grave disease," and Binew announces -- everything the supremely self-involved and meticulously groomed Binew says is an announcement -- that if he must leave this world, now is as good a time as any.
To this end, Binew assigns his official biographer and driver, Mills Joaquin (Jesse Eisenberg), to transport him around the forested town in his bicycle rickshaw so he can take care of all his final arrangements. The sight of Mills taking Binew to and fro in the rickshaw is a classic absurdist piece as staged by director Sol Tryon, capped by scene after scene of dialogue (written by O'Connell and regular co-writer Peter Kline) that recall Tom Stoppard in their precise, hilarious and mind-expanding use of language.
A proud alcoholic and casual swindler, Binew manages to get free booze out of his "liquorsmith" (Ben Duhl), ventures to the mortuary to demand a Viking-style burial on water, then goes to a farm to steal a goat for a picnic in honor of nanny Marla.
Binew is a man certain of his destiny as a great and elegant loser, and each step leading up to his wake seems to confirm this: His neighbor and arch-nemesis Reginald (Eddie Pepitone) sends Mills off the road by attacking him with smoke, rusty nails and ham steaks, while, in a hilarious sequence, the local librarian (Ann Dowd) firmly refuses to allow Binew to bequeath his books to the facility's collection.And, as if the special world of "The Living Wake" weren't complete enough, Binew bursts into song for a few numbers that lift O'Connell's perf into the realm of Robert Preston's in "The Music Man."While this will surely miff viewers unable to adjust their sights (or ears) to O'Connell's aggressively declarative style, others will be rewarded with one of recent cinema's most distinctive and original lead turns.
In a final test of pic's brilliance, the titular wake (which arrives just before the hour mark and lasts the better part of a half-hour) is everything and more that a K. Roth Binew send-off should be.
Playing opposite the monumental O'Connell would seem to be an impossible assignment, but Eisenberg is note-perfect as his steady servant and go-to guy. Supporting ensemble couldn't be more colorful. Pepitone, Gaffigan, Dowd, Kagan and Rebecca Comerfield (as a psychic) are among the standouts.
Low-budget pic looks fabulous, due in part to Tryon's highly crafted mise-en-scene, Scott Miller's intensely warm cinematography (lensed on well-chosen locales in woodsy southern Maine) and Michael Grasley's production design, seemingly inspired by Binew's nutty, upside-down sense of the world.
Carter Little and O'Connell's score and three blackly comic songs (one co-written with Kline) ideally cap the eccentricity.
Camera (color), Scott Miller; editor, Joe Klotz; music, Carter Little, O'Connell; production designer, Michael Grasley; set decorator, Rafaela Stacheter; costume designer, Negar Ali; sound (Dolby Digital), Anthony Viera; sound designer, John Moros; re-recording mixer, Cory Melious; line producer, Chadwick Clough; associate producers, Elizabeth Destro, Alex Orlovsky; assistant director, Christopher Joy; second unit camera, Ray Flynn; casting, Caroline Sinclair. Reviewed at CineVegas Film Festival, June 10, 2007. Running time: 91 MIN.
With: Sam Goldfarb, Ben Duhl, Matthew Cowles, Peter Paton, Stephen Brian Jones, Colombe Jacobsen-Derstine, Rebecca Comerfield, Mark Shulte, Harlan Baker, Ami Ankin.
3. The Living Wake Review on Film Threat: http://www.filmthreat.com/index.php?section=reviews&Id=10085
Entire Review Here:
K. Roth Binew (O¹Connell) is dying at the end of the day. His doctor has discovered an unnamed untreatable illness that will take the life of the eccentric Binew shortly after nightfall. Such is the plot for one of the funniest, most creative and beyond ridiculous (in a good way) films I¹ve ever seen, ³The Living Wake.² This is one of those reviews that¹s nearly impossible to write because explaining the tone and humor of the film will come nowhere close to expressing what a refreshing blast this film is, but I shall saunter forward and do my best.
Depending on the way you look at him, Binew is either an eccentric or a lunatic. He chugs scotch from the back of his three wheeled bicycle rickshaw which is driven by his best friend, biographer and ingénue Mills (Eisenberg) who is taking his mentors impending death pretty hard. Eisenberg, who is apparently incapable of being in bad movies, is a great straight-man to O¹Conell¹s over-the-top Binew but their relationship allows you to care more about the both of them. They also play hilariously off one another. Or I should say, O¹Connell plays hilariously and Eisenberg¹s character sucks it up perfectly.
I don¹t know who Mike O¹Connell is, but without any hesitation I will say he¹s a brilliant comedian. To even come up with two or three scenes featuring K. Roth Binew traveling with Mills by rickshaw would be hysterical and watchable. Yet he and writer Peter Kline have created a whole movie that really never misses a beat. I also felt director Sol Tryon gave the film a great, distinctive look. It sort of reminded me of Robert Altman¹s ³Popeye² with a hint of ³Harold and Maude² thrown in for good measure.
As Binew¹s final day unspools, he sets about doing some things he¹s always wanted to do. He attempts to make amends with a crabby neighbor and professes his undying love for his childhood nanny, now a geriatric, yet attractive woman. Throughout the day Binew hands out invites to that evenings ³living wake² and the film culminates with the big party to end all parties.
At times ³The Living Wake² felt like a live action cartoon or some kind of fairy tale from a bizarre-o world and I loved it. I can totally see how some people will not know what the hell is going on, and that¹s understandable. Binew speaks in a loud, presentational bellow and is prone to launching into song and dance. But if you allow yourself to fall into the world of ³The Living Wake,² you¹re really in for a treat. Funny, touching, insane, ridiculous and brilliant are just a few words I would use to describe ³The Living Wake.² Films like this need to be seen so seek it out, you¹ll be glad you did.
4. The Living Wake spoken of by Trevor Groth on LA TIMES blog http://vegasblog.latimes.com/
Excerpt:
Q: What are the must see films? A: Despite the huge event of the Oceans's Thirteen opening night, the heart and soul of the festival are the American independents. This year we have some that are at as high a level that you can find anywhere. One would be "The Living Wake" directed by Sol Tryon. He produced a couple films that we premiered at Sundance in January. This is his directorial debut with a film that is a departure from those two films which were urban angst driven films. "The Living Wake" is completely original and bizarre and insightful. I think it is a very special film that is destined to become a cult classic if not reaching an even more widespread audience as well.
5. The Living Wake spoken of by Trevor Groth Film Threat Clip http://www.filmthreat.com/index.php?section=features&Id=1964.
6. The Living Wake LA WEEKLY (coming soon)
Script Pimp July Newsletter 07/06/07
Free
SCRIPT P.I.M.P. JULY NEWSLETTER (http://www.scriptpimp.com)
Congratulations to the twenty finalists of the 2007 Script Pimp Screenwriting Competition. The winners will be announced on July 26th at the Script Pimp Awards Party in Hollywood.
Thanks again to everyone who entered. Remember, we only select finalists, we do not announce quarter or semi-finalists.
Bad Rap - Mark Grisar Birdman McGee: World's Greatest Demolition Derby Driver - Todd Shapiro Broken Hearts Revenge Club - Ian Schnee Canaries - Craig Cambria Deadbeat Boyfriends - Marc Conklin Doll - Edward Windus Fuel - James Roman Ghost Music - Knut Arne Vedaa Living In Limbo - Mike Amato Monstrous Passions - Deborah Baxtrom One Armed Bandit - Bruce Dundore Second Skin - Kim Alan Pederson Spyder - Willie Price The Banner - Tina Juarez The Best Man - Jack Davidson The California Hotel Murders - Rusty Rhodes The Great Quest - Steve Weissman The Melon Man - Mike Palmisciano The Rise of Fred Amazing - Scott Cunningham Whisper - Cory Marciel
Competition Home Page: http://www.scriptpimp.com/writing_competition/home.cfm
=============================================== (2) Script Sales Report (June 2007) =============================================== As predicted, script sales volume was at a yearly high with over 110 recorded sales. A possible writer's strike seems to be the primary cause of the buying increase. Hot genres- children's fantasy and comic books. Adaptations accounted for nearly half of all sales. Specs were robust, pitches were way down. Notable sales included a Sony remake of the Alfred Hitchcock film THE LODGER. Laurence Fishbrune will write and direct the mega-best seller THE ALCHEMIST. Brett Ratner and Brian Grazer are attached to direct and produce the Hugh Hefner bio-pic PLAYBOY. Morgan Freeman is attached to produce and star in the Nelson Mandela bio-pic THE HUMAN FACTOR. Look for another big volume in July before the industry settles down for summer vacation.
=============================================== (4) Ask the Script Pimp Expert ===============================================
Q. I've been told that no one uses 'CUT TO' or other transitions anymore (except for an occasional 'dissolve' to show time passage). If this is the case, is it common to hit 'enter' twice to keep the white on the page that is lost by not using the transition?
A. Yes, you’re absolutely correct, it’s no longer the standard to include CUT TO’s or other editing transitions in a spec. This is really a practical concern. Obviously one scene cuts to the next so these transitions just waste valuable space and clutter the page – particularly if you have a lot of short scenes in succession. It’s fine to throw in a DISSOLVE or two to create a specific effect. But it’s best not to do this.
And yes, to make the break between scenes stand out, most screenplays now leave a double – sometimes even a triple space – between the end of one scene and slug for the next. If you are using a dedicated screenwriting software program you can easily create a rule for under the elements menu for each “scene heading/slug line” that instructs the program to automatically leave a double space before the slug.
We hope this helps,
Your Script Pimp Expert
*Join our Writers Database and we'll answer your specific screenwriting questions. http://www.scriptpimp.com/writers_database/index_wdb.cfm
=============================================== (5) Script Pimp's "The Living Wake" new website for the film ===============================================
We're proud to introduce a website work in progress: www.thelivingwake.com
In case you missed it, on June 8th, Script Pimp's feature film "The Living Wake" premiered at CineVegas and was covered by Robert Koehler of Variety.
Chadwick Clough of Script Pimp served as the producer and line producer for the film.
Full article is here: http://www.variety.com/review/VE1117933902.html?categoryid=31&cs=1&query=living+wake
An Original Media presentation in association with Drops Entertainment, Script Pimp, MonAmi Prods. (International sales: Shoreline Entertainment, Los Angeles.) Produced by Ami Ankin, Chadwick Clough, Peter Kline, Mike O'Connell, Sol Tryon. Directed by Sol Tryon. Screenplay, Mike O'Connell, Peter Kine. K. Roth Binew - Mike O'Connell Mills Joaquin - Jesse Eisenberg Librarian - Ann Dowd Reginald - Eddie Pepitone Lampert Binew - Jim Gaffigan Marla - Diane Kagan Set inside the daft world of its eccentric hero, "The Living Wake" could be termed anything from a black comedy to an absurdist/existentialist literary tale. In the end, however, pic defies all categorization, joining a small pantheon of pics including "Withnail & I" and Peter Greenaway's "Drowning byNumbers" that whistle past the graveyard with aplomb. Marking a stunning feature debut by lead actor and co-writer Mike O'Connell, pic is certain to set tongues wagging at fests and looks primed to do well in theatrical niches and tony ancillary havens.
Opening mock newsreel, titled "The Life and Times of K. Roth Binew," lets auds know they're in for something altogether different. Binew's father (Jim Gaffigan) apparently left the family when Binew was a lad. The boy was rescued from a life of sheer hell by his nanny Marla (Diane Kagan), whom he learned to love in more ways than one. Binew grows up to become a dabbler in the arts, increasingly burdened by the sense that he'll never accomplish a complete work of art, or anything else for that matter.
Newsreel brings the saga up to the present day. Binew's doctor (Sam Goldfarb) has told him he will expire of "a vague and grave disease," and Binew announces -- everything the supremely self-involved and meticulously groomed Binew says is an announcement -- that if he must leave this world, now is as good a time as any.
To this end, Binew assigns his official biographer and driver, Mills Joaquin (Jesse Eisenberg), to transport him around the forested town in his bicycle rickshaw so he can take care of all his final arrangements. The sight of Mills taking Binew to and fro in the rickshaw is a classic absurdist piece as staged by director Sol Tryon, capped by scene after scene of dialogue (written by O'Connell and regular co-writer Peter Kline) that recall Tom Stoppard in their precise, hilarious and mind-expanding use of language.
A proud alcoholic and casual swindler, Binew manages to get free booze out of his "liquorsmith" (Ben Duhl), ventures to the mortuary to demand a Viking-style burial on water, then goes to a farm to steal a goat for a picnic in honor of nanny Marla.
Binew is a man certain of his destiny as a great and elegant loser, and each step leading up to his wake seems to confirm this: His neighbor and arch-nemesis Reginald (Eddie Pepitone) sends Mills off the road by attacking him with smoke, rusty nails and ham steaks, while, in a hilarious sequence, the local librarian (Ann Dowd) firmly refuses to allow Binew to bequeath his books to the facility's collection. And, as if the special world of "The Living Wake" weren't complete enough, Binew bursts into song for a few numbers that lift O'Connell's perf into the realm of Robert Preston's in "The Music Man."While this will surely miff viewers unable to adjust their sights (or ears) to O'Connell's aggressively declarative style, others will be rewarded with one of recent cinema's most distinctive and original lead turns.
In a final test of pic's brilliance, the titular wake (which arrives just before the hour mark and lasts the better part of a half-hour) is everything and more that a K. Roth Binew send-off should be.
Playing opposite the monumental O'Connell would seem to be an impossible assignment, but Eisenberg is note-perfect as his steady servant and go-to guy. Supporting ensemble couldn't be more colorful. Pepitone, Gaffigan, Dowd, Kagan and Rebecca Comerfield (as a psychic) are among the standouts.
Low-budget pic looks fabulous, due in part to Tryon's highly crafted mise-en-scene, Scott Miller's intensely warm cinematography (lensed on well-chosen locales in woodsy southern Maine) and Michael Grasley's production design, seemingly inspired by Binew's nutty, upside-down sense of the world.
Carter Little and O'Connell's score and three blackly comic songs (one co-written with Kline) ideally cap the eccentricity.
=============================================== (6) Quick summary of Script Pimp's Workshop and Database ===============================================
Writers Database Home Page: http://www.scriptpimp.com/writers_database/index_wdb.cfm
The Writers Database features the current needs and submission guidelines for over 1,000 total company listings, 300 film production companies and agencies accepting material from new screenwriters. 242 active query accounts provide writers the access to query prodcuers and agents today!
Writers Workshop Home Page: http://www.scriptpimp.com/script_coverage/index_ww2.cfm
Script P.I.M.P.'s Writers Workshop provides screenwriters with A-level development notes and consultations. A professional story analyst will write extensive notes, 3-6 pages long for $225, giving you a detailed review of the strengths and weaknesses of your screenplay. With a grade of "recommend" Script Pimp will assist you in circulating your work to agents, managers and producers at no charge.
To request more information call 310.401.1155 (10-6pm) or email: info@scriptpimp.com.
Sincerely,
Chadwick Clough Script P.I.M.P. (Pipeline Into Motion Pictures) 8033 W. Sunset Blvd. #3000, Hollywood, CA 90046 p. 310.401.1155 f. 310.564.2021 newsletter@scriptpimp.com www.scriptpimp.com
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ENERGY ENTERTAINMENT HAS UPDATED THEIR SUBMISSION PREFERENCES 06/11/07
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